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Answered Asks: Publishing Without Using Amazon?

Cross-posted reply to an ask received on Tumblr.

hey, i’d like to just throw this out to you, since you’re a press so i have a feeling you might know. if i was seeking to publish a book but i didn’t want it to ever be sold through amazon, what would my options be?

I’m assuming you mean you’re interested in self-publishing? If yes, then yeah, I can give you at least some information about your options. 😀

If you don’t want to use Amazon, you definitely still have some options for self-publishing a book. I can sympathize with this sentiment; we hate Amazon and I’ve done what I can to keep our works off there (and, ultimately, failed, but still kept it to a minimum).

There’s two overarching questions you’ll need to consider when deciding how to proceed:

  • What formats are you selling? Are you doing e-book only or e-book + print or print book only? What about audiobooks? Which will influence your choices.
  • Are you mostly interested in direct sales (as in, you personally sell the book to the customer) or sales-through-an-intermediary (as in, a bookstore sells your book to a customer) or distribution (as in, you list the book with someone who acts as an intermediary between you and other vendors)?

As briefly as I can, first, here’s what Duck Prints Press uses:

  • Ingram – e-book (and, once we have one – we’re working on our first! – audiobook) distribution. Ingram is the biggest book distributor in the US and has a virtual monopoly on distribution. Even places that aren’t technically Ingram, such as draft2digital, usually use Ingram. Because they’re a near-monopoly, Ingram has a lot of ability to, well, screw people, and one way they’ve tried to screw people is they keep making it harder to get into their better services, pushing people to their much-less-supported service IngramSpark. I managed to get the Press grand-fathered in to Coresource, which is their e-book and audiobook distribution system, even tho we don’t meet the current minimums for number of titles for that product. I CAN’T get into Lightning Source, which is their better-supported print book distribution service, because we don’t have enough titles (we’d need 30, we currently have 10ish). If I wanted to use IngramSpark, I’d have to ditch Coresource, and I don’t want to do that because Coresource works great and has good customer support, and so I had to settle on a compromise I don’t love until we meet the minimums for Lightning Source – I use Coresource through Ingram for e-book distribution (and don’t distribute to Amazon), which is…
  • draft2digital – print book distribution. This was my work around for not losing Coresource in the name of getting Ingram print on demand (pod), and it came with a price: d2d doesn’t let me opt out of Amazon, much to my irritation. So the three titles we currently have pod on ARE on Amazon.
  • our webstore – e-book and print books, directly sold to the public. Our website lets people download e-books; I package print book orders made through the webstore myself and mail them myself.
  • in-person sales – I started vending at events last year; this year I’ll be doing about a dozen.

All of which goes to show, even trying to publish while avoiding the most evil places is really hard and a source of frustration. If anyone knows a good option for ethical publishing distribution, I’m honestly all ears. Competing with Ingram is extremely David vs. Goliath (see also the recent death of Small Press Distribution).

So: remembering that Amazon is easily the worst but that there’s still basically no ethical consumption or production under capitalism…


Of the places I’m familiar with, the best-known option with the widest reach for self-publishing distribution is IngramSpark. As mentioned, I don’t use Spark, but Coresource lets me completely customize which of Ingram’s partners (vendors, wholesalers, libraries, etc.) I actually distribute with, and I’ve assumed that other Ingram products are the same. I believe IngramSpark is currently free per title; they get paid by charging fees per sale and because they get better listing deals with partners than an individual would get (like, Ingram might get charged x per title they list with, idk, Barnes and Noble, whereas you as an individual would get charged y, where y is larger than x, and Ingram pockets the difference).

I know a lot of people who use IngramSpark and my impression is that when it works, it works really well, but when it doesn’t, getting help/customer service can be a nightmare. Virtually everyone I know who has used them has stories about late titles, support taking a week+ to reply, that kind of thing. I believe they have an option to pay for better/more rapid responses from customer support, which I feel kinda tells you everything you need to know about IngramSpark.


Another option is draft2digital. They use the Ingram distribution network, but again they can do so cheaper than an individual can because of their bulk sales through Ingram. They also offer e-book, audiobook, and print distribution. I use draft2digital for print and I’ve been quite satisfied with their customer support, but their print distribution doesn’t allow opt-out of Amazon. HOWEVER, I believe their e-book distribution does. At minimum, there’s a checklist on d2d about “steps you have to take to distribute e-books through d2d” and I’m assuming if you just. didn’t do that checklist. then you obviously wouldn’t get your books distributed through them. The other big thing I don’t like about d2d (which may also be true of IngramSpark, idk) is that they charge after the first revision. Which is to say: you put together your book, you upload your book, you get it all set… and you notice a mistake. Okay, fine. You fix the mistake and re-upload. Re-uploading uses a “change token.” You only get one free change token per title per six months. So, you notice another mistake you feel you have to fix a few days after that first? That’ll cost $25. I’ve personally just kinda… tried to find all my mistakes right off and fix them, and anything I spot after that, I keep a log and will update all of them at the six month point. (I understand why they do this, btw – they have actual humans doing set-up on their end, so if you revise eight times in a week, that’s a lot for an actual human, and charging for the tokens forces people to be careful, helps ensure people submit books that are actually ready in good faith, and helps keep costs low. That doesn’t mean it’s not annoying, though.)


Bookvault is a UK-based print-on-demand option (so NO e-book distribution, just print) that has recently started offerings in the US too. They currently have a relatively limited distribution network, but they’re growing, and especially for UK-based people they’re a strong alternative. I’ve heard a lot of positive reports about their printing in a FB group I’m in (Kickstarter for Authors – do recommend, lots of great info there), but I’ll own my personal experiences weren’t great and I’ve decided not to keep using them for now. However, if what you primarily want is print books as print-on-demand, and some limited distribution choices, they’re a good choice, and they can help with option five below.

Do It Yourself Lite

A fourth option that’s a LOT of work is…you add it everywhere yourself. Most places will let you. For example, here’s how to sell on Barnes and When I self-pubbed a book a few years back, before I ran the Press, I submitted my work by hand to several different options (B&N, Kobo, Amazon because I still used them then, Smashwords, to name a few). However, doing this isn’t the same as distribution – it only will sell through that specific vendor – and as far as I know there are no options for doing print-on-demand those ways (I THINK, tho I’m not sure, that Amazon is the only place you can set up both e-book and pod through a single vendor – it’s not something I’ve researched tho, cause with the Press, doing single-title-at-a-time entry across so many different vendors is simply not realistic).

Side note on this: I don’t believe there’s a way to list self-pub books on, but don’t quote me on that.

