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Do You Tiktok?

Well, now we do too! We’ve actually had the account for ages, and we’ve batted around a lot of ideas for how to use it without implementing any of them, but now we’ve posted our first video there. Long-term, we hope to post there regularly; at the moment, if you use Tiktok and want to give us a follow, expect intermittent posts: unboxings, asks answered, slice-of-life, book gushing, readings, and of course ducks (always ducks!), that kind of thing.

Our account is here!

And our first video? Why, here of course! It’s a video of me (Nina Waters, the Press owner!) unboxing the patches for the crowdfunding campaign for She Wears the Midnight Crown and He Bears the Cape of Stars. The merch was produced by Alchemy, featuring artwork by Reship KMN (Tumblr | Twitter).

@duckprintspress

Duck Prints Press Unboxes: Patches for “He Bears the Cape of Stars” and “She Wears the Midnight Crown.” Art by Reshipkmn, Manufactured by Alchemy.

♬ original sound – duckprintspress

Have something you’d like to see a member of the Press talk about in a video? Let us know and we’ll see what we can do to make it happen!

We’ll also be cross-posting videos on Instagram and YouTube, so even if you don’t have Tiktok, don’t worry – you’ve got options to make sure you don’t miss out!

Oh, and here’s a pic of the patches – they’re so beautiful and sturdy! I can’t wait to send them out to everyone.

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Current Projects and Their Statuses

We received the following ask on Tumblr:

Hi, Friendly anon here! I was wondering if y’all had any updates on your projects? I found a reference to a Trello taskboard thing that looked like it might have some but I got waaaaay confused trying to understand it. How goes everything?

And, our answer!

Hey anon!

Yeah, we’ve publicly shared our Trello here but for someone who’s not familiar with how Trello boards are set up I can absolutely see how it could be confusing. So I’m figuring I can answer this Ask two-fold: first with what we’re actually up to right now, and second with a quick how-to that’d hopefully help with understanding the Trello in the future.

Current Projects and Their Statuses:

And Seek (Not) to Alter Me: Kickstarter fulfillment is complete except for people who haven’t done their backer surveys. We are planning to release the e-book and some surplus merch on our website on October 1st, so we’ve been doing work related to that: taking pictures, preparing shop listings, working on our controlled vocabulary, etc.

He Bears the Cape of Stars and She Wears the Midnight Crown: we’ve got virtually all the merchandise here and ready to go with a few exceptions; the bath bombs still need to be repackaged, the patches are currently shipping and are slated to arrive on Wednesday, and chocolates we won’t get until it’s time to ship, so they won’t spoil while sitting around waiting. We’re still hard at work on the books themselves and the stories. There are a total of 36 stories in the two collections; as of right now, 19 stories are completely done/edited/ready to go, and 7 more are close (at the final step before completion). The rest are in various stages of editing. We’ve ended up behind our originally (intentionally optimistic) projected schedule for a variety of reasons, but we’re well within the range of our more “pessimistic” projections, which had us fulfilling in March or so. As it is, we expect to be able to complete fulfillment/ship people’s purchases in early November.

Our Next Anthology: we’ve been hard at work on the planning for our second Queer Fanworks Inspired By… anthology. We’ve hammered out all the details, figured out a schedule, got a title, drafted and edited the websites and surveys that include the rules, guidelines, recruitment stuff, etc., and we anticipate launching recruitment (which will mostly be internal) on October 1st.

An Enamel Pin Campaign: we originally intended to launch a campaign featuring only enamel pins in September. We’re still planning to launch it, but we had so many ideas that we’ve struggled to narrow them down, and so odds are we’ll be launching this in October instead. Right now, we’ve narrowed it to a specific theme and right now we’re voting on which specific pins we want within that theme.

