This week, March 19th to 25th, is World Folktales and Fables Week! Duck Prints Press is celebrating with two blog posts: today’s, which focuses on the folktales, fables, and myths that influenced us as creators, and tomorrow’s, about our favorite folktale-inspired fiction (queer and otherwise).
Love folktales and fables? Join us now and learn about the ones we love – some you may know, some you may not!
The first book that comes to mind is D’Aulaires’ Book of Greek Myths (I had to look up the title, but the cover is burned into my memory). While there may be other collections of fairytales and folklore that struck me, this is one of the first ones I read, and it set the stage for my love of mythology in general.
I remember being really inspired by the genre of “a well-known story told from a different perspective” after reading the Jon Scieszka/Lane Smith books in 2nd grade, like The True Story of the Three Little Pigs. I always really liked thinking about folktales and fables from the POV of the “villain.”
I was a Disney-loving child of the 90s, so I am still unpacking the ways that shaped my view of folk stories, stories as a whole, and the world—and reconciling the positive ways these stories shaped me vs. the harms of the Disney corporation.
The Onion Girl (and other stories) by Charles de Lint (an inspiration for Anonymous)
He did an amazing job of blending American and European folklore with ordinary life in all its highs and lows. I don’t know if I could point to a specific story that’s retelling any one folktale, but I can absolutely point to the author as a whole for his folkloric style and tender exploration of magic, queerness, and being outcast. He helped invent the Mythic Fiction subgenre. The Onion Girl lives in my head rent-free.
A collection of eastern Russian folktales that really had a huge impact on me. 30+ years on from when I read them, I honestly couldn’t relate a single one of the stories, but they burrowed so deep into my psyche that when I imagine “folktales that really mattered to me” the first image that comes to mind is the cover. The art throughout the book is just absolutely gorgeous.
This is a Turkish fairytale that impressed me because it was cruel even for a fairytale. It‘s about a young woman who is blessed from birth to grow roses in her hair, cry pearls and grow grass wherever she walks and the cruel fate she is dealt because people are jealous of her gifts. It has a happy ending but only just.
It had a HUGE influence on me as a kid, for two main reasons. One, the events of a lot of European fairytales are told as happening to the same two kids and their parents, which creates a really interesting story structure. Two, it’s unabashedly mean and gory and cruel and well, dark and grim. It says that sometimes people are terrible and sometimes bad things happen to decent people. It’s one of the things that made me want to write fairy tales, or at least stories that are a bit gruesome and meant to be told to children.
This is a variant of the selkie tale as far as I can tell, only that the women don‘t turn into seals but beautiful swans. It was the version of the lore I first encountered and the unfairness of the women being forced to marry their captor and abuser and then also being cursed for abandoning the children these men forced onto them always resonated deeply with me.
In this fairytale a veteran soldier is unjustly treated by the king and then a witch sets him three challenges. The third one is getting her a blue light from a deep well. He refuses to give her the light and she drops him into the well along with the light. It turns out the light can fulfill wishes. Up to this part the veteran looks like a sympathetic person, but he uses those wishes to have the princess dragged to his room three nights in a row to do his bidding against her will. He is finally found out and sentenced to death for this transgression but manages to escape that fate by using the blue light and he gets the kingdom and the princess to boot. I always found this supremely unfair.
I think one of the first books of folktales, legends, or fairy tales I can remember reading repeatedly is a copy of Egyptian myths and legends I used to get out of my local public library when I was young. It was already an old edition in the 1980s and its pages were yellowed, but I would borrow it regularly and lose myself in the stories of life and (un)death along the Nile.
What are some folktales and fables that have inspired YOU? We’d love to hear about them, and maybe find some classical stories to add to our To Be Read piles!
Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum.Love what we do? Want to make sure you don’t miss the announcement for future giveaways? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!
Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon or ko-fi monthly!
Today, for the first time, I spotted someone posting AI-generated images (I refuse to call them AI “art” – and to be clear, that’s correct of me, because at least in the US it literally LEGALLY isn’t art) without any label indicating they were AI generated. I am not necessarily against the existence of AI-generated images (though really…considering all the legal issues and the risks of misuse, I’m basically against them); I think they potentially have uses in certain contexts (such as for making references) and I also think that regardless of our opinions, we’re stuck with them, but they’re also clearly not art and I don’t reblog them to the art side blogs.
The images I spotted today had multiple “tells,” but they were still accumulating notes, and I thought it might be a good moment to step back and point out some of the more obvious tells because my sense is that a LOT of people are against AI-generated images being treated as art, and that these people wouldn’t want to support an AI-generator user who tried to foist off their work as actual artwork, but that people don’t actually necessarily know how to IDENTIFY those works and therefore can inadvertently reblog works that they’d never support if they were correctly identified. (Similar to how the person who reposts and says “credit to the artist” is an asshole but they’re not the same as someone who reposts without any credit at all and goes out of their way to make it look like they ARE the artist when they’re not).
Toward that end, I’ve downloaded all the images I spotted on this person’s account and I’m going to use them to highlight the things that led me to think they were AI art – they posted a total of 5 images to a few major danmei tags the last couple days, and several other images not to specific fandoms (I examined 8 images total). The first couple I was suspicious, but it wasn’t til this morning that I spotted one so obvious that it couldn’t be anything BUT AI art. I am NOT going to name the person who did this. The purpose of this post is purely educational. I have no interest whatsoever in bullying one rando. Please don’t try to identify them; who they are is genuinely irrelevant, what matters is learning how to recognize AI art in general and not spreading it around, just like the goal of education about reposting is to help make sure that people who repost don’t get notes on their theft, to help people recognize the signs so that the incentive to be dishonest about this stuff is removed.
But first: Why is treating AI-generated images as art bad?
I’m no expert and this won’t be exhaustive, but I do think it’s important to first discuss why this matters.
On the surface, it’s PERHAPS harmless for someone to post AI-generated images provided that the image is clearly labeled as AI-generated. I say “perhaps” because in the end, as far as I’m aware, there isn’t a single AI-generation engine that’s built on legally-sourced artwork. Every AI (again, to the best of my knowledge) has been trained using copyrighted images usually without the permission of the artists. Indeed, this is the source of multiple currentlawsuits. (and another)
But putting that aside (as if it can be put aside that AI image generators are literally unethically built), it’s still problematic to support the images being treated as art. Artists spend thousands of hours learning their craft, honing it, sharing their creations, building their audiences. This is what they sell when they offer commissions, prints, etc. This can never be replicated by a computer, and to treat an AI-generated image as in any way equivalent is honestly rude, inappropriate, disgusting imo. This isn’t “harmless”; supporting AI image creation engines is damaging to real people and their actual livelihoods. Like, the images might be beautiful, but they’re not art. I’m honestly dreading someone managing to convince fandom that their AI-generated works are actual art, and then cashing in on commissions, prints, etc., because people can’t be fussed to learn the difference. We really can’t let this happen, guys. Fanartists are one of the most vibrant, important, prominent groups in all our fandoms, and we have to support them and do our part to protect them.