This method also doesn’t work well if you want to get your title in with libraries. I researched this a bit well over a year ago now, so I don’t recall all the details, but before we signed up for Ingram I DID try to see if there was a way for us to publish and get in libraries especially without involving them, but there…wasn’t really. Places like Overdrive that handle e-book-to-library distribution don’t really have a way for individuals to submit; I have this vague memory I found a way to do it that involved paying per title but tbh I can’t even find that now (though while I was looking I did find this decent-looking article about how to get your self-published book out in the world, echoing a lot of what I say here).

Do It Yourself Difficult Mode

Your fifth major option, and what we originally did as a press, is: do it all yourself. You can get your own storefront (ours is through Woocommerce + WordPress). You can do your own crowdfunding. You can run your own newsletter (I use Mailerlite), do your own advertising, etc. You can do your own printing (we currently use Booklogix and I’m quite happy with them, their customer service is A+++). You can vend at events, you can market to local bookstores, sell through bookstores that do consignment, etc. You can learn to format your own e-books (I use a combination of Affinity software and Calibre, with an assist from Daisy to improve the accessibility of our e-books). You can get access to stock images and vector art to make things look nice (I use vecteezy). There’s a LOT you can do entirely on your own. And that’s what I did for myself before I ran the Press, and what I did for the Press for the first couple years we operated.

The reason I changed how the Press handles things? I hate to say this but the sad truth of publishing is that not using Amazon is utterly crippling to a publisher. As of 2 years ago, Amazon represented 67% of all book sales in the United States. Not selling through Amazon means accepting you’ll simply be completely unable to reach more than half of the people reading works in English all around the world (works not in English may be different, I don’t know that market since I publish in English). And for myself, alone – for my works? I could make that choice. But the Press currently works with well over 100 authors, and I ultimately felt I couldn’t make the same choice to them. I tried so so hard not to compromise this, but refusing all distribution, when we were also avoiding Amazon, meant completely hamstringing the ability of authors we work with to market and sell their books. It meant, to work with us, people would have to sacrifice so much of their ability to earn money from their words, and it just didn’t feel right to continue in that avenue as we grew. So, I was forced to compromise: first to use Ingram, which I did on the condition that I’d be able to reject Amazon specifically, and then by having to use draft2digital, including their goddamn Amazon print-on-demand, at least until I qualify for a better option, which as soon as I can do? You bet your butt I’ll be switching and opting out of Amazon again.

The current climate makes these choices really hard, and I didn’t make them lightly, nor did I make them alone – there’s about 20 people on the DPP staff, and they all contributed opinions and voted on the final decisions I implemented for the Press in these regards.

(and sorry, I know “what DPP does and why” is a bit to the left of your actual question, but I felt like it’d be weird to make a list of recommendations without including the decisions I’ve personally made and why – like, why would I recommend you something I don’t do myself with the books I publish? So sorry for the info dump.)

The TL:DR of all this is, as far as I know, and as I’ve been forced to accept as part of the realities of running a small press in the modern world of publishing, is that avoiding one Big Evil (Amazon) with any hope of achieving even a modicum of success basically requires partnering with at least one other Big Evil (Ingram especially). It’s a very hard game to win.

HOWEVER, you are doing this FOR YOURSELF, NOT for all the people involved in a business larger than just you. If you’re willing to put in the extra work to figure out a lot on your own and manage your own marketing, you can theoretically build enough of an audience to go it alone without Amazon OR Ingram OR places like Kobo/B&N/etc. You’ll have to outlay more out of pocket – things like webhosting cost money – and you’ll have to be a lot more careful – if you’re running your own website instead of using someone elses, you gotta go above and beyond making you’re in compliance with privacy rules and such – but it can be done.

And if you don’t want to go that route, and your only real “to avoid” is Amazon specifically… use IngramSpark.

Sorry I’m long-winded. I hope this helps! Good luck with your publishing goals!

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Ongoing Pre-Order Campaigns: Updates!

Now that we’ve finished our month-long push for our Kickstarter campaign for Aether Beyond the Binary, we have space and time to talk about literally anything else on our social media (lol). We’ve gotten a couple private inquiries about the status of our other projects, so here’s an overview of progress on our current publishing projects (we’ve also got a couple art projects in the works, but that’s a topic for another day).

A graphic featuring book covers over a background with a gradient from dark blue to pink (reminiscent of the bisexual pride flag). Text at the top says "Project Updates from Duck Prints Press," with the "Duck Prints Press" part inserted as the Press logo with a rainbow of duck prints and our Dux mascot standing beside it. There are five book covers shown below this: "To Drive the Hundred Miles" by Alec J. Marsh (depicting two people walking hand-in-hand against a snowy forest background), "Aim For The Heart" (which shows a person in historical Musketeer-esque clothing baring their chest as three swords are aimed at the center), "Hockey Bois: A Beer League Romance" by A. L. Heard (which shows two men in hockey helmets and jerseys embracing), "Aether Beyond the Binary: A Duck Prints Press Anthology" (which shows two people of indeterminate gender doing science, studying a floating flower), and "Many Drops Make a Stream" by Adrian Harley (which shows a giant bird carrying a woman high in the sky, a fantasy/historical style city far beneath them.)

To Drive the Hundred Miles by Alec J. Marsh

Aim For The Heart: Queer Fanworks Inspired by Alexandre Dumas’s The Three Musketeers

  • fulfillment on the crowdfunding campaign for our most recent anthology is complete
  • as of January 20th, the book and leftover merch are now available on our webpage!
  • you can also get the e-book through major retailers and can request it through your library
  • we’re working on reformatting the book to a slightly different size so that we can also offer it print-on-demand to major retailers, local bookstores, and libraries everywhere

Hockey Bois by A. L. Heard

  • all merchandise has been received and prepared for distribution
  • trade paperback books have been received
  • the proof of the hardcover edition has been approved, and the hardcover edition is in production
  • according to our book printer, BookLogix, we should expect delivery of the hardcover edition in roughly a month (around the end of February)
  • once we’ve received all items necessary for fulfillment, we will send out everyone’s orders as quickly as possible

Aether Beyond the Binary

  • the crowdfunding campaign for our next anthology successfully concluded yesterday!
  • we are putting finishing touches on stories
  • we are preparing templates suitable for printing our merchandise
  • we’ve begun to gather information from backers necessary fulfillment
  • most fulfillment activities are on hold until the funds clear and we can actually place orders; this will take roughly three weeks

