This Saturday, November 25th, is Small Business Saturday! Looking to shop small this holiday season? Check out Duck Prints Press, the fan-created independent small press that publishes the (usually extremely queer) original work of fanauthors and fanartists. We’ve got great gifts for the queer book lover in your life, including anthologies, short stories, merchandise, and more. And, of course, we’ve got lots of adorable merch featuring our adorable Dux mascot, too!
What have we got? Well, what are you looking for?? We have…
We’ll be donating roughly 35% of the proceeds from these bundles to charity – the Press is donating 10% off the top, and many of the authors chose to donate part of their royalties as well, bringing the totals to approximately 40% of the list price of the erotica collection and approximately 35% of the list price of the general imprint collection.
How This Works
you buy one or both bundles between now and July 28th, 2023.
we tally up all the proceeds earned and do some math-e-magic to figure out how much we’re donating!
we divide the charity share in half right down the middle and, within the first week of August, we donate raised money to the Ali Forney Center and the Transgender Law Center; then, we post the proof we’ve done so.
you get fantastic stories!
we all get that happy, glowy feeling of knowing that money has been well-spent on fantastic causes!
About the Press
Duck Prints Press is a queer-owned indie press, founded to publish original works by fancreators. We’ve been in operation for over 2 years, and in that time we’ve worked with well over 150 creators to publish four anthologies and almost 70 other stories, from shorts to novels, and we’ve got more on the works (our fifth anthology is Kickstarting RIGHT NOW, as a matter of fact!). The vast majority of our creators and their creations are queer/LGTBQIA+ (maybe even all, but we don’t out anyone and we don’t ask demography because, frankly, it’s none of our business).
20 of our authors have chosen to include their short stories in one or both of these short story bundles, and these 20 and others nominated charities, then voted to narrow it down to these two! Participation in these bundles was entirely voluntarily, as was choosing to donate shares of royalties, which about a third of the authors have opted to do.
About the Charities
Note: These charities are not affiliated with the Press, do not know we’re doing this fundraiser, have not endorsed this in anyway and are, as such, utterly uninvolved in this beyond being the beneficiaries of our efforts!Text is from the websites of each charity and is being used under fair use laws.
The Ali Forney Center was founded in 2002. Committed to saving the lives of LGBTQ+ young people, our mission is to protect them from the harms of homelessness and empower them with the tools needed to live independently. A 24-hour program, The Ali Forney Center never closes its doors. We provide more than just a bed and food for those in need — from initial intake at our drop-in center to transitional housing and job readiness training, we provide homeless LGBTQ+ youth a safe, warm, supportive environment to escape the streets [of New York City].
Transgender Law Center is the largest national trans-led organization advocating self-determination for all people. Since 2002 we’ve been organizing, assisting, informing and empowering thousands of individual community members towards a long-term, national, trans-led movement for liberation.
About the Bundles
We’re offering two bundles: one containing 14 stories from our general imprint, the other containing 11 stories from our erotica imprint. For all the deets, you’ll need to visit the page for each story, but here’s an overview…
March was National Small Press Month, and Duck Prints Press celebrated by collecting 12 questions from press contributors, recording the answers, and posting them on Tiktok and Instagram! Curious about the Q&A? This post includes a link to all the videos, and transcripts of each one for those who aren’t inclined to watch a mess of recordings. Read on, and learn the answers to…
Transcription: Howdy everyone, I’m Claire. I go by Nina Waters and unforth, and I’m the owner of Duck Prints Press, and I am very very very very much not accustomed to being a talking head in a Tiktok video, so I hope that this will be okay and that everything is awesome. So we are here at Duck Prints Press celebrating Small Press Month, and for that we had a bunch of our folks suggest questions that they might like me to answer and so over the next couple weeks (I expect) we’ll be answering those. So now you know what the basic idea is, and I hope you enjoy the answers.
What inspired you to start your own press?
Transcription: Hey folks, it’s unforth again from Duck Prints Press and here answering some questions about the press for Small Press Month. The first question that we got was “what inspired you to start your own press?” There were definitely a lot of factors that went into it, but I would say that the sort of most immediate big one is that when I started writing fanfiction I found that I was surrounded by all these really really amazingly skilled writers and many of them dreamed of being involved in publishing and didn’t really know where to start, how to get involved, who to talk to, blah blah blah, all that stuff, and I had just enough connections in publishing to think I had some idea of what I was doing and some qualifications for filling that space. And then it took 7 years to actually do it, so yeah it was a pretty big job. But here we are!