As if those two points aren’t enough, there’s already growing evidence that AI-generated works are being used to further propagandists. There are false images circulating of violence at protests, deep-fakes of various kinds that are helping the worst elements of society to push their horrid agendas. As long as that’s a facet of AI-generated works, they’ll always be dangerous.
I could go on, but really this isn’t the main point of my post and I don’t want to get bogged down. Other people have said more eloquently than I why AI-generated images are bad. Read those. (I tried to find a good one to link but sadly failed; if anyone knows a good post, feel free to send it and I’ll add the link to the post).
Basically: I think a legally trained AI-image generator that had built-in clear watermarks could be a fun toy for people who want reference images or just to play with making pseudo-art. But…that’s not what we have, and what we do have is built on theft and supports dystopia so, uh. Yeah fuck AI-generated images.
How to recognize AI-Generated Images Made in an Eastern Danmei Art Style
NOTE: I LEARNED ALL THE BASICS ON SPOTTING AI-GENERATED IMAGES FROM THIS POST. I’ll own I still kinda had the wool over my eyes until I read that post – I knew AI stuff was out there but I hadn’t really looked closely enough to have my eyes open for specific signs. Reading that entire post taught me a lot, and what I learned is the foundation of this post.
This post shouldn’t be treated as a universal guide. I’m specifically looking at the tells when AI is emulating the kind of art that people in danmei fandoms often see coming from Weibo and other Chinese, Japanese, and Korean platforms, works made by real artists. For example, the work of Foxking (狐狸大王a), kokirapsd, and Changyang (who is an official artist for MDZS, TGCF, and other danmei works). This work shares a smooth use of color, an aim toward a certain flavor of realism, an ethereal quality to the lighting, and many other features. (Disclaimer: I am not an artist. Putting things in arty terms is really not my forte. Sorry.)
So, that’s what these AI-generated images are emulating. And on the surface, they look good! Like…
…that’s uncontestably a pretty picture (the white box is covering the “artist’s” watermark.) And on a glance, it doesn’t necessarily scream “AI generated”! But the devil is in the details, and the details are what this post is about. And that picture? Is definitely AI generated.
This post is based on 8 works I grabbed from a single person’s account, all posted as their own work and watermarked as such. Some of the things that are giveaways only really show when looking at multiple pieces. I’m gonna start with those, and then I’ll highlight some of the specifics I spotted that caused me to go from “suspicious” to “oh yeah no these are definitely not art.”
Sign 1: all the images are the exact same size. I mean, to the pixel: 512 x 682 pixels (or 682 x 512, depending on landscape or portrait orientation). This makes zero sense. Why would an artist trim all their pieces to that size? It’s not the ideal Tumblr display size (that’s 500 x 750 pixels). If you check any actual artist’s page and look at the full-size of several of their images, they’ll all be different sizes as they trimmed, refined, and otherwise targeted around their original canvas size to get the results they wanted.
Sign 2: pixelated. At the shrunken size displayed on, say, a mobile Tumblr feed, the image looks fine, but even just opening the full size upload, the whole thing is pixelated. Now, this is probably the least useful sign; a lot of artists reduce the resolution/dpi/etc. on their uploaded works so that people don’t steal them. But, taken in conjunction with everything else, it’s definitely a sign.
Those are the two most obvious overall things – the things I didn’t notice until I looked at all the uploads. The specifics are really what tells, though. Which leads to…
Sign 3: the overall work appears to have a very high degree of polish, as if it were made by an artist who really really knows what they’re doing, but on inspection – sometimes even on really, REALLY cursory inspect – the details make zero sense and reflect the kinds of mistakes that a real artist would never make.
So, here’s the image that I saw that “gave it away” to me, and caused me to re-examine the images that had first struck me as off but that I hadn’t been able to immediately put my finger on the problem. I’ve circled some of the spots that are flagrant.
Do you see yet? Yes? Awesome, you’re getting it. No? Okay, let’s go point by point, with close ups.
Sign 4: HANDS. Hands are currently AI’s biggest weakness, though they’ve been getting better quickly and honestly that’s terrifying. But whatever AI generated this picture clearly doesn’t get hands yet, because that hand is truly an eldritch horror. Look at this thing:
It has two palms. It has seven fingers. It’s basically two hands overlaid over each other, except one of those hands only has four fingers and the other has three. Seeing this hand was how I went from “umm…maybe they’re fake? Maybe they’re not???” to “oh god why is ANYONE reblogging this when it’s this obvious?” WATCH THE HANDS. (Go back up to that first one posted and look at the hand, you’ll see. Or just look right below at this crop.) Here’s some other hands:
Sign 5: Hair and shadows. Once I started inspecting these images, the shadows of the hair on the face was one of the things that was most consistently fucked up across all the uploaded pictures. Take a look:
There’s shadows of tendrils on the forehead, but there’s no corresponding hair that could possibly have made those shadows. Likewise there’s a whole bunch of shadows on the cheeks. Where are those coming from? There’s no possible source in the rest of the image. Here’s some other hair with unrelated wonky shadows:
Sign 6: Decorative motifs that are really just meaningless squiggles. Like, artists, especially those who make fanart, put actual thought into what the small motifs are on their works. Like, in TGCF, an artist will often use a butterfly motif or a flower petal motif to reflect things about the characters. An AI, though, can only approximate a pattern and it can’t imbue those with meanings. So you end up with this:
What is that? It’s nothing, that’s what. It’s a bunch of squiggles. Here’s some other meaningless squiggle motifs (and a more zoomed-in version of the one just above):
Sign 7: closely related to meaningless squiggle motifs is motifs that DO look like something, but aren’t followed through in any way that makes sense. For example, an outer garment where the motifs on the left and the right shoulder/chest are completely different, or a piece of cloth that’s supposed to be all one piece but that that has different patterns on different sections of it. Both of these happen in the example piece, see?