Many Drops Make a Stream by Adrian Harley

Other Projects

  • Many Hands: An Anthology of Polyamorous Erotica: stories for this collection are being edited, with progress ranging from “barely started” to “almost done.” We’re just beginning to discuss the books internal appearance, and are waiting on the final cover from the artist we’re working with. We expect to release the contributor list in the next few weeks and hope to crowdfund the anthology during the spring.
  • Untitled Best Of Anthologies: we’ll be doing two anthologies – one general imprint and one explicit imprint – featuring stories published to our Patreon and webpage before September 31, 2023. Most of the stories have been set, and we’ll beginning work on the cover and campaign features soon. We expect to launch this during the summer of 2024.
  • A Truth Universally Acknowledged: Queer Fanworks Inspired by Jane Austen’s Pride and Prejudice: recruitment for this anthology closed on January 15th, and we will be selecting contributors and notifying them by January 31st. We expect this campaign to be ready for launch in roughly a year (late 2024 or early 2025).
  • Untitled General Imprint Anthology: we’re in the very preliminary stages of discussing a theme for our next general imprint anthology, and we expect to open recruitment for it in the late spring, with an expected publication date of summer, 2025.
  • Scrap Metal Angel by Nicola Kapron: our next novella project, we are working on final editing, and once that’s done we’ll begin work on a cover, artwork, and other campaign aspects. We don’t yet have a time frame on pre-orders, but definitely during 2024, before the fall.
  • The Twinned Trilogy by Tris Lawrence: we still have a great deal of editing to complete on this project, but covers are done and the pre-launch page is on Kickstarter. We’re aiming for spring or summer 2024 for crowdfunding.
  • We have several other novellas and novels in the pipeline, but none that we’re ready to announce yet. Be on the look-out!

Want to always know the latest on what we’re working on? Want a say in what we work on next? Want behind-the-scenes access, more information, awesome extras, free stories, and more? Want exclusive extra merch for supporting our future campaigns? Best yet: want the joy of supporting queer independent publishing? If you said “yes” to any of these, there’s no time like today to become a backer of our Patreon!

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Get to Know: Alec J. Marsh

Alec J. Marsh, author of the holiday novella To Drive the Hundred Miles (pre-orders open now!) lives in the Pacific Northwest, where they write romantic adult fantasy and self-indulgent fanfiction. They make candles inspired by their favorite characters.

You can get to know him better by checking him out his preferred social media platforms:

Or you can get to know him by checking out his other Duck Prints Press publications:

OR, best of all, you can get to know Alec by joining us for our first-ever Ask Me Anything session on our Discord Server! Join us on Discord, and attend this awesome Q&A session this Sunday, October 15th, at 3 PM Eastern Time!

(And don’t forget to pre-order To Drive the Hundred Miles!)

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5 Interview Questions with Adrian Harley

Many Drops Make a Stream features Droplet, a vigilante shapeshifter, assuming many animal forms while she takes on the corrupt powers-that-be of the fantasy world she inhabits. Today, the novel’s author Adrian Harley joins us to answer five questions about Droplet specifically and in the book in general!

Q: How did you build the world for Many Drops Make a Stream?

A: I’ve been writing in this world since I was 13, full of confidence, when my only guide for what showed up in my fantasy world was “What do I personally think would be cool?” I highly recommend this, it was great fun. The twenty years since then have been a slow process of asking myself questions, which has also been great fun. I asked myself things like “why does this world have half-human, half-animal hybrids?” and “what’s beyond that mountain ridge on the map?” This has resulted in dozens of story ideas, some of which are even drafted, and I hope a lot of them make it to final book form some day.

Q: Tumblr user definitely-not-a-shark asks, “There are so many wonderful animals that Droplet gets to shapeshift into! Which of them is your favorite form, and why is it the shark?”

A: Tragically, a shark form did not make it into the final draft of this book, so it cannot be a shark. I ended up with a surprise favorite form – I loved writing Droplet as a rat. The runner-up is Droplet’s goose form. I have a soft spot for geese. I find their total disregard for people and open hostility very entertaining. I started writing Many Drops Make a Stream before Untitled Goose Game came out, but that sort of aggressive commitment to upending order is something I enjoy writing.

Q: Following up on that, what animal would you love to write that you haven’t written yet?

A: Otters, definitely. Otters or some other kind of mustelid. That bounciness and playfulness would be quite a change of pace for Droplet, but we may see more shapeshifters who would be more at home in an otter form. I’d also like to write Droplet taking on a rabbit form, in homage to Watership Down.

Q: What was the first story you ever wrote?

A: Before I could write, I dictated stories about Land Before Time characters to my mom, who wrote them down for me so I could illustrate them with dinosaur stamps. I don’t remember the first story I ever wrote myself, but it was probably about a cat. I don’t even know how many magical cat stories I came up with as a kid.

Q: What are some hobbies you have outside writing?

A: I absolutely love being outside. I take a lot of walks, and I go on hikes as often as I can. I do my best brainstorming out walking in the woods, too. My main sedentary hobby is reading, closely followed by checking out books from the library that I do not read, which sit on my end table for a month before I return them.

Have you read about the Many Drops Make a Stream pre-order campaign? Have you read the free story opener included in the Duck Prints Press zine?

You have? Awesome! You must have more questions, then – and we’d love to hear ‘um. Comment or drop us an ask, and Adrian will answer you!

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Duck Prints Press Summer 2023 Con Wrap!

We’ve now vended at our first two cons, and we wanted to take a few minutes to blog about it!

I (press owner Claire Houck/unforth) attended Fandom Fest in Schenectady, NY, and Albacon in Clifton Park, NY, and vended on behalf of the Press. Authors Nova Mason, Shea Sullivan, Catherine E. Green, and Tris Lawrence helped me out with manning the booth, handling transactions, participating in our first DPP panel, and more, so huge THANKS to them. (Also to Prof. Robert Heverly from Albany Law School, for contributing his expertise on copyright law to our Fandom Fest panel). I wrote about our Fandom Fest panel here, and about our events at Albacon here and here.

To be honest, we really had no idea how things would go, and I’m not exaggerating when I say that we far exceeded our expectations. Going into this, I’ll own I was very afraid – would people be interested in our Press? Would we make money? Or would we be that sad, lonely table that everyone walks quickly by? But things couldn’t have gone better – they went so well we’re already looking at more events to attend in the future.

From a fiscal standpoint, we made almost double what I anticipated and completely made up the expense of buying the supplies and equipment necessary for us to vend at these events and going forward. From a panel perspective, our events were nicely attended. From a “growing the business” standpoint, we added many names to our mailing lists and gained social media platforms. And, from a networking standpoint, we had a fantastic time and met a lot of awesome people – and that’s primarily what this post is about!

You already know about us; we’re here to shout-out some other folks we’re now very happy to know!