What distinguishes Duck Prints Press from other small presses?
Transcription: Hello again, here’s unforth/Claire/Nina, depends on what you want to call me I guess. Unforth is online, Claire is my actual name, Nina is my pen name. Once again here to talk about Duck Prints Press as part of our feature for Small Press Month, and our second question is “what distinguishes Duck Prints Press from other small presses?” Answering this well would require knowing a lot more about other small presses than I actually do, but I would say a lot of it’s different because of – well, for several reasons. We are much less top-down, in that we have a much more collaborative process for basically everything we do. We’re also much less of a black box, which is to say that it’s not like “send in submission, get answer back, that’s all you ever really know.” We try to be really really transparent and open about our process, what we’re doing, our timelines, our reasons for picking some people and not others, all of that jazz. We also are different in that we focus very strongly on LGBTQIA+ and queer stories and characters. I try not to say writers and creators and authors also because I’m not here to out anybody, but many of us are queer. I’m queer, hi! Yeah, that’s just a few of the ways, there’s way more, but I’m trying not to turn this into video essays. Have a good one, guys.
What is the best thing and what is the hardest thing about running a small press?
Transcription: Hi! Unforth here again for Small Press Week – Month – with Duck Prints Press, and we are answering questions we got from our contributors about the Press, and I am the owner/founder/manager/almost everything. “What is the best thing and what is the hardest thing about running a small press?” The best thing is the people. That one is really easy. I have met so many amazing creators who I would never have gotten to know otherwise, and everybody is just brilliant, talented, skilled, wonderful, y’all are amazing. I do this for you, and I do it for all of us, and I want to see us all succeed and be awesome and show everybody that a press modeled like this can work. You guys make it worth it every single day. The hardest thing is all of the not-fun parts. You know, everybody’s going to enjoy different parts of running a business. I find fiscal stuff to be challenging and a drag and it takes forever. I spent 3 hours doing our taxes last week. Don’t even get me started on collecting sales tax. It would bore you to tears, and it bores me to tears and I have to do it anyway. And marketing. Marketing takes so much time and so much work for so little reward that’s visible immediately. Like, the reward’s coming. It goes – little by little we get there, but it’s – man, it feels like you take baby steps for months to get, like, 5 feet closer to where you want to be. So I would say, the parts I find hardest are the actually “being a business” parts.
A word of advice to people wanting to start their own press.
Transcription: Hi hi, unforth here again from Duck Prints Press, filming some questions – sorry, filming some answers to questions we got from people involved in the press about how Duck Prints Press came to be as part of our features for Small Press Month. And our next question is, oh – it’s, well. “A word of advice to people wanting to start their own press.” One word: don’t. No, I’m kidding. It’s way more work than I ever thought it would be, but perhaps more importantly, you’ve got to be ready to be a jack of all trades. You’ve got to be ready to think that you can learn anything you need to learn, because you’re gonna have to. I know more about tax law than I ever would have imagined myself capable of learning because there’s never enough money to hire all the professionals you need who are experts and there’s never enough resources to recruit the people who have that information so you need to figure it out yourself, or at least that’s what my situation has been. Maybe if you have a lot more starting capital than I do you’ll be in a better position in that regard. Just, don’t be afraid of it, but be ready to learn all kinds of things you thought you’d never learn. And also if you think you’re gonna have time for your own writing, haha good luck with that. I hope you have a better time of it than I’ve had.
What is the best way for people to support small presses?
Transcription: Hi! It’s unforth/Claire/Nina Waters here again. I’m the owner and founder of Duck Prints Press, a small press that focuses on working with fanfiction authors to publish their original work, and we are answering questions we got from our contributors about things about the press as part of Small Press Week. And the next question is – “what is the best way for people to support small presses like Duck Prints Press?” Money. The answer is money. I can’t imagine this is a surprise. I mean – this is best way, mind you, I’m not saying only way. But I mean – there is never enough sales. It would be, you know, back our Patreon, support us on ko-fi, buy our books, review our books on Storygraph, Goodreads, our website, any place else you can think of. Your personal blogs. I don’t know – anywhere. Instagram. Tiktok, hi! But I know money is in short supply for basically everybody. If you’re looking at this and going “well, duh, money, but how can I do that?” That’s fine. Signal boost us. Talking about us. I mean, even just literally, just hitting a reblog/retweet/share button really, really, really helps. Because even if you don’t have money, when the posts spread through social media if they find – if they spread through 100 people and one of those people has money, then we make a sale. And that helps us, because in the end, this can only be a passion project for us, and we need to make money if we’re really going to succeed and show people that we can do this. And I think and know and believe that we can. And so help us out!