The first images on the top left is the left and right shoulder side by side. The right side has a scalloped edge; the left doesn’t. Likewise, in the right top picture, you can see the two under-robe lapels; one has a gold decoration and the other doesn’t. And then the third/bottom image shows three sections of the veil. One (on the left) has that kind of blue arcy decoration, which doesn’t follow the folds of the cloth very well and looks weird and appears at one point to be OVER the hair instead of behind it. The second, on top of the bottom images, shows a similar motif, except now it’s gold, and it looks more like a hair decoration than like part of the veil. The third is also part of the same veil but it has no decorations at all. Nothing about this makes any sense whatsoever. Why would any artist intentionally do it that way? Or, more specifically, why would any artist who has this apparent level of technical skill ever make a mistake like this?
They wouldn’t.
Some more nonsensical patterns, bad mirrors, etc. (I often put left/right shoulders side by side so that it’d be clearer, sorry if it’s weird):
Sign 8: bizarre architecture, weird furniture, etc. Most of the images I’m examining for this post have only partial backgrounds, so it’s hard to really focus on this, but it’s something that the post I linked (this one) talks about a lot. So, like, an artist will put actual thought into how their construction works, but an AI won’t because an AI can’t. There’s no background in my main example image, but take a look at this from another of my images:
On a glance it’s beautiful. On a few seconds actually staring it’s just fucking bizarre. The part of the ceiling on the right appears to be domed maybe? But then there’s a hard angle, then another. The windows on the right have lots of panes, but then the one on the middle-left is just a single panel, and the ones on the far left have a complete different pane model. Meanwhile, also on the left side at the middle, there’s that dark gray…something…with an arch that mimics the background arches except it goes no where, connects to nothing, and has no apparent relationship to anything else going on architecturally. And, while the ceiling curves, the back wall is straight AND shows more arches in the background even though the ceiling looks to end. And yes, some of this is possible architecture, but taken as a whole, it’s just gibberish. Why would anyone who paints THAT WELL paint a building to look like THAT? They wouldn’t. It’s nonsense. It’s the art equivalent of word salad. When we look at a sentence and it’s like “dog makes a rhythmical salad to betray on the frame time plot” it almost resembles something that might mean something but it’s clearly nonsense. This background is that sentence, as art.
Sign 9: all kinds of little things that make zero sense. In the example image, I circled where a section of the hair goes BELOW the inner robe. That’s not impossible but it just makes zero sense. As with many of these, it’s the kind of thing that taken alone, I’d probably just think “well, that was A Choice,” but combined with all the other weird things it stands out as another sign that something here is really, really off. Here’s a collection of similar “wtf?” moments I spotted across the images I looked at (I’m worried I’m gonna hit the Tumblr image cap, hence throwing these all in one, lol.)
You have to remember that an actual artist will do things for a reason. And we, as viewers, are so used to viewing art with that in mind that we often fill in reasons even when there aren’t. Like, in the image just about this, I said, “what the heck are these flowers growing on?” And honestly, I COULD come up with explanations. But that doesn’t mean it actually makes sense, and there’s no REASON for it whatsoever. The theoretical same flowers are, in a different shot, growing unsupported! So…what gives??? The answer is nothing gives. Because these pieces are nothing. The AI has no reason, it’s just tossing in random aesthetic pieces together in a mishmash, and the person who generated them is just re-generating and refining until they get something that looks “close enough” to what they wanted. It never was supposed to make sense, so of course it doesn’t.
In conclusion…
After years of effort, artists have gotten across to most of fandom that reposts are bad, and helped us learn strategies for helping us recognize reposts, and given us an idea of what to do when we find one.
Fandom is just at the beginning of this process as it applies to AI-generated images. There’s a LOT of education that has to be done – about why AI-generated images are bad (the unethical training using copyrighted images without permission is, imo, critical to understanding this), and about how to spot them, and then finally about what to do when you DO find them.
With reposts, we know “tell original artist, DCMA takedowns, etc.” That’s not the same with these AI-images. There’s no original owner. There’s no owner at all – in the US, at least, they literally cannot be copyrighted. Which is why I’m not even worrying about “credit” on this post – there’s nothing stolen, cause there’s nothing made. So what should you do?
Nothing. The answer is, just as the creator has essentially done nothing, you should also do nothing. Don’t engage. Don’t reblog. Don’t commission the creator or buy their art prints. If they do it persistently and it bothers you, block them. If you see one you really like, and decide to reblog it, fine, go for it, but mark it clearly – put in the ACTUAL COMMENTS (not just in the tags!) that it’s AI art, and that you thought it was pretty anyway. But honestly, it’d be better to not engage, especially since as this grows it’s inevitable that some actual artists are going to start getting accused of posting AI-generated images by over-zealous people. Everyone who gets a shadow wrong isn’t posting AI-generated images. A lot of these details are insanely difficult to get correct, and lots of even very skilled, accomplished artists, if you go over their work with a magnifying glass you’re going to find at least some of these things, some weirdnesses that make no sense, some shadows that are off, some fingers that are just ugh (really, getting hands wrong is so relatable. hands are the fucking worst). It’s not about “this is bad art/not art because the hand is wrong,” it’s specifically about the ways that it’s wrong, the way a computer randomly throws pieces together versus how actual people make actual mistakes. It’s all of the little signs taken as a whole to say “no one who could produce a piece that, on the surface, looks this nice, could possibly make THIS MANY small ‘mistakes.'”
The absolute best thing you can do if you see AI-generated images being treated as real art is just nothing. Support actual artists you love, and don’t spread the fakes.
Thanks for your time, everyone. Good luck avoiding AI-generated pieces in the future, please signal boost this, and feel free to get in touch if you think I can help you with anything related to this.
