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Celebrate World Folktales and Fables Week with 10 of Our Favorite Folktale Collections

This week, March 19th to 25th, is World Folktales and Fables Week! Duck Prints Press is celebrating with two blog posts: today’s, which focuses on the folktales, fables, and myths that influenced us as creators, and tomorrow’s, about our favorite folktale-inspired fiction (queer and otherwise).

Love folktales and fables? Join us now and learn about the ones we love – some you may know, some you may not!

D’Aulaires’ Book of Greek Myths by Ingri d’Aulaire & Edgar Parin d’Aulaire (an inspiration for Shadaras)

The first book that comes to mind is D’Aulaires’ Book of Greek Myths (I had to look up the title, but the cover is burned into my memory). While there may be other collections of fairytales and folklore that struck me, this is one of the first ones I read, and it set the stage for my love of mythology in general.


The True Story of the Three Little Pigs! by Jon Scieszka & Lane Smith (an inspiration for Veronica Sanders)

I remember being really inspired by the genre of “a well-known story told from a different perspective” after reading the Jon Scieszka/Lane Smith books in 2nd grade, like The True Story of the Three Little Pigs. I always really liked thinking about folktales and fables from the POV of the “villain.”


Folktale-Inspired Disney Films (an inspiration for Adrian Harley)

I was a Disney-loving child of the 90s, so I am still unpacking the ways that shaped my view of folk stories, stories as a whole, and the world—and reconciling the positive ways these stories shaped me vs. the harms of the Disney corporation.


The Onion Girl (and other stories) by Charles de Lint (an inspiration for Anonymous)

He did an amazing job of blending American and European folklore with ordinary life in all its highs and lows. I don’t know if I could point to a specific story that’s retelling any one folktale, but I can absolutely point to the author as a whole for his folkloric style and tender exploration of magic, queerness, and being outcast. He helped invent the Mythic Fiction subgenre. The Onion Girl lives in my head rent-free.


Folktales of the Amur: Stories from the Russian Far East by Dmitri Nagishkin (an inspiration for Nina Waters)

A collection of eastern Russian folktales that really had a huge impact on me. 30+ years on from when I read them, I honestly couldn’t relate a single one of the stories, but they burrowed so deep into my psyche that when I imagine “folktales that really mattered to me” the first image that comes to mind is the cover. The art throughout the book is just absolutely gorgeous.


The Rose-Beauty – a Turkish Fairy Tale (an inspiration for Alessa Riel)

This is a Turkish fairytale that impressed me because it was cruel even for a fairytale. It‘s about a young woman who is blessed from birth to grow roses in her hair, cry pearls and grow grass wherever she walks and the cruel fate she is dealt because people are jealous of her gifts. It has a happy ending but only just.


A Tale Dark and Grimm by Adam Gidwitz (an inspiration for Sebastian Marie)

It had a HUGE influence on me as a kid, for two main reasons. One, the events of a lot of European fairytales are told as happening to the same two kids and their parents, which creates a really interesting story structure. Two, it’s unabashedly mean and gory and cruel and well, dark and grim. It says that sometimes people are terrible and sometimes bad things happen to decent people. It’s one of the things that made me want to write fairy tales, or at least stories that are a bit gruesome and meant to be told to children.


The Swan-Maiden – a fairy tale (an inspiration for Alessa Riel)

This is a variant of the selkie tale as far as I can tell, only that the women don‘t turn into seals but beautiful swans. It was the version of the lore I first encountered and the unfairness of the women being forced to marry their captor and abuser and then also being cursed for abandoning the children these men forced onto them always resonated deeply with me.


The Blue Light by The Brothers Grimm (an inspiration for Alessa Riel)

In this fairytale a veteran soldier is unjustly treated by the king and then a witch sets him three challenges. The third one is getting her a blue light from a deep well. He refuses to give her the light and she drops him into the well along with the light. It turns out the light can fulfill wishes. Up to this part the veteran looks like a sympathetic person, but he uses those wishes to have the princess dragged to his room three nights in a row to do his bidding against her will. He is finally found out and sentenced to death for this transgression but manages to escape that fate by using the blue light and he gets the kingdom and the princess to boot. I always found this supremely unfair.