Why do small presses matter?
Transcription: Hi, it’s unforth/Claire again, here for another Small Press Month update from Duck Prints Press, and I just realized – I decided to do all of these on a day I’m wearing a ducky shirt. I didn’t plan that or anything, just worked out. I only own one ducky shirt – it’s not even like there’s a lot of them. And our next questions is, “In your opinion, why do small presses matter?” Small presses matter because traditional publication – trad pub – is really obsessed with marketing and success and corporation stuff and making huge profits, and they don’t have time for small voices and taking risks and margin – you know – marginalized people and publishing stories stories that they don’t think will succeed. And they’re wrong. I think those stories absolutely can succeed, but also, you know, there needs to be somebody out there taking those chances and that’s what small presses do. And a lot of small press don’t succeed, but even when we fail, stories have still been published, they’ve still been out there, the stories have still gotten told. So even when we fail fiscally, we’ve still succeeded in the core goal, which is to tell these stories to as wide an audience as possible. And that’s why small presses matter.
What are the common misconceptions about small presses, either internal or external?
Transcription: Hey hey, unforth here again with another of Duck Prints Press’s Q and A session answers to questions from our contributors that we’re doing for Small Press Month. And the next one is the first one that I’m sort of like “I don’t have any idea what I’m gonna say.” “What are common misconceptions about small presses, either internal or external?” I can answer internal I guess. I think people have a – well, maybe external too – I think people have a much inflated idea of our earnings and sales. They’re – they’re very low. Hi, I’m the owner. I’ve been running this for over 2 years and I have never taken a paycheck. One of these days I need to get paid. That would be nice. But I think there’s this idea that “if you build it they will come,” which is to say that if you write the book and put it out there, then people are going to magically appear to buy it. And that’s really, really not the case. It is so much work to get books into people’s hands or onto their devices as the case may be. In terms of other misconceptions from an external standpoint, I have no idea. You know, everybody comes to a job from a direction when they start a business. There’s gonna be things that they knew ahead of time and things that they didn’t. I came to this with a lot of experience in writing and editing and things like running web pages and organizing fandom events and things like that. I have no press experience. I haven’t worked for other presses. I am not traditionally published. I know some people in the industry, that’s about the closest that I get. And so what their point of view might be, I could not begin to tell you. But you know, we manage.
What are your biggest non-monetary victories?
Transcription: Unforth from Duck Prints Press here again answering questions we got from our contributors about Small Press Month and what running a small press is like. So our next question is, “what are your biggest non-monetary victories?” I guess it sort of depends what you consider a victory. I really appreciate the buy-in we’ve gotten from fandoms that know about us. Every time we get a lot of reblogs and a lot of boosts, it feels good because these are our people. We are fans. That’s the whole point is that we’re fans doing this in the hopes that we can get other fans involved as readers and writers and artists and graphic designers and website people and like every single person is a fan. The only person involved who isn’t a fan is my – is the lawyer I hire. And for all I know he is a fan, I haven’t asked. It’s really none of my business. It’s also – it always feels good when somebody big notices us, so, you know, the owner of another small press backed our first Kickstarter. I don’t care about the money – it’s cool that this person noticed, that’s what I was excited about. Cecilia Tan reblogged – sorry, retweeted us. A few other, you know, people who you’re like “hey, I know that name! I know who they are!” saw that we existed, and that feels good. I also feel like it’s essential. So yeah, I would say that most of our biggest non-monetary ones have been, like, “senpai noticed me” moments, haha. But you know, we’re getting there. I feel like I keep ending them with things like that so let me trying tying this off a little bit more intelligently. I think that in order to succeed ultimately, we need that kind of attention on us, and so every time it happens, it feels like a small victory because I figure – I think I read somewhere, and this might be total nonsense, that you need to, like, see a word at least 20 times before you actually know it. Like, before you can remember it, spell it, use it correctly in context, blah blah blah. And so I tend to perhaps inappropriately use that as my metric for, like, what it takes to succeed. Which is to say that, any given person is going to need to see Duck Prints Press and know we exist at least 20 times before that actually means something to them and they maybe think of us when they go, “Hey what am I going to read next? What book should I buy?” So, you know, that those – when those big people see us, that’s a lot of people’s one time finding out that we exist, so that means a lot. And somehow this has ended up the longest video. Funny how that works out.