Our monthly “created works round-ups” are Duck Prints Press’s opportunity to spotlight some of the amazing work that people working with us have done that ISN’T linked to their work with Duck Prints Press. We include fanworks, outside publications, and anything else that creators feel like sharing with y’all! Inclusion is voluntary and includes anything that they decided “hey, I want to put this on the created work’s round-up!”
fiction || alice in borderland tv/manga || f/f, f/m || chishiya shuntaro/original female character || explicit || graphic depictions of violence || 203,787 || complete
summary: Heddie is an American veterinarian visiting a former classmate in Tokyo. Only three hours after landing in the country, she finds herself in an alternate version of Tokyo. In a warped game of Tag, she meets several people whose lives will become entwined with hers in the months to come.
other tags: AU-Canon divergence, Original Character as Main character, Asexual Main Character, Medical Procedures, Blood and Injury, Slow Build/Burn, BDSM
fiction || rupaul’s drag race rpf || platonic or familial, f/f || bianca del rio/courtney act, bianca del rio & adore delano (parent/child), courtney act & adore delano (parent/child), bianca del rio/miss fame || explicit || no major warnings apply || 89,738 || ongoing series
summary: A queer, lesbian, genderfuck version of The Parent Trap. Bianca (a womanizing fashion designer) and Courtney (a trans youtuber and philanthropist) have been estranged for years after an acrimonious divorce. But they still want their twins, Adore and Danny, to get along, so they send them to a performing arts summer camp to bond, and end up with a lot more than they bargained for.
other tags: trans main character, parent trap au, inspired by a true story, family fic, gender swap, comedy, fluff, angst, story is mostly okay for general readers, but does contain some smut in clearly marked chapters, tw for some transphobia
Who We Are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!
I have strep throat, so our regular blogging schedule is having an interruption. Instead, here’s a blog post I wrote for my personal account a couple years ago. The original link is here. I’ve x-ed out things that are no longer relevant/accurate and added a little information.
So, English-Speaking Danmei Fandom, You Want to Support Authors…
…and so do I, so here’s my dumb white English-more-or-less-only (I speak a small amount of Japanese…it vaguely sort of kind of helps) speaking ass, doing a little homework that hopefully will help others? This is not exhaustive, not complete, not better than resources others have made, but I checked things I personally cared about, and since I’ve done the research, I figure I might as well toss the info out into the wild.
First – as Suika linked, HERE IS AN AMAZING GUIDE TO HELP YOU MAKE A JJWXC ACCOUNT and it teaches you how to use it. It was created by Shoko Translates and it’s incredibly clear and easy to use and you should use it and trust anything they say over literally anything in this post, because I only have the vaguest idea what I’m talking about but they know their shit.
Google translate on Chrome works decently to make the site English…but doesn’t work well in any other respect; overall it functions WAY better on Firefox even if it’s umpteen times harder to figure out what anything says.
Use the guide to make your account; I couldn’t get it to successfully send my phone a text, but I had zero problems when I switched to e-mail. Chrome translate is definitely easier for making the actual account, but then it’s better to switch.
Once you’ve got the account and you log in…
…so, I have no idea what either of those two I’ve circled say (USE THE LINKED GUIDE, IT’LL TELL YOU) but I know that if you click either of them, you get a huge list of authors and book titles, with genre notes, hits, publication date, etc. More importantly, you get a search bar – you can see it right below my silly black circle.
Congratulations, you can now find the things you want to support using search! The first option in the search drop down is book, and it brings up the actual book but also a lot of superfluous stuff. I had way better luck searching by author, which is the second option on the drop down menu.
Now that you know how to search – when I sat down with this today, my goal wasn’t yet to actually pay for anything, I just wanted a sense of how many points things would cost, and I wanted to be able to look that up. So, that’s this post’s goal, and sorry I’m a little disjointed in presenting that out, I got like no sleep last night. Anyway. The point is, based on that link I provided (DID YOU USE IT YET? YOU SHOULD):
10,000 points on JJWXC cost approximately USD 17. Convert as needed for your own currency. Or, one point costs 0.17 cents. (To be clear: that’s about 2 tenths of a cent, not 17 cents.)
With that basic conversion, once you have an account, you can see how many points things cost, and therefore calculate how much they’d cost you in $$$ to support the author. Anyway, I haven’t actually figured out ANY of the money parts of this yet, because I wanted to figure out how many points the books I would want to support were before I even attempted money stuff. My thinking with this post was – if you, like me, were holding back cause you were wondering about expense…well, here, have some answers about expense, and probably in a day or four I’ll sit down and try to figure out the money part, and I’ll do another post then. Or, you can just use that guide I linked. Cause that’s what I’m going to do.
So, what/who do you want to support?
Priest (search for author: priest)
镇魂 (Zhen Hun/Guardian). Point cost: 1,742. In USD: $2.96 (Censors removed this from JJWXC but it’ll be coming out in English translation later in 2023)
天涯客 (Tian Ya Ke/Faraway Wanderers/Word of Honor). Point cost: 943. In USD: $1.60
有匪 (You Fei/Legend of Fei). Point cost: 3,031. In USD: $5.15
杀破狼 (Sha Po Lang). Point cost: 2,673. In USD: $4.54 (This will be coming out in English translation later in 2023)
七爷 (Qi Ye/Lord Seventh). Point cost: 934. In USD: $1.59
(This is not an exhaustive list, but you can search for others – the Priest Wikipedia page gives a full list of Chinese names, translations, adaptations, etc.)
墨香铜臭 (Mo Xiang Tong Xiu, search for author: 墨香铜臭)
All MXTX works have been removed/censored from JJWXC since I originally wrote this post, but they’re now all available in official English translations and in many other languages as well.
肉包不吃肉 (Rou Bao Bu Chi Rou/Meatbun Doesn’t Eat Meat, search for author: 肉包不吃肉)
二哈和他的白猫师尊 (Er Ha He Ta De Bai Mao Shizun/The Husky and His White Cat Shizun/Hao Yixing/Immortality). Point cost: 7,246. In USD: $12.32 (Censors removed this from JJWXC but it’s being released in English)
余污 (Yu Wu/Remnants of Filth). Point cost: 4,245. In USD: $7.22 (This will be coming out in English translation later in 2023)
千秋 (Qianqiu/Thousand Autumns). Point cost: 2,783. In USD: $4.73 (This will be coming out in English translation later in 2023)
(There are many others.)
漫漫何其多 (Man Man He Qi Duo, search for author: 漫漫何其多)
当年万里觅封侯 (Dangnian Wanli Mi Feng Hou/Those Years in Quest of Honor Mine). Point cost: 1,551. In USD: $2.64
(Again, there are many others.)
I could go add titles for years, but, well, it’s my post, and these are the stories I was most interested in supporting personally. Doing ALL this research, AND writing it up for this post, took me less than an hour, and once you’re in the website and have bought points, you can select all chapters with a single click, it’ll tell you the final point cost, and with another click – bam, you’re done, you’ve bought the raws. You’ve supported the original creator. You’ve done what translators have been begging us to do for ages. And, if it’s a story that’s not all out yet – you’ve got the raws! You can mtl them! You can read them before the translators are done! Or, if you’ve got a fave author? You can read their work in progress! You can learn what’s coming next! Even without speaking Chinese (I don’t speak a word of Chinese!!!) there is NO DOWNSIDE HERE.