The amazing Syrren and I bonded instantly over our shared love of the men of Mo Xiang Tong Xiu books and Stardew Valley romance options. I miiiight have ended up with some merch (though the Genshin Impact ones are gifts for a friend).

According to the Fandom Fest organizers, it was 100% a coincidence that we ended up next to Duck and Cover, but we couldn’t have had a cooler or more appropriate neighbor. A con attendee felt it was so on-brand for Duck Prints Press that they actually bought us this one-of-a-kind hand-painted James Bond duckie! We also talked with Duck and Cover about maybe offering some of their custom ducks as campaign add-ons in the future, so be on the lookout…

The owner of The Cogitation Zone, Lisa, is a long-time friend of Tris Lawrence, who commissioned us this custom Duck Prints Press business card holder that’ll be accompanying us to all our future cons! Lisa also had made a large number of adorable creatures, and I miiiight have traded a copy of one of our anthologies for an axolotl. Because. Axolotl.

The Consol Collection, sadly, has no website that I can find, but they had a lot of things such as this adorable Totoro sticker I got for my kids. And when the owner of Eclectic Arts approached me in an absolutely fabulous Hawaiian shirt featuring Pride-flag-colored twenty-sided dice, I instantly agreed to a sticker trade. On the right, jiadoesart had many lovely things, and I picked out some stickers for my Ghibli-loving kids.

Some Other Neat Folks We Met:

Pastel Prince Shop: lots of gorgeous queer art and merch; I’m hoping to get one of their asexual pride bracelets in the future (it got sold before I could grab it, sadly).

Bear and Bird Boutique: a local business that was vending at Fandom Fest, too, they have a lot of amazing bits and baubles, both fandom-related and original. We’ve bought everything from the Hilda graphic novel to a dragon puzzle at their store.

Picnocline: the only reason I didn’t buy things from Picnocline’s shop is that there were so many cute things that I literally couldn’t pick.

It’s Getting Dicey: dice, one of my true weaknesses! They have metal pride-flag dice sets, and lots of queer dice trays. I wish I could get them all…

Two-Penny Nerdlesque: a local burlesque troupe; they were very enthusiastic about And Seek (Not) to Alter Me and our queerifying of Much Ado About Nothing, and delighted told me about their own very queer versions of Shakespeare and other plays – I’m definitely going to have to check them out in the future.

(There are others too, but I didn’t grab everyone’s information, and I think this is plenty for one post. 😀 )

If any of you all are seeing this post, it was an absolute delight to meet you, and please don’t be a stranger!

Going forward, we’re looking forward to participating in more events and making more connections with other creators, especially other queer creators! Just today, we’ve applied to vend at A Big Gay Market, taking place in Washington Park in Albany on October 29th, 2023. We’ve also got a tentative schedule for 2024, and we’ll post more about where you’ll be able to find us as the dates grow closer and we find out if the juried shows have accepted our applications. We’re going to do our best to continue the success we’ve enjoyed at our first two conventions by pursuing vending as a way to meet potential readers and customers, grow relationships with other queer creators, and get the Duck Prints Press names out there for the benefit of all the authors, artists, and others we work with!

Got a con in New York State or Massachusetts that you love and think we should try to attend in 2024? Let us know in the comments or by dropping us an e-mail at!

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Duck Prints Press and Twitter

As a result of the many moves that Elon Musk has made since he bought Twitter last November, and in protest of his repeated expressions of transphobia, Duck Prints Press has decided to no longer have a presence on Twitter. We are not deleting our account so that bad actors cannot claim our username, and we will maintain minimum activity so that we are not summarily removed, but we will not longer post any new content there.

Thank you for your understanding.

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Pride Bundle 2023 Donations and Accountability!

Our Pride Bundle sale has concluded, and (enough of) the funds earned have cleared, and so today is donation day!

First, for accountability, here’s the sales data from our webpage:

We ended up selling the same number of each bundle – 23 General Imprint bundles, 23 Erotica Imprint Bundles.

The Press is donating the same percentage of our earnings across the board – about 40% of our “share”, which is itself about 25% of the net (post-processing fee) value of the sales. Several authors also opted to donate part or all of their shares to the charities. I’m not getting specific here because I don’t want our authors to feel pressured to donate more than they’re able to, so I apologize that this isn’t quite as explicit, but the way things worked out, after fees and everything, 35.71% of the GROSS proceeds from the General Imprint Bundle and 40.56% of the GROSS proceeds from the Erotica Imprint Bundle are to be donated. This includes the Press share and the shares for the volunteer authors. The breakdown works out as follows (all amounts are USD):

Gross sales: $907.51
Processing Fees: $39.05

Net Sales: $868.46
Press Share (pre-donation): $217.11
Collective Share to Split Among the Authors (Including to-be-donated shares): $651.34

As such,

Total Amount Collected for Charity: $346.08

We decided to round this up to $350, since that’s a nice, even number, and so we’ve donated $175 to each of the charities!

THANK YOU to everyone who helped make this event such a success for Duck Prints Press, our authors, and our chosen charities!

We’re already planning to do Pride Bundles for Charity again next year, so if you haven’t already followed us on social media, signed up for our newsletter, or backed us on Patreon, this would be a great moment to do so, to ensure that you don’t miss out on your next opportunity to get yourself some amazing stories and help us help others!

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Duck Prints Press No Longer Uses Redbubble

For those who may not have heard, Redbubble has recently changed their account tiers and payment scale in a way that’s very unfavorable to small-scale sellers with them. As a result, many people have decided to cancel their accounts, and we are among them.

A screen capture of a page on the Redbubble webpage. It includes a list of product categories across the top, a search bar, and a shopping cart. On the left, there's a menu of "Artist Tools" with many settings; one that reads "Cancel Account" is highlighted.

The open page has a header that reads "We're sorry to see you go. If there's anything we can improve, we'd really appreciate your feedback."

Beneath this request is a text box. In the text box, the following text has been entered by the account owner (which, based on the rainbow duck print icon in the upper right corner, is Duck Prints Press):

"Your new tier system makes this site worthless to us. We already barely make any sales; the prices here are high and our supporters know we get very little of the money so they tend not to choose RB when they want to buy from us. Now when we [sic] do we'll get even less of a cut if by some miracle we make a sale. We chose RB because of the convenience of "stocking" things like shirts, which would otherwise require us to keep a lot of different sizes and styles available, but it's no longer worth it if it means supporting this blatant money grab from small-time creators on the part of Redbubble."

Below this text box, the page reads: "If you choose to chance your account: Your profile will be removed; all your works will be removed; any comments or forum posts will remain. Please be aware that this is a permanent action. We cannot restore cancelled accounts." The page concludes with a button, on which the text reads: "Yes I'm serious - cancel my account."