Egyptian Mythology (an inspiration for Dei Walker)

I think one of the first books of folktales, legends, or fairy tales I can remember reading repeatedly is a copy of Egyptian myths and legends I used to get out of my local public library when I was young. It was already an old edition in the 1980s and its pages were yellowed, but I would borrow it regularly and lose myself in the stories of life and (un)death along the Nile.


What are some folktales and fables that have inspired YOU? We’d love to hear about them, and maybe find some classical stories to add to our To Be Read piles!

Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Want to make sure you don’t miss the announcement for future giveaways? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!

Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon or ko-fi monthly!

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“He Bears the Cape of Stars” and “She Wears the Midnight Crown” Books and Merchandise Now on Sale!

Duck Prints Press’s anthologies He Bears the Cape of Stars and She Wears the Midnight Crown, featuring 34 stories by 34 authors exploring the potential for mlm and wlw relationships growing and changing during unusual masquerades, are now available! From science fiction to fantasy to modern to historical, these anthologies take the reader to many different settings, with larger-than-life characters exploring the world around them, the people they meet, and themselves! The casts are as diverse as Pride itself, and whether they’re looking for love, a second chance, a companion, or a friend, these books have a little bit of everything!

HE BEARS THE CAPE OF STARS, featuring 17 mlm stories, is available for sale on:

The Duck Prints Press Website | Barnes and Noble | Kobo

SHE WEARS THE MIDNIGHT CROWN, featuring 17 wlw stories, is available for sale on:

The Duck Prints Press Website | Barnes and Noble | Kobo

…and many other major e-book sales platforms! And you can request your library purchase it through the e-book lending program of their choice!

AND THAT’S NOT ALL!

Extra merchandise from the masquerade anthologies crowdfunding campaign is now on sale too! Did you miss the campaign? Are you dying for an amazing tote bag, a gorgeous bookmark, an aromatic candle, a glossy sticker or two, a new patch, or some lovely queer art for your walls? You can get this merch, and lots of merch from our past campaigns, from our website NOW!

She Wears the Midnight Crown merchandise: art print | bookmark | dux sticker

He Bears the Cape of Stars merchandise: art print | bookmark | dux sticker

Other campaign merchandise: chibi masquerade patch | scented candle | tote bag

Was there campaign merch you wanted that’s not available on our store? We have very limited quantities left of our enamel pins, and we have a whole heck of a lot of seconds (as in, damaged copies) of the print books! If your interested, feel free to drop us a line on any of our social media platforms or at info at duckprintspress dot com – we’d be delighted to hook you up!

Come now to the Duck Prints Press website and GET YOUR BOOK ON! You’re not going to want to miss these amazing collections or any of the gorgeous merch!

(and if you can help us spread the word by sharing this post, we’d appreciate it a lot, too!)

Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Want to make sure you don’t miss the announcement for future giveaways? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!

Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, claim free stories, and get backer-exclusive extras when you support our crowdfunding campaigns? Back us on Patreon or ko-fi monthly!

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Celebrating Thesaurus Day

Today is Thesaurus Day! To celebrate, we asked our crew of blog contributors to share their favorite common word and synonym of it. Take a walk through some fabulous words with us…


Our first synonym was offered by Hermit.

slubberdegullion (noun): a dirty rascal, scoundrel, wretch


Our second synonym was offered by Nina Waters (it’s me!).

bemused (adjective): confused, bewildered


Our third synonym was offered by Tris Lawrence.

ubiquitous (adjective): omnipresent, widespread


Our fourth synonym was offered by EC.

holler (noun): a shout, a cry; a small valley (dialectical)


Our fifth synonym was offered by Sebastian Marie.

harangue (noun): a rant, a lecture


Our sixth synonym was offered by Alessa Riel.

epiphany (noun): an illuminating revelation.


Our seventh synonym was offered by annabethlynch (@annabethlynch).

pulchritudinous (adjective): beautiful, alluring


Our eighth synonym was offered by boneturtle.

fell (noun, adjective): a moor (n.); sinister (adj.)


Our ninth synonym was offered by R. L. Houck (who has a story coming out this Saturday, by the by…).

rebuke (verb): reprimand


Our tenth (and, sadly, last) synonym was offered by Adrian Harley.

rapscallion (noun): rascal, ne’er-do-well


What are your favorite synonyms? We’d love to hear!