(also, can I point out how INCREDIBLY SMALL some of these dollar amounts are? Some of ya’ll are acting like this is bank-breaking, I mean seriously, COME ON.)
Google is your friend. Find the carrd for your fave. Copy and paste the author’s name in Chinese. Use the JJWXC search. Find the thing. Support it.
English danmei fandom, this is our chance to do better.
PLEASE, can we do fricken better??? It’s so easy. And so cheap. And these fandoms have brought so many of us so much joy.
Go forth, and do the thing.
I’m doing it.
I also wrote two follow-ups to this that I may or may not end up cross-posting to here.
Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum.Love what we do? Want to make sure you don’t miss the announcement for future giveaways? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!
Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon or ko-fi monthly!
Our monthly “created works round-ups” are Duck Prints Press’s opportunity to spotlight some of the amazing work that people working with us have done that ISN’T linked to their work with Duck Prints Press. We include fanworks, outside publications, and anything else that creators feel like sharing with y’all! Inclusion is voluntary and includes anything that they decided “hey, I want to put this on the created work’s round-up!”
Now, you can use this post to find all the past posts and access them! There’s lots of great things to read, and we’ll keep this post up-to-date as we add new round-ups each month!
August, 2022 Fandoms: Tiger and Bunny, Welcome to PHU
September, 2022 Fandoms: Criminal Minds, The Magnus Archives, Transformers
October, 2022 Fandoms: All for the Game, Supernatural, Teen Wolf
November, 2022 Fandoms: Call of Duty, Gokusen, Goncharov, The Grandmaster of Demonic Cultivation, Our Flag Means Death, Scum Villain’s Self-Saving System
December, 2022 Fandoms: The King’s Avatar, League of Legends, Naruto, Red White and Royal Blue, Teen Wolf
January, 2023 Fandoms: Call of Duty, Heaven Official’s Blessing
February 2023 Fandoms: Alice in Borderland, Daomu Biji, RuPaul’s Drag Race
Who We Are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!
A few weeks ago, a few of my danmei-loving friends and I got to talking about how much there is that we want to read, but that none of us have been very organized about keeping track of titles, fantranslation links, etc.
So, we decided to make a spreadsheet.
AND to combine every link we’d each separately stashed around on that spreadsheet.
The result is a list of 73 titles (currently 70 are danmei, 2 are baihe, and 1 is gen, reflecting our personal interests/preferences) with links to translations, some complete, some not. (as of 2/5/23)
Love C-Novels? Especially danmei? Looking for something to read?Check it out!
Some notes:
This is specifically for English translations from Chinese titles. Though some of the links do include other works (for example, some translators also do Japanese, and some Carrds list fantranslations in multiple languages), we’re English speakers who are interested in Chinese novels, so we focused on that.
Currently, this is mostly basic information (titles, authors, links), with no summaries, genre tags, etc. We hope to ultimately expand it but that will be a lot of work and the information is already available at the provided NovelUpdates links, so we encourage you to use those.
We make no claims that this list is exhaustive; while the first sheet lists the resources we had collectively already gathered, there’s a second sheet with things we know of and intend to add.
We’ll try to keep links and such up-to-date but if you spot a problem please let me know!
Know of something that’s not on the main list OR on the “to add” page? Please do send the info my way! Comments or ask box stuff will help.
Note that to actually access the fantranslations, you’ll often need to take additional action to read them – you may need to request access, or get a password, etc. How to get this access is usually included on the pages.
Known official translations are listed. We will not link fantranslations for titles that are out officially in English. Don’t send them. Don’t ask for them. We won’t help you pirate these titles.
Don’t forget to thank and respect translators, and honor their wishes! Without fantranslators, we wouldn’t have all this amazing stuff to read in English, so THANK YOU FANTRANSLATORS!
Our monthly “created works round-ups” are Duck Prints Press’s opportunity to spotlight some of the amazing work that people working with us have done that ISN’T linked to their work with Duck Prints Press. We include fanworks, outside publications, and anything else that creators feel like sharing with y’all! Inclusion is voluntary and includes anything that they decided “hey, I want to put this on the created work’s round-up!”
fiction || 天官赐福 – 墨香铜臭 | tiān guān cì fú || m/m || hua cheng/xie lian || general audiences || no major warnings apply || 8,203 || complete
summary: For the past month, Hua Cheng’s been developing a friendship with the sweet, nice guy who lives in an alley along the route Hua Cheng walks home. He’s looking forward to growing that relationship with another night’s worth of chit-chat and shared steamed buns when he turns into the alley.
Who We Are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!
A new year brings with it new resolutions—and for many of us, that includes reading resolutions. It’s a truism that resolutions tend to fail. A local radio announcer here said that 67% of Americans have never completed a resolution in their life, and if you can’t trust a random local radio announcer in the mountains of North Carolina, who can you trust?
I think part of the reason resolutions fail is they feel like work. And that’s especially a shame when it comes to reading resolutions. Reading is wonderful! Sitting down with a good book makes my heart sing, even when (especially when) the book makes me cry or rage at the injustice of the world or stare out the window wondering how I’ll ever be the same after reading it.
Thus, I’m afraid that resolutions to read more diversely don’t do justice to the wonder of diverse books. There are whole worlds out there that racism, homophobia, ableism, transphobia, anti-semitism, and other forms of bigotry keep from us. It’s amazing that we live in a time where we can peel back that dusty film between us and the wonders of reality.
That’s all well and good to say, of course, but how do you put that principle into practice? How do you resolve to read diversely without turning all that wonder into just another box to be ticked?
I think we can start by acknowledging that, as Danika Ellis puts it, “books” and “reading” are two different hobbies.
Thinking about books, listening to reviews of books, browsing bookstores, talking about books…these are all, in some ways, the hobby of books. These funnel into the hobby of reading, but it’s not a one-to-one connection, as my piles of unread books can testify. (Both hobbies run into a third hobby of buying books, which is a topic for a different post.)
In the hobby of reading, you’ll run into limits, whether they be money, time, or the physical number of books you can carry from the library in one visit. The beauty of the hobby of books is its lack of limitations. You can dream big. This is the two-story library I would have in my home, were I rich as sin. This is the cozy window seat in which I would read this million-word fantasy series.