What are the core ideas behind Duck Prints Press?
Transcription: Hey hey! Unforth here yet again with another of our Q&A questions from Small Press Month. We asked people on our Discord if they had questions about running a small press that would work well for videos during Small Press Month and these were the results. And I’m sorry I keep swiveling my chair, I’m trying to find an angle where the snow falling outside doesn’t reflect horribly off of my glasses. That’s why this keeps happening. Anyway, the next question is: “What are the core ideas behind Duck Prints Press?” The core idea behind Duck Prints Press is to work with people in fandom communities – fan authors, fan artists, etc. – to help them to bring their original work from concept to fruition. You know – we love it when those people publish with us, but we do actually offer consulting, so if those people don’t want to publish with us, they can just have us edit and then publish it someplace else, and that would be fine too. The core of it is helping people create, encouraging people to create, and helping all – helping individuals succeed by helping all of us succeed. Because many of us have individual followings for our fan works, and I think that if we – I really believe, and it’s one of the core tenants of the press – that if we pool all of that together, we can help all of us to get to where we want to be in terms of – as writers, as artists, as creators, you know, as published people. So, yeah, that’s the core idea. That comes with a heavy queer/LGBTQIA+ flavor. Nobody has to be queer, no story has to be queer, but the general gist is all very, very not straight or cis, or you know any combination thereof. We’re not that picky. We’re not outing anybody “own voices” style here. Helping fan creators to get more attention for their original work and lifting all – lifting each other up to do it. That’s our core idea.
What would you do differently if you had to start over?
Transcription: Unforth from Duck Prints Press here again answering questions for Small Press Week – Small Press Month. I keep making that mistake. Small Press Month about Duck Prints Press, the fan-oriented small press that works to help fan creators publish their original works. And our next question is: “What would you do differently if you had to start all over?” That is a really good question. Because if I’m honest, I don’t think we screwed anything up all that bad. And the things that got most messed up were kind of outside of our control to some extent. Like a lot of our year-2 plans just got delayed and put on hiatus because I ended up needing back surgery. I would do that differently. I would not try to run a business that was only 7 or 8 months old while suffering from increasingly severe spinal stenosis. That sucked. Don’t do that. In terms of things that I could control… I don’t know if it would have gone better because it’s really impossible to say, but doing a model where we had a lot more starting capital would have been very different and potentially could have gone a lot better. I think of Big Bang Press, which tried to do something very similar to us. They launched with a Kickstarter that raised $55,000, and what happened after that is best left to various fan wank webpages. But when I think about, sort of, what I could have done differently if we had started with $55,000, that would have been really different and I think potentially really helpful. We could have gotten a lot more input from professional than we’ve been able to really afford so far – like, by that I mean a CPA, a lawyer. Like, obviously we’ve spoken to those people, but I have to always try to keep it brief and do as much myself as possible because there’s just not enough money to go around. But if I’d had – if we’d gone a direction where instead of , sort of, shoestringing it from the beginning and trying to build from small to big, if we’d instead gone a “let’s collect investors and make this work from the – you know – build everything at once with a big starting investment” – I wonder how sustainable that would have been once the initial investment ran out? But it certainly would have made a lot of things different early on, and a lot of those things could have been easier. So, yeah, I know the reasons I didn’t do it that way, so I can’t actually say for sure I would do it differently or do it that way if I had to start over. But I do think that it’s a very different approach that could have had a very different outcome and might be interesting if we had a multiverse that we could test hypotheses in.
Where do you see Duck Prints Press in 5 years?