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Our Ten Favorite Sci-Fi Reads of 2022

To celebrate Science Fiction Day, which is today on January 2nd, 2022, we asked DPP contributors to recommend us their favorite science fiction that they read in 2022! And we got some really awesome answers… (all spelling/grammar is sic the original recommender 😀 )

The Red Scholar’s Wake by Aliette de Bodard. D. V. Morse’s recommendation: “lesbian pirates in space with lots of Vietnamese culture throughout. And so much more I want to say that I keep deleting because spoilers.”

The Long Way to a Small, Angry Planet by Becky Chambers. Cap’s recommendation: “a ‘motley crew/found family on a perilous journey’ story that centers queer, poly, and otherwise non-traditional characters and relationships. Book 1 of a Hugo-winning series, female author.”

The Testing (The Testing Trilogy) by Joelle Charbonneau. Annabeth Lynch’s recommendation: “I absolutely loved it and I never see people talk about it. It’s distopian sci-fi.”

Threadbare (Storm Fronts Series) by Elle E. Ire. boneturtle’s recommendation: “an action-packed futuristic scifi story featuring ruthless mercenary and cyborg Vick, whom no one (including herself) believes is human, and her lover and handler Kelly, the only person who trusts her implicitly. A simultaneously heartwarming and heartbreaking lesbian romance that confronts the nature of love and humanity, and what it means to be the hero when you feel like the villain.”

Firebreak by Nicole Kornher-Stace. Adrian Harley’s recommendation: “one of my favorite books I read this year. It’s got a fun adventure setup about a VR gamer who starts discovering the truth behind the star NPCs of the VR game, PLUS the most chillingly plausible dystopia I’ve ever read, bar none, PLUS an aro/ace protagonist and a central platonic relationship.”

The Spare Man by Mary Robinette Kowal. Dei Walker’s recommendation: “it’s The Thin Man in SPAAAACE with a heroine with chronic pain, a really deftly handled non-gender-binary selection of characters, and queer.”

Winter’s Orbit by Everina Maxwell. alec’s recommendation (without comment).

Scythe by Neal Shusterman. nottesilhouette’s recommendation: “the whole series has queer characters in it though the first book is really focused on like 5 people that are all kinda straight. and I am queer, and I like it.”

Global Examination by Mu Su Li. Nina Waters’s recommendation: “queer semi-dystopian vaguely sci-fi manhua shenanigans!”

The Martian by Andy Weir. Rascal Hartley’s recommendation: “not queer, but definitely one of my absolute favorite reads.”

What were YOUR favorite science fiction reads of 2022? We’d love to hear about them!

Who We Are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more.

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December Storygraph Giveaway: She Wears the Midnight Crown Anthology!

What’s this? Why, it’s Duck Prints Press doing another giveaway on Storygraph! Our two masquerade-themed anthologies, She Wears the Midnight Crown and He Bears the Cape of Stars, will be distributed to crowdfunding-campaign backers in early January, and listed for sale on our website in late February or March. Didn’t back the campaign and want to get a copy of She Wears the Midnight Crown, which features wlw stories set at unusual masquerades or masquerade-inspired settings, before the official release? Well, this is your moment!

What is Storygraph? The awesome independently owned-and-operated alternative to Amazon-owned Goodreads! Working with them as a publisher doing this giveaways has been phenomenal: they’re organized, receptive to feedback, interested in innovative, and responsive. We’re thrilled to continue working with them on giveaways. If you’ve wanted a Goodreads alternative for organizing your reading, posting your reviews, logging your book collections, and more, you should definitely check them out.

What is Duck Prints Press? We’re the indie publisher dedicated to helping creators transition from creating primarily fanworks to creating primarily original works! We especially focus on publishing works featuring LGBTQIA+ characters.

What is She Wears the Midnight Crown? Along with He Bears the Cape of Stars, She Wears the Midnight Crown is one of a a pair of anthologies which share the same theme, but feature different kinds of relationships. For these anthologies, we sought pitches for stories featuring masquerades – the more unusual, the better! While we love classic “historical setting, mistaken identity” shenanigans, we’re looking for stories more out-of-the-box (under-the-mask?) than that. 17 authors contributed wlw stories to this collection, and the works range from heartwarming fluff through dystopian drama!

Want your own copy of this awesome, innovative collection? Enter our giveaway on Storygraph NOW!

Holding out for a copy of He Bears the Cape of Stars? Don’t despair – we’ll be doing a Storygraph giveaway for that one in January, ending February 18th, so keep your eyes peeled and your “enter now!” button click-finger ready!

Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum.

Love what we do? Want to make sure you don’t miss the announcement for future giveaways? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!

Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon or ko-fi monthly and read your fill!

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Monthly Storygraph Giveaway: And Seek (Not) to Alter Me

Duck Prints Press returns to the second round of Storygraph giveaways with our second anthology And Seek (Not) to Alter Me: Queer Fanworks Inspired by William Shakepeare’s “Much Ado About Nothing.

What is Storygraph? The awesome independently owned-and-operated alternative to Amazon-owned Goodreads! Working with them as a publisher doing this giveaways has been phenomenal: they’re organized, receptive to feedback, interested in innovative, and responsive. We’re thrilled to continue working with them on giveaways. If you’ve wanted a Goodreads alternative for organizing your reading, posting your reviews, logging your book collections, and more, you should definitely check them out.

What is Duck Prints Press? We’re the indie publisher dedicated to helping creators transition from creating primarily fanworks to creating primarily original works! We especially focus on publishing works featuring LGBTQIA+ characters.

What is And Seek (Not) to Alter Me? In And Seek (Not) to Alter Me, 16 authors and 16 artists have come together to create an exquisite, full-color collection of artwork and stories inspired by William Shakespeare’s play Much Ado About Nothing. We encouraged contributors to stretch their imaginations, think outside the box, and put their own unique—and queer—twists on Benedick, Beatrice, Hero, Claudio, Don Pedro, and the whole gang! In true Shakespearean fashion, our creators utilize gender, sexuality, romanticism, and a host of costume changes to tell unique artworks and stories—some featuring original characters, some characters from the play—that show Shakespeare’s work in a whole new light.

Want your own copy of this awesome, innovative collection? Enter our giveaway on Storygraph NOW – or, if you don’t want to wait that long and leave it to chance, you can always buy your own copy immediately from our webstore!

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Editing Tips for Beginning Editors

This is a guest post written by Adrian Harley.

Congratulations! If you’re reading this, I’m willing to bet you already have a lot of the skills you need to be an editor. Even among full-time professionals, a lot of editing skill comes from reading a ton—you get an “eye” for when a sentence just doesn’t look right. The more you read professionally edited work, the better you get at it. (Fanfiction is incredible, obviously. But fanfiction has its own quirks, and the grammar and punctuation can vary, so I’m not confident recommending it as a way to brush up your instinctive grasp of when a sentence “looks right.”)

The specifics of what you do as an editor can vary a lot depending on what you’re editing and who you’re editing for, so in this post, I’ll be covering some of the basic principles that I think will be helpful no matter what type of editing you do. Broadly, I’ll be going over language-related tips and profession-related tips. 

Language

I won’t be going over the nuts and bolts of grammar here, as a zillion good guides to it already exist online. Grammar Girl is my go-to free resource, and a lot of grammar and punctuation questions can be easily answered online or in a style guide from your library. I looked up the rules for commas a LOT in my first years of editing, and I still have to double-check them sometimes. A lot of the fiddly details differ between guides (how to write a.m. and p.m.; serial comma), but the nuts and bolts of grammar and punctuation stay the same across guides. 

Professionally, those fiddly details are a big chunk of editing. Do you write out numbers less than 20? Less than 10? Do you capitalize titles like “President” all the time or only in certain situations? There’s no one right answer, which is one of the many reasons there’s no “right guide” to editing. A style guide will decide many of these questions for you. If you pick up editing as a profession, your employer will most likely have a style guide in mind. You may want to pick one for yourself if you do freelance editing. That way, you won’t have to re-decide on every job, and if you get repeat clients, you’ll be sure their text is consistent across all their documents. A “series bible” for fiction works on similar principles. 

Whether you’re looking at those fiddly details or at the big picture, one principle of editing is to never take anything for granted. Someone says there’s five ancient orbs needed to defeat the dragon? You’d better count the orbs. Make sure every proper noun in the story (names of people, places, things) is spelled the same every single time. This is the kind of thing you’ll get quizzed on if you ever apply for a professional editing gig. Every editing job I’ve ever applied to has an “editing test” of at least a page, and it usually has at least one of those errors (if not both).

Another major thing to watch out for is colloquialisms, especially ones that mean multiple things. A short list of common errors I see:

“Since” should only relate to the passage of time; it does not mean “because.”