So, how do you diversifying your reading hobby in 2023? First, seek out diverse books in the infinite playground of books as a hobby. Search phrases like “Best fantasy by black authors,” “Best BIPOC-authored books of 2022,” “Most-anticipated queer fiction of 2023”… you get the idea. Browse them to find what sounds good to you. I keep a TBR list—have for almost 10 years—but you don’t need to keep a literal list (though you might find one helpful if you don’t already have it!). Make a wishlist on your preferred book-purchasing website. Remember the books that sing to you. You don’t need to have a responsible goal in mind, like a resolution or a book bingo, unless you want to give yourself that extra challenge. Pick books based on their covers, or because they have a cat in them, or whatever gets you interested.
When you incorporate diverse books into your book hobby, it transforms the reading hobby too. When you’re back in the real world with all its limits and you can only grab two books, you won’t think, “Oh, I really want the two books Brandon Sanderson has magicked into published existence this month, but I have to tick a checkbox.” That way lies stacks of unread books chosen nearly at random solely because of the representation they contain or appear to contain. Instead, you will face the much better and much worse problem of thinking, “Oh, I really want the two books Brandon Sanderson has magicked up, but also Rust in the Root by Justina Ireland, but also Braiding Sweetgrass by Robin Wall Kimmerer, but also Dear Senthuran by Akwaeke Emezi…”
(You think you know what it means to have too many books? You have not yet begun to comprehend too many books!)
Aside from the emotional turmoil of choosing between even more books when transitioning from your book hobby to your reading hobby, though, diversifying your book hobby has no downsides. It becomes part of your life. It lets you explore the world in full color.
And yes, it makes it easy and fun to read more diverse books.
Want some additional support in figuring out ways to diversify your reading? Here’s some other blog posts we’ve done that relate, at least tangentially, to this topic!
Who We Are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more.
Through the month of January, 2023, all new monthly backers on our Patreon andko-fi can claim a merchandise freebie in addition to all their backer rewards – which, depending on your backer level, could include a free copy of this story! Why not take a peek at what we have to offer?
Our monthly “created works round-ups” are Duck Prints Press’s opportunity to spotlight some of the amazing work that people working with us have done that ISN’T linked to their work with Duck Prints Press. We include fanworks, outside publications, and anything else that creators feel like sharing with y’all! Inclusion is voluntary and includes anything that they decided “hey, I want to put this on the created work’s round-up!”
fiction || naruto || no ships, platonic or familial || teen & up || no major warnings apply || 940 || complete
summary: Hold it together had been Sakura’s mantra for far too many years. Existing for others, surviving a war, forcing her mind to endure just one more day, just one more mission, just one more battle.
But as Naruto and Sasuke fight their final fight, Sakura slowly has no more reasons to hold it together.
OR
Sakura’s pov of manga chapters 696-699. As per my view and poetic liberty.
other tags: Final Battle, POV Haruno Sakura, Angst, Chapter 696-699 (Naruto), Building anxiety, Sakura’s pov of the Final Sasuke/Naruto fight.
fiction || arcane: league of legends (2021) || platonic or familial, f/f || caitlyn/vi (league of legends) || teen & up || no major warnings apply || 5,639 || complete
summary: > “You’ll have to excuse Vi,” the skinny kid with big eyebrows drawled. “She’s a punch first, ask questions later sort of girl.”
Caitlyn goes down to the undercity after Jayce’s workshop is destroyed and meets Vi and her gang. This doesn’t change anything. But then again, it might change quite a lot.
Written for Fandom Trumps Hate 2022
other tags: Alternate Universe – Canon Divergence; Alternate Universe – Different First Meeting; Arcane: League of Legends Season 01 Act 01; POV Caitlyn (League of Legends); Pre-Relationship; Pre-Femslash; Enforcers (Arcane: League of Legends) – Freeform; background Caitlyn & Jayce; Team Up; Privileged Character Unlearning Biases; Making Bureaucracy Work For You
fiction || red, white & royal blue || m/m || alex claremont-diaz/henry fox-mountchristen-windsor || explicit || no major warnings apply || 18,743 || complete
summary: “I hope you know that I am literally never going to stop reminding you that you said that. I’m going to, like, take out an ad in the student paper. Maybe hire a skywriter or something. I am definitely telling Pez.”
“I hate you,” Henry tells him.
“Lies,” Alex says, still laughing. “You know you love me.”
Henry lets out a heavy sigh. “Well,” he says softly, “that’s rather the problem, isn’t it?”
“What, you think we’d be better off if we still hated each other?”
“I think,” Henry says slowly, “I’d be better off if I could figure out how to stop being so stupidly in love with you.”
It takes a few seconds for the words to really register, as distracted as Alex is by the heat of Henry’s breath and wondering how much it would cost to actually hire a skywriter. Once they do, it takes a full minute before Alex can move. Can breathe. Can think.
Finally, he forces out a whispered, “What?”
When that gets no response, he tries again. This time, his voice actually cooperates. “Wait, what?”
The only response he gets is a soft snore and Alex realizes that Henry, the utter fucking asshole, has passed out on his shoulder.
other tags: Alternate Universe – College/University, Roommates, Drunken Confessions, Communication Failure, Idiots in Love, Pining, Jealousy, Light Angst, References to Depression
fiction || 全职高手 – 蝴蝶蓝 | quánzhí gāoshǒu | the king’s avatar – húdié lán || platonic or familial, queerplatonic f+m (just in case: this is distinctly separate from the platonic relationships!) || queerplatonic chǔ yúnxiù & yè xiū, chǔ yúnxiù & shū kěyí, chǔ yúnxiù & team misty rain || general audiences || no major warnings apply || 36,613 || complete
summary: Here are two truths and a lie:
Chu Yunxiu is Misty Rain’s captain.
Chu Yunxiu is dating Ye Qiu.
Chu Yunxiu is happy to have the Shu twins on her team.
Of course, a lie can become true if you believe in it enough…
(A Chu Yunxiu character study.)
other tags: Aroace Characters, Mostly Canon-Compliant, Post-Canon, Team Feelings, Women-Centric, Fake Dating to Queerplatonic Marriage
fiction || teen wolf || poly (one gender: male) || derek/stiles/jackson || teen & up || no major warnings apply || 6,143 || complete
summary: When Jackson’s ambo is called to the building where he lives, he’s terrified it’s Derek. But no, it’s the guy next door, who has crowds of noisy people over all the time, and plays his TV loud enough to bother Derek into getting noise-canceling headphones. Jackson and Derek are more than a little surprised to discover exactly who that person is.
other tags: Panic Attacks, Canon Divergence, Future Fic, Polyamory Negotiation
All of this month’s shared works are fanfiction – so if you’re in the market for something new to read this New Year’s Day, why not check them out?