The image implies that account owner, Duck Prints Press, has subsequently clicked the "Yes I'm serious" button.

In case anyone was wondering how I and the Duck Prints Press team feel about the changes to Redbubble, this is how.

I felt like it was very important that they understand that this was directly tied to their money grab.

When I asked the team, last meeting, if they thought I should delete the account (after I explained to them what happened), I got three different people instantly reply with the exact same words:

Yeet them into the void.

So. Redbubble has been yeeted.

The last two+ years, the only merchandise available on our Redbubble has been shirts, because they are expensive to stock when sizing and such are taken into account. We will be looking into other vendors for providing on-demand shirt production, and we are considering several already. We’ll post more information when we’ve made a choice! In the meantime, if you want a Duck Prints Press, feel free to get in touch and we can add you to a list of people to notify when they are available again.

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Celebrate Small Press Month with Duck Prints Press

March was National Small Press Month, and Duck Prints Press celebrated by collecting 12 questions from press contributors, recording the answers, and posting them on Tiktok and Instagram! Curious about the Q&A? This post includes a link to all the videos, and transcripts of each one for those who aren’t inclined to watch a mess of recordings. Read on, and learn the answers to…


Transcription: Howdy everyone, I’m Claire. I go by Nina Waters and unforth, and I’m the owner of Duck Prints Press, and I am very very very very much not accustomed to being a talking head in a Tiktok video, so I hope that this will be okay and that everything is awesome. So we are here at Duck Prints Press celebrating Small Press Month, and for that we had a bunch of our folks suggest questions that they might like me to answer and so over the next couple weeks (I expect) we’ll be answering those. So now you know what the basic idea is, and I hope you enjoy the answers.

What inspired you to start your own press?


Unforth is back answering the first question we got: What inspired you to start your own press? #smallpress #smallpressmonth #publishing #booktok #duckprintspress

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Transcription: Hey folks, it’s unforth again from Duck Prints Press and here answering some questions about the press for Small Press Month. The first question that we got was “what inspired you to start your own press?” There were definitely a lot of factors that went into it, but I would say that the sort of most immediate big one is that when I started writing fanfiction I found that I was surrounded by all these really really amazingly skilled writers and many of them dreamed of being involved in publishing and didn’t really know where to start, how to get involved, who to talk to, blah blah blah, all that stuff, and I had just enough connections in publishing to think I had some idea of what I was doing and some qualifications for filling that space. And then it took 7 years to actually do it, so yeah it was a pretty big job. But here we are!

What distinguishes Duck Prints Press from other small presses?


Claire is back answering our second question: What distinguishes Duck Prints Press from other small presses? #booktok #smallpress #smallpressmonth #publishing #queer #duckprintspress

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Transcription: Hello again, here’s unforth/Claire/Nina, depends on what you want to call me I guess. Unforth is online, Claire is my actual name, Nina is my pen name. Once again here to talk about Duck Prints Press as part of our feature for Small Press Month, and our second question is “what distinguishes Duck Prints Press from other small presses?” Answering this well would require knowing a lot more about other small presses than I actually do, but I would say a lot of it’s different because of – well, for several reasons. We are much less top-down, in that we have a much more collaborative process for basically everything we do. We’re also much less of a black box,  which is to say that it’s not like “send in submission, get answer back, that’s all you ever really know.” We try to be really really transparent and open about our process, what we’re doing, our timelines, our reasons for picking some people and not others, all of that jazz. We also are different in that we focus very strongly on LGBTQIA+ and queer stories and characters. I try not to say writers and creators and authors also because I’m not here to out anybody, but many of us are queer. I’m queer, hi! Yeah, that’s just a few of the ways, there’s way more, but I’m trying not to turn this into video essays. Have a good one, guys.

What is the best thing and what is the hardest thing about running a small press?


Claire is back, talking about the best and hardest things about running a #smallpress #booktok #smallpressmonth #publishing #duckprintspress

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Transcription: Hi! Unforth here again for Small Press Week – Month – with Duck Prints Press, and we are answering questions we got from our contributors about the Press, and I am the owner/founder/manager/almost everything. “What is the best thing and what is the hardest thing about running a small press?” The best thing is the people. That one is really easy. I have met so many amazing creators who I would never have gotten to know otherwise, and everybody is just brilliant, talented, skilled, wonderful, y’all are amazing. I do this for you, and I do it for all of us, and I want to see us all succeed and be awesome and show everybody that a press modeled like this can work. You guys make it worth it every single day. The hardest thing is all of the not-fun parts. You know, everybody’s going to enjoy different parts of running a business. I find fiscal stuff to be challenging and a drag and it takes forever. I spent 3 hours doing our taxes last week. Don’t even get me started on collecting sales tax. It would bore you to tears, and it bores me to tears and I have to do it anyway. And marketing. Marketing takes so much time and so much work for so little reward that’s visible immediately. Like, the reward’s coming. It goes – little by little we get there, but it’s – man, it feels like you take baby steps for months to get, like, 5 feet closer to where you want to be. So I would say, the parts I find hardest are the actually “being a business” parts.

A word of advice to people wanting to start their own press.


Claire with a message for anyone with hopes of starting their own press #booktok #smallpress #smallpressmonth #publishing #duckprintspress

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Transcription: Hi hi, unforth here again from Duck Prints Press, filming some questions – sorry, filming some answers to questions we got from people involved in the press about how Duck Prints Press came to be as part of our features for Small Press Month. And our next question is, oh – it’s, well. “A word of advice to people wanting to start their own press.” One word: don’t. No, I’m kidding. It’s way more work than I ever thought it would be, but perhaps more importantly, you’ve got to be ready to be a jack of all trades. You’ve got to be ready to think that you can learn anything you need to learn, because you’re gonna have to. I know more about tax law than I ever would have imagined myself capable of learning because there’s never enough money to hire all the professionals you need who are experts and there’s never enough resources to recruit the people who have that information so you need to figure it out yourself, or at least that’s what my situation has been. Maybe if you have a lot more starting capital than I do you’ll be in a better position in that regard. Just, don’t be afraid of it, but be ready to learn all kinds of things you thought you’d never learn. And also if you think you’re gonna have time for your own writing, haha good luck with that. I hope you have a better time of it than I’ve had.

What is the best way for people to support small presses? 