Transcription: Unforth here! I also go by Claire, which is my real name, and Nina, which is my pen name – Nina Waters. And I am the owner of Duck Prints Press, and I am here answering questions from our Discord…Discord members, that’s a good word…Discord members about the press as part of a celebration for Small Press Month. And our next question is, “Where do you see Duck Prints Press in 5 years?” And I’ll own, I actually usually don’t project out quite that far. By the time I go to 5 years, it feels a little too pipe-dreamy and I tend to look at more like one to two years as more like my goal. Like, I’m in planning for 2024 right now in March of 2023. But I would say, 5 years, I’d love to see us breaking even consistently and making enough of a profit. I’d love to see our Patreon bringing in about a thousand dollars a month, which would be a bit – a little over double what we’ve got now, we’re about $400. And when I say Patreon, and I mean Patreon and ko-fi combined, I always short-hand it. I’d love to us having a really steady stream of novels coming out, like, maybe 10 novels a year, as well as 4 anthologies and all the short stories, novellas, and novelettes. I would definitely like to see our books on some bookshelves. I think that that’s achievable and probably – I mean, honestly, I think all of this is achievable, or most of this is achievable in a shorter time frame than five years. Like, I think I can probably have books on bookshelves sometime in 2024 – bookstore bookshelves, I mean. And I also – I think I’d love to see a pretty solid cadre of artists and authors who are working with us consistently. I’d love to be doing several major art projects a year, so like – tarot decks, art books, card books – I feel like there’s a lot of other really obviously stuff and my brain is just totally blank right now. But you get the idea. So not just author projects, but also projects that are sort of the artist equivalent of a novel as it were. And…yeah. I’d just really like to see us keep growing and keep doing what we’re doing. I think we’re on a good track.
How do small presses in general (and Duck Prints Press specifically) differ from tradpub?
Transcription: Unforth here again from Duck Prints Press, answering questions about the press for Small Press Month. I’m going to try filming this one with my right hand holding the camera, which for some reason seems much harder. And this is our last question for small press – Small Press Month. How is one 3-word phrase something bumbling in so many of these videos? The world will never know. “How do small presses in general, or Duck Prints Press in particular, differ from traditional public – tradpub – traditional publication presses?” I mean, certainly size. I mean, those places that have entire departments to do things that I do all of myself or do all of, do most of with the support or 2 or 3 other people. I mean, we’re almost up to having an editing department. We’ve got 12 or 13 people now helping with editing. But, I mean, we still only have on lead editor, like for things like anthologies, it’s still – I’m still the last say. Nobody else has yet been able to step up and be a lead editor, though I’m looking forward to that as something we might do maybe next year. Things like, I mean, selection process, transparency, I mean obviously we’re not a public company, we’re not traded. We don’t have investors. We don’t have stockholders. Things like that. So, yeah, I mean, it’s honestly it’s so different that it’s hard to say how different all of it is. I would say this is not about presses in general, I think we’re pretty atypical in how we handle these things even among presses – small presses, I should say. I’m not trying to exceptionalize us, like, I’m sure there are other places doing things similar to what we’re doing. But I certainly don’t know what they are, so I can’t like shout them out like “hey that place does what we’re doing!” Yeah, it’s sort of different on every level. In ways, like, we don’t work through agents at all. We don’t take unsolicited manuscripts ever. Our recruitment strategies are totally different. Our marketing strategies are totally different. You know, we’re – we really came at this as fans, first, and we looked at kind of what – what makes a fan thing succeed, whether that this is a new fanwork, or a zine, or a pay-for-production campaign, whatever it is. What are the things we’ve seen and been involved in that have worked that have done that. We tried to emulate that because we’re fans and we expect our audience to be fans, so we decided to take an approach using methods that are tried-and-true in fandom, and applying them to our original work. And, yeah, from bottom to top, that is just totally different than what trad pub does.