Who We Are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more
By a member of the Duck Prints Press staff who has chosen to be anonymous.
Note: Punk genres are diverse and always changing. Duck Prints Press is not trying to give a complete explanation of aetherpunk here but rather a bit of inspiration. Take what you want from it to create your own aetherpunk worlds!
On January 5th, Duck Prints Press will be launching recruitment for our next anthology: Aether Beyond the Binary, a collection of stories featuring main characters outside the gender binary living in modern or near-future aetherpunk Earth! This begs the question: what IS Aetherpunk? Well, read on and learn all about it…
Prologue: From the Aether
Scenes from the Aether #1: Bloomington, Indiana, 2013:
Lin steps into the café down the street from their apartment. The lights of the shop glow a pleasant green, reminiscent of the owner’s own magical aura. Soon, when Del opens the shop for customers, they’ll turn a more standard blue, but for now Del’s shop is cozy and quiet. Lin smiles, looking forward to seeing their friend.
A shower of blue sparks flies from the kitchen’s open door, and Del scrambles out, cursing. When he sees Lin, he breaks into a wry smile.
“Breakfast on the house?” he offers, his shorthand for pleading.
“That’s the third time this week,” Lin chides, barely holding back their smile. They roll up their sleeves to go tinker with Del’s new, “improved” baking oven. “Why not use your old one?”
“The aether this model uses is supposed to be more efficient!” Del exclaims. Then, with a sad smile: “Plus no one trusts my powers. They still think the color’s associated with… you know.”
“Yeah.” Lin knows. They think of Del’s infamous brother, the deadly alchemist. “I’ll help you, but this is the last time.”
“Mhm,” Del says, nudging Lin’s shoulder, and adds telepathically, You say that every time.
You could try not being so smug about it, Lin half scolds, half laughs.
“Why wouldn’t I be smug? My handsome, brilliant friend, the undisputed genius of the IU School of Aetheric Engineering, is fixing my pipes for free.”
Lin blushes but maintains their chiding tone as they say, their warm face hidden behind the stove where the power supply has once again leaked from its pipes, “Not for free. For breakfast.”
-anonymous Duck Prints Press staff member
Part One: What’s in a Punk (genre)?
There’s been an explosion of punk genres since Bruce Bethke’s 1983 story Cyberpunk launched the genre. Though Bethke’s story may have given a name to this phenomenon, in his Etymology of “Cyberpunk” Bethke credits William Gibson’s Neuromancer (1984) for really defining the core tenets of the genre (Bethke, 2000). He also marvels at how the cyberpunk character trope (“a young, technologically facile, ethically vacuous, computer-adept vandal or criminal”) has stayed remarkably stable over the years since his story was published. In 2022, when I’m writing this, it’s still very similar. The cyberpunks in the cyberpunk genre are the sorts of lone heroes who often arise in the isolating environments fostered by advanced computer technologies.
Why am I rambling on about cyberpunk? Because, dear readers, cyberpunk is the progenitor of all genrepunks. As the most widely explored and utilized punk setting, it has provided the blueprint on which other punk genres are built. In essence, every punk after cyberpunk is a reaction to cyberpunk, either embracing or pushing back against its ethos. After cyberpunk came steampunk: a retro, adventurous answer to cyberpunk’s gritty and dystopian futurism. Then came others: dieselpunk, sandalpunk, biopunk—even the very meta “mythpunk” to which Neil Gaiman’s work is often attributed. These days, even non-punk fantasy is often punk-adjacent.
So what makes punk stories… punk? For a story to be classified in a punk genre, it typically requires two key elements: a distinctive type of technology (whether social technology like myths and lore or physical technology like steam engines, diesel-powered airships, or nanobots) and a point of view about that technology.
The technological distinctions can seem fairly obvious: atompunk features tech powered by nuclear energy; nanopunk, tiny robot technology; biopunk, genetic engineering and biotech; dieselpunk, diesel-powered machines. But focusing on only the tech aspects can make people miss the point of having multiple different punk subgenres.
Take this paraphrased version of a forum conversation, circa 2015:
[User 1]: Hey, I’ve been hearing more and more about this genre called ‘aetherpunk,’ but I can’t figure out what it is. How is it different from just steampunk but with magic?
[User 2]: Sorry to tell you, friend, but it’s basically just “steampunk with magic.”
[User 1]: Ah. So, completely useless, then.
This view is common but misses the point. The tech alone does not make punk punk. The second necessary element is the cultural context of the technology: how does it affect the people who use it every day? How dissociated do those people feel from their environment? From their government? From the inevitable march of society, driven at least partially by technological advances using the genre-specific tech? Punk genres live and breathe for their exploration of the intersection between technology and culture.
Genreunk is a response to the world we live in. Cultural evolution happens when technologies—lore, steam engines, printing presses, atomic bombs—intersect with cultural habits and traditions and shake them loose. We don’t live in the only, or the best, possible world. When we write punk, in some ways, we’re rewriting cultural evolution. We’re asking for a new way of thinking about the past and how that carries forward into the future. How we would be different. How we would be the same.
Punk isn’t just a genre. It’s a tool for understanding humanity.
Part Two: Clear Air, a History of Aether
In the beginning, gods breathed their essence into the emptiness of space, and aether entered the universe as the material through which the stars and planets moved. Humans in ancient Greece, attuned to this invisible presence, named it “clear air” and declared it the fifth element, along with earth, water, air, and fire. Other cultures gave this energy different names or didn’t name it at all but nonetheless knew it was there. Over a thousand years later, medieval Europeans called it “quintessence” and hypothesized that this element, rare on Earth, could be distilled in order to cure mortal ailments. Aether was a substance that could make rocks burn and lights glow. It became a key ingredient in classic alchemical experiments in the West.
Aether has always been the bringer of light, the unchanging medium through which energy travels in waves from its source to the lenses of our eyes, to the leaves of hungry plants, to everywhere on the planet and throughout the universe. Indeed, it was so recently believed in and well-known that late 19th-century spiritualists took photos of ectoplasm and declared that ghosts could send messages through the aether.
Then, a mere hundred-odd years ago, we lost faith.