What is the best way for people to support small presses like Duck Prints Press? One word! #booktok #smallpressmonth #smallpress #publishing #duckprintspress

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Transcription: Hi! It’s unforth/Claire/Nina Waters here again. I’m the owner and founder of Duck Prints Press, a small press that focuses on working with fanfiction authors to publish their original work, and we are answering questions we got from our contributors about things about the press as part of Small Press Week. And the next question is – “what is the best way for people to support small presses like Duck Prints Press?” Money. The answer is money. I can’t imagine this is a surprise. I mean – this is best way, mind you, I’m not saying only way. But I mean – there is never enough sales. It would be, you know, back our Patreon, support us on ko-fi, buy our books, review our books on Storygraph, Goodreads, our website, any place else you can think of. Your personal blogs. I don’t know – anywhere. Instagram. Tiktok, hi! But I know money is in short supply for basically everybody. If you’re looking at this and going “well, duh, money, but how can I do that?” That’s fine. Signal boost us. Talking about us. I mean, even just literally, just hitting a reblog/retweet/share button really, really, really helps. Because even if you don’t have money, when the posts spread through social media if they find – if they spread through 100 people and one of those people has money, then we make a sale. And that helps us, because in the end, this can only be a passion project for us, and we need to make money if we’re really going to succeed and show people that we can do this. And I think and know and believe that we can. And so help us out!

Why do small presses matter?


Back again answering questions for #smallpressmonth ! This time Claire is explaining why small presses matter #booktok #smallpress #publishing #duckprintspress

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Transcription: Hi, it’s unforth/Claire again, here for another Small Press Month update from Duck Prints Press, and I just realized – I decided to do all of these on a day I’m wearing a ducky shirt. I didn’t plan that or anything, just worked out. I only own one ducky shirt – it’s not even like there’s a lot of them. And our next questions is, “In your opinion, why do small presses matter?” Small presses matter because traditional publication – trad pub – is really obsessed with marketing and success and corporation stuff and making huge profits, and they don’t have time for small voices and taking risks and margin – you know – marginalized people and publishing stories stories that they don’t think will succeed. And they’re wrong. I think those stories absolutely can succeed, but also, you know, there needs to be somebody out there taking those chances and that’s what small presses do. And a lot of small press don’t succeed, but even when we fail, stories have still been published, they’ve still been out there, the stories have still gotten told. So even when we fail fiscally, we’ve still succeeded in the core goal, which is to tell these stories to as wide an audience as possible. And that’s why small presses matter.

What are the common misconceptions about small presses, either internal or external?


Today Claire’s talking about a big misconception in the small press industry #booktok #smallpress #smallpressmonth #publishing #duckprintspress

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Transcription: Hey hey, unforth here again with another of Duck Prints Press’s Q and A session answers to questions from our contributors that we’re doing for Small Press Month. And the next one is the first one that I’m sort of like “I don’t have any idea what I’m gonna say.” “What are common misconceptions about small presses, either internal or external?” I can answer internal I guess. I think people have a – well, maybe external too – I think people have a much inflated idea of our earnings and sales. They’re – they’re very low. Hi, I’m the owner. I’ve been running this for over 2 years and I have never taken a paycheck. One of these days I need to get paid. That would be nice. But I think there’s this idea that “if you build it they will come,” which is to say that if you write the book and put it out there, then people are going to magically appear to buy it. And that’s really, really not the case. It is so much work to get books into people’s hands or onto their devices as the case may be. In terms of other misconceptions from an external standpoint, I have no idea. You know, everybody comes to a job from a direction when they start a business. There’s gonna be things that they knew ahead of time and things that they didn’t. I came to this with a lot of experience in writing and editing and things like running web pages and organizing fandom events and things like that. I have no press experience. I haven’t worked for other presses. I am not traditionally published. I know some people in the industry, that’s about the closest that I get. And so what their point of view might be, I could not begin to tell you. But you know, we manage.

What are your biggest non-monetary victories?


Claire here to talk about some of our biggest non monetary victories! #booktok #smallpress #smallpressmonth #publishing #duckprintspress

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Transcription: Unforth from Duck Prints Press here again answering questions we got from our contributors about Small Press Month and what running a small press is like. So our next question is, “what are your biggest non-monetary victories?” I guess it sort of depends what you consider a victory. I really appreciate the buy-in we’ve gotten from fandoms that know about us. Every time we get a lot of reblogs and a lot of boosts, it feels good because these are our people. We are fans. That’s the whole point is that we’re fans doing this in the hopes that we can get other fans involved as readers and writers and artists and graphic designers and website people and like every single person is a fan. The only person involved who isn’t a fan is my – is the lawyer I hire. And for all I know he is a fan, I haven’t asked. It’s really none of my business. It’s also – it always feels good when somebody big notices us, so, you know, the owner of another small press backed our first Kickstarter. I don’t care about the money – it’s cool that this person noticed, that’s what I was excited about. Cecilia Tan reblogged – sorry, retweeted us. A few other, you know, people who you’re like “hey, I know that name! I know who they are!” saw that we existed, and that feels good. I also feel like it’s essential. So yeah, I would say that most of our biggest non-monetary ones have been, like, “senpai noticed me” moments, haha. But you know, we’re getting there. I feel like I keep ending them with things like that so let me trying tying this off a little bit more intelligently. I think that in order to succeed ultimately, we need that kind of attention on us, and so every time it happens, it feels like a small victory because I figure – I think I read somewhere, and this might be total nonsense, that you need to, like, see a word at least 20 times before you actually know it. Like, before you can remember it, spell it, use it correctly in context, blah blah blah. And so I tend to perhaps inappropriately use that as my metric for, like, what it takes to succeed. Which is to say that, any given person is going to need to see Duck Prints Press and know we exist at least 20 times before that actually means something to them and they maybe think of us when they go, “Hey what am I going to read next? What book should I buy?” So, you know, that those – when those big people see us, that’s a lot of people’s one time finding out that we exist, so that means a lot. And somehow this has ended up the longest video. Funny how that works out.

What are the core ideas behind Duck Prints Press?