Transcription: Hey hey, so one last time here with unforth. That’s me. My real name is Claire, my pen name is Nina Waters. I am the owner and founder of Duck Prints Press, which is a small press that works with fan authors and fan artists and fan creators to publish and share our original work. We’ve been celebrating Small Press Month all through March, answering a whole mess of questions that we got from our Discord members. We hope that you’ve found these interviews interesting. I’ve honestly never done anything like this before. I have no idea if I’m doing a good job. But I hope you’ve enjoyed them. They’ve been interesting questions to think about and to answer, and I look forward to sort of opening up dialogues about any of these topics. If you’ve seen anything, heard anything, read anything in any of our posts on this topic that got you thinking, we would love to hear more about that. So, probably you know – I expect I’m gonna use this last video in a master post that links to all the others, check them out! We answered a bunch of questions about why we exists, what we do, who we work with, how we’re different, and we’d love you to get more involved. So don’t be a stranger, okay? And yeah, that’s again, I’m Claire/unforth, this has been all about Duck Prints Press, duckprintspress.com, in case that wasn’t really obvious, and um. Yeah. I hope you have a great day. And in conclusion, you guys – you guys want to see the snow? It’s been snowing the whole time I did this. It’s really pretty outside, take a look. Hopefully you’re not just seeing, like, tons of bug wire right now cause I can’t really see how good a view you’re getting, but yeah it’s really snowy outside of my office right now. Hopefully that wasn’t just, like, 10 seconds of just like glaring white light. If it was, I’m really sorry. Have a good one, everyone. Bye!
To celebrate #aromanticawarenessweek, we asked our contributors (some of whom chose to remain anonymous) to recommend their favorite books with aromantic characters (some explicit, some implied).
Here are our 8 favorites!
Lovelessby Alice Oseman This is the funny, honest, messy, completely relatable story of Georgia, who doesn’t understand why she can’t crush and kiss and make out like her friends do. She’s surrounded by the narrative that dating + sex = love. It’s not until she gets to college that she discovers the A range of the LGBTQIA+ spectrum — coming to understand herself as asexual/aromantic. Disrupting the narrative that she’s been told since birth isn’t easy — there are many mistakes along the way to inviting people into a newly found articulation of an always-known part of your identity. But Georgia’s determined to get her life right, with the help of (and despite the major drama of) her friends.
Commit to the Kickby Tris Lawrence For eighteen years, Alaric has lived under the cloying politics of family and his Clan community. His freshman year is supposed to be a chance to explore a world where Clan and his shapeshifting Talent isn’t central to his life. But when his inner bear bursts forth during his first football game, endangering those around him, Alaric realizes that it’s not so easy to ignore his past, or his own internalized anger. In his quest for anger management, Alaric begins to train in taekwondo, and makes new friends in both sports. He finds that he is creating his own small community, where Clan, Mages, other Talents, and even humans come together and build their own found family. When Alaric receives news that something has happened to his brother Orson, he must return and deal with his Clan and his place in their world. He discovers that old prejudices are still strong between Clan and Mage communities, but that both may be in danger from a creature long thought to be only a legend. Alaric must figure out how to move forward and prevent a war and protect both his home and newly built communities, his found family with him every step of the way.
The Graverobbers’ Chroniclesby Xu Lei Uncle Three loves good food, good booze, good card games, and bad women–and he’s never found a grave he wouldn’t rob. He can’t help it – it’s in his blood – grave robbing has been the family business for centuries. So when his bookseller nephew comes to him with a map to an ancient tomb, Uncle Three sets off to find it, in the company of some grave-robbing colleagues, his nerdy nephew, and a strange poker-faced guy that nobody can quite figure out. Uncle Three knows that the grave he seeks will lead him and his companions to “another kind of world,” but not even he could ever imagine what they are about to find. Lost in a labyrinthine cavern that is full of dead bodies, Uncle Three and his comrades fight for their lives as they come up against vampires, corpse-eating bugs, and blood zombies.
The Devil’s Luckby L. S. Baird Years ago, a foolish wastrel once played a hand of cards with the devil… and lost. Now Frey has inherited his uncle’s double curse: the Devil’s claim written on his body in crimson letters, and the impossibly good luck that comes with it. Death is Frey’s only escape from his destiny, but not even Etienne, an expert assassin from the Order of the Crimson Seal, can defeat Frey’s luck alone. And when Etienne finds himself growing too fond of his victim, he doesn’t know if Frey’s good nature or the luck is to blame. However, Etienne will give his all to preventing the Archdemon’s return, even if his all includes wearing a corset, and killing a friend.
All Systems Redby Martha Wells In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid – a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.