The idea of aether seems preposterous now, when we know about electron fields and the theory of relativity which states that nothing in the universe is stable or unchanging (and we certainly don’t need a special medium that exists to move light around)—but is it really so much harder to believe in aether than in electron fields? Or in dark matter?
Why shouldn’t we be swimming through aether like a fish swims through water?
Part Three: What is Aether/Punk?
Aetherpunk, the genre, explores what the world would be like if, rather than finding out aether was simply a confused explanation for how energy moves through space, we discovered that it was a real element, something we could both detect and harness. The nature of the aether isn’t what makes aetherpunk what it is. Rather, it’s the exploration of the development of society from the turning point when we discover that the aether is real—how that changes the world, the people, the past, and the future.
Aether, the invisible force, can be everything and nothing. It can be magic, or it can be material. In some disciplines, like alchemy, it’s both. Aether is made of faith. It’s ephemeral, often immaterial, and only visible once the viewer knows what they’re looking for. It can cause disaster or provide beautiful, clean energy for wondrous technologies. It can be a source of progress or of fear. But in the end, it’s still a thing that must be discovered and cultivated. It can’t be forced into existence.
Aetherpunk as a genre is more naturistic than earlier punk genres like steampunk or cyberpunk. Natural materials find their way into clothing and buildings and weapons and tools, and the shapes of these man-made elements are designed in ways that enhance their ability to harness aetheric power. There might be constructs of stone or finely-honed metal held together by aetheric energy, beautiful steel weapons that cut through stone using atom-thick edges of pure aether, skyships and buildings of gold, or of clear stone, or of glass and crystal. And the technology bathes its surroundings in a luminous glow of aetheric light.
Like solarpunk and lunarpunk, aetherpunk is a hopeful punk genre. When aether is discovered and harnessed, it brings about flourishing communities and can help to heal the world. Of course there are dark sides—the dangers of a volatile power source that not everyone can control, the frustrations of the people who are unable to use that power for themselves—and anyone is welcome to write a dark aetherpunk story. But aetherpunk doesn’t come with the same inherent baggage as steampunk or cyberpunk. Likewise, people can write utopian steampunk and cyberpunk, but that’s the opposite of the “standard” core of the genre. Aetherpunk wants to explore humanity in a universe where we don’t struggle simply to light our homes. Where the power that runs everything suffuses the universe, and therefore everyone can reap the benefits. A world where our source of power doesn’t send millions of people to an early grave. What sorts of stories would emerge in this sort of world?
Part Four: Steampunk but with Aether?
Now that we’ve described what aetherpunk is, let’s return to that dreadful forum post, and ask for ourselves: what makes aetherpunk more than just “steampunk but with aether”?
In short, everything.
First is the nature of the energy that powers the technology. Steampunk is a retrofuturistic genre that centers on the era when steam, fueled by wood and coal, was the main power source, around the turn of the 1800s during the Industrial Revolution. It harkens back to the aesthetics of the era, with wood and steel and glass materials, wooden ships that ply the air, clockworks and rivets and tangible, heavy things that work through sheer force. Steam is a thing with weight. It will melt your flesh from your bones, and it’s born not of faith, nor internal strength, nor the careful distillation of spirits down to their quintessence, but instead through fire. Another resource needs to burn to make it. Entire lives are spent feeding coal into the voracious maws of steam engines.
Aetherpunk, as we’ve described, is born of magic, and thus the technology to use it focuses on cultivation and focusing energy rather than on producing something by force. Even the most cursory look at the nature of the energy source shows us how every aspect of society linked with producing that energy is different between steampunk stories and aetherpunk stories.
There’s also a very important cultural distinction between aetheric stories and steam-powered stories. In steampunk, the adventures of sky pirates and nobility are built on the efforts of a vast lower class who are systematically shut out from steam’s benefits. It may not matter to the story at hand, but the underlying class tension is always there. Like cyberpunk, steampunk takes inequality as a given, and places singular heroes into that world.
Aetherpunk is more utopian and egalitarian. There’s no assumption built in that in order for a person to use their magical flying ship, someone else must suffer to create the energy needed to fuel it. This distinction makes all the difference in how aetherpunk and steampunk stories are told.
In either case, the power source can be wonderful or terrible, can fuel dystopian nightmares or hopeful solutions to the troubles that ail the world. But the fundamental nature of these technologies affects the way characters think and speak about the world they inhabit. Is it a place of smog or of shimmering lights? Is it a place where magic competes with technology, or is it a place where magic is the technology? The answers to these questions are different in every punk genre, and those differences should have a profound impact on the story’s narrative.
Where will your aetherpunk story take you?
Epilogue: From the Aether
Scenes from the Aether #2: San Francisco, 2043
Shining, multicolored bridges bend but do not break in the powerful earthquake that, in previous eras, would have shaken buildings from their foundations and dropped bridges into the bay. Drivers and pedestrians cling to whatever safety they can as the structures sag and sway and finally, after all is done, snap back to form as though the past minute was only a bad dream.
Trill breathes a ragged sigh before stepping back onto zir motorcycle and kicking the starter. A blue glow and a warm hum are the only signs that the bike is powering up before Trill finishes crossing the bridge, a little jumpy from the unexpected shaking but no worse for wear. Ze has a long way still to go before ze arrive at Heloise’s house. Ze can’t wait to see zir friend, who is finally home after her long trip to Lima where she was training magicians to harness their power.
Trill rides north into the mountains while the sun sets to zir west, out above the ocean, and the world glows orange and pink. By the time ze powers down zir bike, the sky is silky black and filled with stars. Trill climbs toward Heloise’s small house, which is built into the slope; the soft blue glow of natural aether in the rocks lights the way. Ze knocks on Heloise’s wooden door; Heloise answers with a hug around Trill’s waist, her face pressed into Trill’s chest. Trill laughs, something in zir heart finally relaxing.
It’s been a long eight months.
She pulls Trill inside, into this warm place she’s made in the lonely hills above the bay, and even though ze doesn’t deserve it, Trill revels in her welcome. It feels like coming home.
-anonymous Duck Prints Press staff member
Examples of Aetherpunk
As aetherpunk is a young genre, examples are sparse, and there are many opinions on what “counts” and what doesn’t. For example, some people consider Lord of the Rings to be aetherpunk, due to the way it brings magic and technology together (especially in Mordor and in Sarumon’s plot line) and the way the magic interacts withsociety. The below list should not be considered exhaustive, just as this post shouldn’t be treated as The Last Word on the nature of aetherpunk.
Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum.
Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon or ko-fi monthly and read your fill!