“While,” again, should only refer to time—two things happening simultaneously. “But,” “although,” “whereas,” and others are good substitutes for the other sense.

“Due to” does not mean “because of,” it means “caused by” (and I’ve seen some editors argue to not even use it for “caused by” and to only use it for when something is owed to someone).

“If” will often need to be replaced with “whether.”

Obviously with dialogue, that’s a whole nother story, but be careful about these in narration, even with a colloquial narrative. They can introduce unintentional double meanings.

When you’re moving from basic accuracy to style, you’ll often need to “tighten up” the language. This might be something you’re used to doing in your own writing. This doesn’t mean all prose should be sparse! But as an editor, part of your job is making sure that every word is contributing something, no matter whether the sentence is flowery or stark. One exercise is to go through and see if you can cut one word from every sentence. Depending on what type of editing you do, you’ll have different “filler words” to look out for. My personal demon is “just,” so I always do a search for that when I’m revising my own work. In my day job, the word “provide” often signals a clunky phrase that could be condensed into a single, better verb (e.g., “provides assistance” vs. “helps”). 

You’ll look for a lot as you edit, so don’t feel like you have to do it all at once. A simple search can make sure you’ve caught issues like “while” and “since.” Other issues are best solved in their own read-through. For me, I try to do a read-through specifically for passive voice. I often skip over passive voice on my all-purpose read because, well, the sentence makes sense, doesn’t it? So my eye simply doesn’t catch it if I’m not on the lookout. As you edit, you’ll figure out what process works best for you.

And to wrap up the language section—checklists are your friend! I used to have a post-it of all the things I knew I struggled with, and I’d systematically search the document for those trip-ups after I did my first read. You can customize your own checklist with whatever snags give you trouble.

Professionalism

A huge part of editing as a professional is in how you interact with other people. Your whole job is telling people they’re wrong, after all, and you often have no control over whether they’ll listen to you. Everything you can do to make the criticism easier for them helps!

My favorite “one weird trick” that my first boss taught me is to turn every criticism into a question. If you’re suggesting a significant revision, “How about…?” is one of my favorite leads. If you have no idea what’s going on, do your best to figure out what might be causing the issue, then form a question around that. “Are there missing words here?” is kinder and more useful than “Huh?”

Essentially, your role as an editor is to advocate for the reader. This “reader stand-in” role can help frame critique as well. Will the reader understand this? If you’re in one of the more-technical editing jobs, that question may be completely necessary. As an editor for scientific research, I’m often editing documents meant for people who know way more about the subject matter than I do. The framing of “the reader” is also a useful tool in your toolbox for fiction. You may be editing something that you are not the target audience for. Or, on the other end of the scale, you may know without question that you’re reading something incomprehensible. The polite device of “the reader” helps add a level of depersonalization to the critique.

Unsurprisingly, for editing, communication is key before you even start work. “Editing” covers a huge range of possibilities. Make sure you and the author are on the same page. Do they want a proofread—only correcting glaring errors? Do they want you to improve the phrasing of sentences? It can go all the way up to practically rewriting the thing, if you’re working at a corporation and the authors aren’t professionals. This conversation beforehand will let you know whether you should make “artistic” suggestions as you read, whether you need to stick with nuts and bolts, or something in between.

If the author says they only need a proofread and you discover the whole thing is terrible, that’s when some tactful emails come into play. Never start doing a higher-level edit unless you’ve talked about it with the author first. You have much better odds of an affirmative if they feel like they’re collaborating with you–that you’re both in it together to make the best document possible. As far as the tactful emails go, be kind and be specific. If you have examples of what you’d like to correct, throw those in. It helps the author know what to expect and make an informed decision.

And sometimes the author says no, and that’s okay! You must wash your hands of it. It’s not your name on the thing, and if you don’t put it in your resume, it never will be (fresh out of college, I worked on a couple truly awful novels that nobody will ever know I worked on). Perfectionism is HARD to overcome, I know, but accepting the errors gets easier with practice.

And finally, if you’re still wondering, “Am I cut out to be an editor?” I would recommend the words of Neil Gaiman. In his excellent “Make Good Art” speech, he says that as a freelance artist, you need to do good work, do it on time, and be pleasant to work with. And then, he adds, “You don’t even need all three! Two out of three is fine.” I recommend the whole thing if you ever want to battle imposter syndrome, because the same tenets apply to editing. At least I think they do. You don’t need to be the perfect editor—nobody is. But I guarantee that you have most of what you need already, and I hope this has helped.