What is Duck Prints Press’s mission? Claire here to talk about the core idea behind DPP #booktok #smallpress #smallpressmonth #publishing #queer #duckprintspress

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Transcription: Hey hey! Unforth here yet again with another of our Q&A questions from Small Press Month. We asked people on our Discord if they had questions about running a small press that would work well for videos during Small Press Month and these were the results. And I’m sorry I keep swiveling my chair, I’m trying to find an angle where the snow falling outside doesn’t reflect horribly off of my glasses. That’s why this keeps happening. Anyway, the next question is: “What are the core ideas behind Duck Prints Press?” The core idea behind Duck Prints Press is to work with people in fandom communities – fan authors, fan artists, etc. – to help them to bring their original work from concept to fruition. You know – we love it when those people publish with us, but we do actually offer consulting, so if those people don’t want to publish with us, they can just have us edit and then publish it someplace else, and that would be fine too. The core of it is helping people create, encouraging people to create, and helping all – helping individuals succeed by helping all of us succeed. Because many of us have individual followings for our fan works, and I think that if we – I really believe, and it’s one of the core tenants of the press – that if we pool all of that together, we can help all of us to get to where we want to be in terms of – as writers, as artists, as creators, you know, as published people. So, yeah, that’s the core idea. That comes with a heavy queer/LGBTQIA+ flavor. Nobody has to be queer, no story has to be queer, but the general gist is all very, very not straight or cis, or you know any combination thereof. We’re not that picky. We’re not outing anybody “own voices” style here. Helping fan creators to get more attention for their original work and lifting all – lifting each other up to do it. That’s our core idea.

What would you do differently if you had to start over?


What would you do differently if you had to start over? Claire talks about the possible ways Duck Prints Press could’ve been changed #booktok #smallpress #smallpressmonth #publishing #duckprintspress

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Transcription: Unforth from Duck Prints Press here again answering questions for Small Press Week – Small Press Month. I keep making that mistake. Small Press Month about Duck Prints Press, the fan-oriented small press that works to help fan creators publish their original works. And our next question is: “What would you do differently if you had to start all over?” That is a really good question. Because if I’m honest, I don’t think we screwed anything up all that bad. And the things that got most messed up were kind of outside of our control to some extent. Like a lot of our year-2 plans just got delayed and put on hiatus because I ended up needing back surgery. I would do that differently. I would not try to run a business that was only 7 or 8 months old while suffering from increasingly severe spinal stenosis. That sucked. Don’t do that. In terms of things that I could control… I don’t know if it would have gone better because it’s really impossible to say, but doing a model where we had a lot more starting capital would have been very different and potentially could have gone a lot better. I think of Big Bang Press, which tried to do something very similar to us. They launched with a Kickstarter that raised $55,000, and what happened after that is best left to various fan wank webpages. But when I think about, sort of, what I could have done differently if we had started with $55,000, that would have been really different and I think potentially really helpful. We could have gotten a lot more input from professional than we’ve been able to really afford so far – like, by that I mean a CPA, a lawyer. Like, obviously we’ve spoken to those people, but I have to always try to keep it brief and do as much myself as possible because there’s just not enough money to go around. But if I’d had – if we’d gone a direction where instead of , sort of, shoestringing it from the beginning and trying to build from small to big, if we’d instead gone a “let’s collect investors and make this work from the – you know – build everything at once with a big starting investment” – I wonder how sustainable that would have been once the initial investment ran out? But it certainly would have made a lot of things different early on, and a lot of those things could have been easier. So, yeah, I know the reasons I didn’t do it that way, so I can’t actually say for sure I would do it differently or do it that way if I had to start over. But I do think that it’s a very different approach that could have had a very different outcome and might be interesting if we had a multiverse that we could test hypotheses in. 

Where do you see Duck Prints Press in 5 years?


Where will Duck Prints Press be in five years? Find out Claire’s plan so far! #booktok #smallpress #smallpressmonth #publishing #duckprintspress

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Transcription: Unforth here! I also go by Claire, which is my real name, and Nina, which is my pen name – Nina Waters. And I am the owner of Duck Prints Press, and I am here answering questions from our Discord…Discord members, that’s a good word…Discord members about the press as part of a celebration for Small Press Month. And our next question is, “Where do you see Duck Prints Press in 5 years?” And I’ll own, I actually usually don’t project out quite that far. By the time I go to 5 years, it feels a little too pipe-dreamy and I tend to look at more like one to two years as more like my goal. Like, I’m in planning for 2024 right now in March of 2023. But I would say, 5 years, I’d love to see us breaking even consistently and making enough of a profit. I’d love to see our Patreon bringing in about a thousand dollars a month, which would be a bit – a little over double what we’ve got now, we’re about $400. And when I say Patreon, and I mean Patreon and ko-fi combined, I always short-hand it. I’d love to us having a really steady stream of novels coming out, like, maybe 10 novels a year, as well as 4 anthologies and all the short stories, novellas, and novelettes. I would definitely like to see our books on some bookshelves. I think that that’s achievable and probably – I mean, honestly, I think all of this is achievable, or most of this is achievable in a shorter time frame than five years. Like, I think I can probably have books on bookshelves sometime in 2024 – bookstore bookshelves, I mean. And I also – I think I’d love to see a pretty solid cadre of artists and authors who are working with us consistently. I’d love to be doing several major art projects a year, so like – tarot decks, art books, card books – I feel like there’s a lot of other really obviously stuff and my brain is just totally blank right now. But you get the idea. So not just author projects, but also projects that are sort of the artist equivalent of a novel as it were. And…yeah. I’d just really like to see us keep growing and keep doing what we’re doing. I think we’re on a good track.

How do small presses in general (and Duck Prints Press specifically) differ from tradpub?


How do small presses and Duck Prints Press differ from traditional publication presses? It turns out there lots of ways we’re different! #booktok #smallpress #smallpressmonth #publishing #duckprintspress

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Transcription: Unforth here again from Duck Prints Press, answering questions about the press for Small Press Month. I’m going to try filming this one with my right hand holding the camera, which for some reason seems much harder. And this is our last question for small press – Small Press Month. How is one 3-word phrase something bumbling in so many of these videos? The world will never know. “How do small presses in general, or Duck Prints Press in particular, differ from traditional public – tradpub – traditional publication presses?” I mean, certainly size. I mean, those places that have entire departments to do things that I do all of myself or do all of, do most of with the support or 2 or 3 other people. I mean, we’re almost up to having an editing department. We’ve got 12 or 13 people now helping with editing. But, I mean, we still only have on lead editor, like for things like anthologies, it’s still – I’m still the last say. Nobody else has yet been able to step up and be a lead editor, though I’m looking forward to that as something we might do maybe next year. Things like, I mean, selection process, transparency, I mean obviously we’re not a public company, we’re not traded. We don’t have investors. We don’t have stockholders. Things like that. So, yeah, I mean, it’s honestly it’s so different that it’s hard to say how different all of it is. I would say this is not about presses in general, I think we’re pretty atypical in how we handle these things even among presses – small presses, I should say. I’m not trying to exceptionalize us, like, I’m sure there are other places doing things similar to what we’re doing. But I certainly don’t know what they are, so I can’t like shout them out like “hey that place does what we’re doing!” Yeah, it’s sort of different on every level. In ways, like, we don’t work through agents at all. We don’t take unsolicited manuscripts ever. Our recruitment strategies are totally different. Our marketing strategies are totally different. You know, we’re – we really came at this as fans, first, and we looked at kind of what – what makes a fan thing succeed, whether that this is a new fanwork, or a zine, or a pay-for-production campaign, whatever it is. What are the things we’ve seen and been involved in that have worked that have done that. We tried to emulate that because we’re fans and we expect our audience to be fans, so we decided to take an approach using methods that are tried-and-true in fandom, and applying them to our original work. And, yeah, from bottom to top, that is just totally different than what trad pub does.