In Good Companyby Nicola Kapron Haruki no longer remembered what had been going through his head the first time he’d killed. All he recalled was the sight of those he’d once loved with all the helpless force of a scared, scarred child covered in red and utterly still. He hadn’t felt grief or triumph when he realized they weren’t struggling anymore. He’d just felt—
Better to be hollow than to despair.
Kaikeyiby Vaishnavi Patel I was born on the full moon under an auspicious constellation, the holiest of positions–much good it did me.
So begins Kaikeyi’s story. The only daughter of the kingdom of Kekaya, she is raised on legends of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the devout and the wise. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to how great a marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear.
Desperate for some measure of independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With this power, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen, determined to carve a better world for herself and the women around her.
But as the evil from her childhood tales threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. Kaikeyi must decide if resistance is worth the destruction it will wreak–and what legacy she intends to leave behind.
Firebreakby Nicole Kornher-Stace New Liberty City, 2134.
Two corporations have replaced the US, splitting the country’s remaining forty-five states (five have been submerged under the ocean) between them: Stellaxis Innovations and Greenleaf. There are nine supercities within the continental US, and New Liberty City is the only amalgamated city split between the two megacorps, and thus at a perpetual state of civil war as the feeds broadcast the atrocities committed by each side.
Here, Mallory streams Stellaxis’s wargame, SecOps on BestLife, spending more time jacked in than in the world just to eke out a hardscrabble living from tips. When a chance encounter with one of the game’s rare super-soldiers leads to a side job for Mal–looking to link an actual missing girl to one of the SecOps characters. Mal’s sudden burst in online fame rivals her deepening fear of what she is uncovering about BestLife’s developer, and puts her in the kind of danger she’s only experienced through her avatar.
Recommendations contributed by Nina Waters, softestpunk, Adrian Harley, and others.
Also: did you know? Duck Prints Press’s owner, Nina Waters, is aro! We’re an aro-owned company!
Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum.Love what we do? Want to make sure you don’t miss the announcement for future giveaways? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!Want to support the Press, read about us behind-the-scenes, learn about what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon or ko-fi monthly!
This week, we’re spotlighting other queer, independent presses out there – some queer-owned, some focusing on publishing queer stories, some both. Take a look below – and if you know another press that’s not on the list, add it in the reblogs! The more queer publishers, the better. 😀
Brown Recluse Zine Distro is a collectively run organization created to support and center zines by queer and trans people of color. Check out their shop for zines on dozens of topics, from personal reflection to political organizing.
Zombies Need Brains has been publishing themed anthologies for 10 years, and, this summer, they’re expanding to publish two short stories per month through their Patreon. Their next anthology’s theme will be announced in July; in the meantime, you can also pick up their previous anthologies and other ebooks in their store.
Interlude Press and their YA imprint, Duet Books, have published more than 90 works of LGBTQ+ fiction across genres. Their catalog is full of award-winners, and with the plethora of genres, they offer something for everyone.
All Worlds Wayfarer, a quarterly speculative literary magazine, has recently started producing themed anthologies as well. Their latest, Prismatic Dreams, contains 30 sci-fi, fantasy, and horror short stories with queer protagonists.
Speculatively Queer “publishes speculative stories about queer hope, joy, love, affirmation, and community.” It Gets Even Better: Stories About Queer Possibility is available now, and Xenocultivars: Stories of Queer Growth is available for preorder.
Renaissance Press publishes diverse Canadian voices across genres. Their latest release is AfriCANthology: Perspectives of Black Canadian Poets.
Microcosm Publishing is a Portland-based publisher founded in 1996 to focus “on … the experiences of what it is like to be a marginalized person.” They especially focus on publishing work by women. They’ve currently got a Kickstarter running for their next title, “Unf*ck Your Grief.”
Ylva Publishing focusing on stories about women loving women, with an emphasis on diversity. They’re woman-owned and cross-genre, releasing everything from mysteries to romance to historical to erotica. They also publish YA titles!
Atthis Arts Indie Publishing is a small press named after a character from Sappho’s poetry. They are especially interested in publishing works by members of underrepresented groups.
Bonus! An 11th Press
Space Wizard Science Fantasy, an indie press focused on queer sci-fi and fantasy, is just getting started. They’ve launched a Year 1 Kickstarter, featuring a number of titles they are working on, and they could really use more support. Back their current Kickstarter to purchase individual books or subscribe to the whole Year 1 slate of fiction!