Biography

Adrian Harley, one of Duck Prints Press’s editors, has been a full-time professional editor of scientific research for 10 years. Their freelance and ad-hoc editing has run the gamut from books to blog posts to family members’ cover letters. They’ve been published in Duck Prints Press’ And Seek (Not) to Alter Me and the forthcoming She Wears the Midnight Crown, as well as OFIC Magazine. 

Want to learn more?

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Round Table: What Software Do You Find Helpful for Your Writing Process?

We asked our authors what software helps them write – and got a range of answers! 

Contributors: Adrian Harley, boneturtle, D. V. Morse, not-gwaenchanha, theirprofoundbond, Tris Lawrence, unforth


Discord 

Tris Lawrence: Lately Discord is becoming critical because that’s how I’m making notes for my series bible with a combination of private folders and channels to split out information

(boneturtle +1, unforth +1)


Evernote

not-gwaenchanha: I use Evernote for all the ideas, makes them easy to sort. One notebook (or even a notebook stack) per WIP. It lets you interlink notes, use tags to sort stuff. It also has a webclipper browser extension which lets you copy websites or parts of them straight into the notebook which is super helpful for research. Free version can be used on two devices.

Image from the Evernote website…they didn’t have anything writing-related, apologies.


Google Suite (G Docs, G Sheets, G Keep)

Hermit: Gdoc for me because my writing tends to happen on my couch/at the coffee shop and thus on my phone a lot (I am totally the person who brings a wireless mechanical keyboard to the coffee shop). I also make use of Google Keep for research notes. And a notebook with some frixion pens.

D. V. Morse: At the moment, I’m tracking things in Google Sheets, which is great (except there’s a lot of functionality from Trello that I’m missing).

not-gwaenchanha: I use gDocs to write, mainly because I don’t have to worry I’ll lose everything if technology decides it hates me, but it also allows me to write from my phone and easily share with my beta. Google keep is where all the “darlings” go when I kill them a.k.a scraps of text that are good but don’t fit. It’s got a nice integration with google docs, you can send stuff there straight from the doc from the context menu and then move all the scraps into one “scraps” doc 

(unforth +1, theirprofoundbond +1, Adrian Harley +1)


Microsoft Word

Adrian Harley: I have been using the same laptop since 2012, and when the hard drive gave out in 2020, my independent computer repair shop was kind enough to reinstall the 2010 versions of Microsoft Office so I didn’t have to pay a subscription for them. It’s what I’m used to. The “styles” function lets me find chapters easily, and it’s easy for me to leave comments for myself when I see an issue and don’t want to resolve it right at that moment. I think the free Microsoft Word, whatever they’re calling it, has those basic features too, though I’m not positive.

(unforth +1)


Miro (formerly RealTimeBoard) 

not-gwaenchanha: it’s an endless white board. Great for visual plotting. You can put in sticky notes, tables etc. I also like to upload images to it to make a private moodboard for the story.

Image is from the Miro website.


Notes App (IOS, Android)

Adrian Harley: I prefer to use the Notes app on the go. It’s just as easy as Google Drive, it doesn’t freak out if I’m not connected to the internet, and I have to copy and paste the text from any portable software to my document record of choice anyway. 

(boneturtle +1, unforth +1)


Notion

theirprofoundbond: There is a desktop version and an app, with syncing between both. You can use it for writing but I prefer Google Docs for that. Instead, I’ve built myself a wiki, basically. My “Writing HQ” contains: current editing projects; word count table to track my daily word counts; gallery of my WIPs, which is pretty and motivating, and each “card” contains metadata and promotional info for each project; calendar for my posting schedule; and a gallery of completed work. Notion is incredibly customizeable with great documentation to help you get your head around all the possibilities. It’d be a great home for a worldbuilding bible, too, I think!

(boneturtle +1)


Scrivener

unforth: I use Scrivener for organizing my notes and research, its flashcard system is great for that.

Tris Lawrence: I live and die by a combination of Scrivener and Sprinting. Scrivener was the first piece of software I found that works the way my brain works, from the scrap documents to writing in the margins to index cards, and being able to organize it roughly but have it export pretty when I need it.

D. V. Morse: The main software I use is Scrivener, right up until it’s time for critique/beta reading. Then everything goes into GDocs. I’ve experimented with mind-mapping apps with variable results.