One last message from Claire as we wrap up Small Press Month. We hope you all enjoyed these as much as we did! Do you have any additional questions? Drop them here! #booktok #smallpress #smallpressmonth #publishing #duckprintspress

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Transcription: Hey hey, so one last time here with unforth. That’s me. My real name is Claire, my pen name is Nina Waters. I am the owner and founder of Duck Prints Press, which is a small press that works with fan authors and fan artists and fan creators to publish and share our original work. We’ve been celebrating Small Press Month all through March, answering a whole mess of questions that we got from our Discord members. We hope that you’ve found these interviews interesting. I’ve honestly never done anything like this before. I have no idea if I’m doing a good job. But I hope you’ve enjoyed them. They’ve been interesting questions to think about and to answer, and I look forward to sort of opening up dialogues about any of these topics. If you’ve seen anything, heard anything, read anything in any of our posts on this topic that got you thinking, we would love to hear more about that. So, probably you know – I expect I’m gonna use this last video in a master post that links to all the others, check them out! We answered a bunch of questions about why we exists, what we do, who we work with, how we’re different, and we’d love you to get more involved. So don’t be a stranger, okay? And yeah, that’s again, I’m Claire/unforth, this has been all about Duck Prints Press,, in case that wasn’t really obvious, and um. Yeah. I hope you have a great day. And in conclusion, you guys – you guys want to see the snow? It’s been snowing the whole time I did this. It’s really pretty outside, take a look. Hopefully you’re not just seeing, like, tons of bug wire right now cause I can’t really see how good a view you’re getting, but yeah it’s really snowy outside of my office right now. Hopefully that wasn’t just, like, 10 seconds of just like glaring white light. If it was, I’m really sorry. Have a good one, everyone. Bye!

Thanks for joining us for Small Press Month, y’all, and if you’ve got any questions we didn’t answer, we encourage you to check out our FAQ, comment on this post, or drop us an ask on Tumblr!

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Get to Know Dux!

The one, the only, the original Dux, Darcy Paige Paddlesworth III. Mascot for the Duck Prints Press general imprint. Darcy is available as a key chain! They’re also on our logo die-cut sticker.

Anywhere you go on the Duck Prints Press website, you’ll see our lovable mascot. But just seeing them doesn’t give you the low-down on this very important member of the Duck Prints Press community. Read on and learn all about them!

All Duck Prints Press ducks are called Dux. They use they/them pronouns and are non-binary or have no gender (they haven’t made which clear yet).

Dux came to be when, early in the development of the Duck Prints Press logo, we faced the important question: who had left those rainbow duck prints? Thus, Dux was born. They have been delighting us with their fabulous presence, their kindness, their mischief, and their joy in life ever since.

Whether our mascot is one Dux who likes to dress up in different ways, or many different Dux who all have a different schtick, is an open question. We don’t questions Dux’s self-presentation, and we assume Dux will tell us if and when they’re ready to do so.

The feathers of the Dux come in all colors, as do their beaks and eyes. They are a creative species who love to express themselves in many different ways, by trying out all kinds of hobbies and by dressing up.

DPP’s mascot Dux is named Darcy Paige Paddlesworth III. Their name was selected by our Patreons as part of an event we ran after reaching an early milestone. All other Dux have so far remained anonymous, though we have descriptions we use to differentiate them.

Dux dresses up for all of our anthology crowdfunding campaigns, and is often featured on extras we make for our monthly backers on Patreon and ko-fi, too! Take a minute and get to know all the Dux now!

Desire!Dux. Mascot for Duxxx Prints Press, our erotica imprint.

Desire!Dux is available as a die-cut sticker.

Barista!Dux, one of two Dux developed for the release of our anthology Add Magic to Taste. Originally released as part of an early fund-raising campaign during which people could pre-order barista!Dux stickers.

Barista!Dux is available as a die-cut sticker.

Barista!Dux and Mage!Dux share pride of place on this mug.

Mage!Dux, one of two Dux developed for the release of our anthology Add Magic to Taste. They are the Add Magic to Taste campaign mascot.

Mage!Dux is available as a die-cut magnet and as a die-cut sticker.

Barista!Dux and Mage!Dux share pride of place on this mug.

Bard!Dux, one of the two Dux developed for the release of our anthology And Seek (Not) to Alter Me: Queer Fanworks Inspired by Shakepeare’s “Much Ado About Nothing.” They are the And Seek (Not) to Alter Me campaign mascot.

Bard!Dux is available as a die-cut sticker.

Artist!Dux, one of the two Dux developed for the release of our anthology And Seek (Not) to Alter Me: Queer Fanworks Inspired by Shakepeare’s “Much Ado About Nothing.” They were ultimately used to make a monthly-backer-exclusive sticker.

Stars!Dux, one of the two Dux developed for the release of our paired anthologies He Bears the Cape of Stars and She Wears the Midnight Crown. They are the mascot for He Bears the Cape of Stars.

We’ll be listing a Stars!Dux stickers for sale on our website on March 15th, 2023.

Midnight!Dux, one of the two Dux developed for the release of our paired anthologies He Bears the Cape of Stars and She Wears the Midnight Crown. They are the mascot for She Wears the Midnight Crown.

We’ll be listing a Midnight!Dux stickers for sale on our website on March 15th, 2023.

Bowtie!Dux. They look very dapper in their bowtie. A sticker of them was made for the Add Magic to Taste campaign.

Bowtie!Dux is available as a die-cut sticker.

Pride!Dux. We haven’t used this Dux yet for anything, but sometimes a Dux has just gotta spread their wings and show some Pride.

Devil!Dux. Look, sometimes, Dux just needs to get their evil on.

Heart Eyes!Dux. This is an emoji on our Discord servers, a perfect way to show our Duxy excitement. We have a number of other Dux emojis, but if you want to see those, you’ll need to get in on one of our servers.

Heart Eyes!Dux is available as a die-cut sticker.

We love Dux, and we hope you do to! We look forward to sharing more Dux with y’all in the future!

Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Love what we do? Want to make sure you don’t miss the announcement for future giveaways? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!

Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon or ko-fi monthly!