Adrian Harley: Scrivener was incredibly helpful for my novella when I decided to turn it into a novel. It let me keep track of different drafts by chapter, so I could note which versions my writing group had already looked at. It also was easy to add in the “flashback” narrative that I’ve interspersed throughout the book.

Image from the Scrivener website.


SmartEdit Writer (formerly Atomic Scribbler)

boneturtle: It’s a free word processor that has all the functions of Scrivener that I need and none of the confusing extras, is default dark mode, tracks my word count by scene and by entire project, and allows me to document and organize my writing projects from one-shots to novel length works. I use Discord for collaboration and have occasionally used Notion to organize writing prompts and story bible information, but most of that I also keep in Smart Edit, so it ends up being a bit redundant.

Image from the SmartEdit Writer website.


Spotify and Pandora:

not-gwaenchanha: because music helps my brain switch into the writing mode

unforth: I definitely use Pandora, music helps a lot

(theirprofoundbond +1)


Sprinto

Tris Lawrence: I cannot survive without a timer somewhere, because that’s how I can force myself to focus in 20-30 minute spaces. 


StayFocusd

unforth: it’s an extension that shuts off internet access for a specified amount of time, and it helped me not get distracted by All The Social Media. (I don’t use Chrome anymore, but when I did…)


Trello

D. V. Morse: I’ve always loved Trello for organizing workflow and really need to get on that again. 


Tris Lawrence’s Word Tracking Spreadsheet

Adrian Harley: I have also tried a bunch of different software to track word count, because Number Go Up makes my brain happy. Can I recommend Tris’s spreadsheet? That got me through a few months.

Tris Lawrence: I am slightly laughing that I didn’t call out my own tracking spreadsheet. Probably because I’ve been SO focused on notes lately that I haven’t gotten new words in uhhhh months. But obviously, yes, when writing I live and die by that as well! I love my charts. I loved the charts on the old NaNo site and wanted them year round. I wanted to be able to set goals and see how I was doing. I wanted to do comparisons. I wanted to see writing across weeks, months, and years, and it helped me learn that zero days and fluctuation were OKAY.

Image from Tris’s 2022 spreadsheet blog post


What is your favorite software to use to help you write? We’d love to hear from you!

Have a question for us? Drop us an ask anytime!

Love what we do? Consider supporting us on Patreon or ko-fi.

Note that none of these comments should be interpreted as Duck Prints Press endorsing these products.

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“And Seek (Not) to Alter Me: Queer Fanworks Inspired by Shakespeare’s ‘Much Ado About Nothing'” – Now Available in Our Webstore!

Did you miss our crowdfunding campaign for And Seek (Not) to Alter Me: Queer Fanworks Inspired by William Shakespeare’s “Much Ado About Nothing”? Was there merch you wanted that you didn’t get? Have you been eagerly awaiting it’s arrival in our webstore (haven’t we all been?)? Well YOUR TIME HAS COME!

In And Seek (Not) to Alter Me, 16 authors and 16 artists have come together to create an exquisite, full-color collection of artwork and stories inspired by William Shakespeare’s play Much Ado About Nothing. We encouraged contributors to stretch their imaginations, think outside the box, and put their own unique—and queer—twists on Benedick, Beatrice, Hero, Claudio, Don Pedro, and the whole gang! In true Shakespearean fashion, our creators utilize gender, sexuality, romanticism, and a host of costume changes to tell unique artworks and stories—some featuring original characters, some characters from the play—that show Shakespeare’s work in a whole new light.

And now, you can get your very own e-book copy from our webstore! Only $9.99 for 16 phenomenal stories and 20 gorgeous art pieces!

We’ve also listed four merchandise items from the original crowdfunding campaign that we have extras of – if you want ‘um, you’d better grab ‘um, because once these extras are sold out, we will never be making more!

Art Prints of the Front Cover

(featuring the gorgeous artwork by Gio Guimarães in all it’s colorful, queer glory!)


Art Prints of the Back Cover

(featuring even more of Gio Guimarães‘s wonderful work!)


“Taming My Wild Heart to thy Loving Hand” Bookmark

(with artwork by Alicia Matheson and the signatures of our contributors!)


Bard Dux Sticker

(created by Alessa Riel)


Don’t Miss Out! Visit Our Store Today!