General Business Tasks: as we’re getting closer to finishing the stories for He Bears the Cape of Stars and She Wears the Midnight Crown we’ve been tackling a back-log of more general tasks. For example, we’ve opened up opportunities for authors we’ve worked with to publish their solo original works (as in, personal projects by our authors instead of themed anthologies) and we’re in the process of reviewing the interest checks people sent in, gathering more information from the authors, and getting the ball rolling on having more stand-alone/solo projects coming down the pipes. This is an essential step in widening the scope of what we publish, and we are aiming to start getting out roughly a novel a quarter starting this winter. Also, starting in October, we expect to publish a short story per week on our website, though we’re still getting the ducks in a row to make that a reality so consider that tentative, not official. We’ve also also been expanding the resources part of our website, preparing a style guide, an e-book formatting guide, a fandom lexicon, and more. Our resource-related posts have tended to be well-received, and also because the resources are free we consider providing them an important part of our mission of helping fanfiction author publish their works: even someone who never works with DPP can benefit from a public, free, thorough, professional-level guide that helps them format their story for e-book publication without needing any special/expensive software, for example.

That’s…all the basics I think? there’s also a continuous background buzz of Things That We Do – regular blogging, daily monitoring/upkeep on our social media, maintaining our Patreon and ko-fi accounts, accounting, end-of-month and beginning-of-month fiscal activities, etc. – all the day-to-day activities that keep a business (even a business as small and new as this one) running.

How to Navigate the Trello

So, while we’re still hammering out the details on how best to organize the Trello for utility both for us as we organize things and to the public – in particular, I’m going to need to tweak how it’s set up if we’re going to effectively use the built-in calendar functionality – here’s how it’s set up now.

LISTS:

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The highest level of organization on a Trello Board is the lists. We’ve currently got a whole bunch of different lists.

At a Glance: this is the “overview” lists. It includes all of our current projects, and all of our regular/general management. Those are organized on Cards – more on that next.

Merchandise: lists all the merchandise we’ve currently got in production/in process, and what their current status is. (it does NOT include merch produced for past campaigns/activities)

After those two, we have a whole bunch of lists that all serve the same function: they indicate what stage of editing we’ve completed for each of a number of stories we’re currently working on.

  • Developmental – Writing in Progress: first draft isn’t done
  • Developmental – Draft Completed: first draft is done, waiting for an editor
  • Concept Editing – First Pass Completed: a concept-edit run has been returned to the author and is pending their review
  • Concept Editing – Second Pass Completed: a second concept-edit run has been returned to the author and is pending their review.
  • Copy – First Edits Completed: a SPAG edit run has been returned to the author and is pending their review.
  • Copy – Second Pass Completed: a second SPAG edit run has been returned to the author and is pending their review.
  • Copy – Final Edits Completed: a final/clean-up SPAG edit run has been returned to the author and is pending their review.
  • Final Edits Approved, Contract Sent and Pending Signature: the author has approved the final edit run and has been sent their contract.
  • Story Completed, Contract Signed, Author Paid, Preliminary Formatting Done: what it says on the tin
  • Typesetting – First Pass: the typesetter has done the first run on formatting the story for print.
  • Typesetting Completed: what it says on the tin.

Not every single story ends up needing every single one of these, and sometimes stories need more concept or SPAG runs than this, but we thought this division reflected the process stories go through most often. We’ve given the stories basic anonymizing so that no author feels “called out,” though more often than not it’s the editing team that’s behind, not the authors.

Long-Term Ideas, Lists, Information We May Need Someday: the last of our lists is what it says on the tin. We keep track of ideas for future anthologies, potential merch, things we’ve thought of and went “we can’t do that now but maybe someday…” etc., and we just toss it all there so that the ideas don’t get lost.

CARDS:

Every List is composed of Cards. Each Card reflects one category of “thing that needs to be done.” There are a lot of ways to actually set up lists and cards (and we may change ours in the future) but currently, we have:

Cards for all our main projects/overarching “areas” in which we’re working. These are on the At a Glance List.

Cards for all currently in-progress Merchandise, on the Merchandise list.

Cards for all stories we have in-progress at the moment, on the appropriate Lists for their current status.

Cards for some over-arching categories of “things for not now,” on the Long-Term Ideas list.

All the Cards on At a Glance have the same basic structure. If you click on the Card, you’ll be able to see sub-tasks/checklists related to the items on that list. For example, here’s the Recurring Tasks Card:

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This is one of the most complex of the Cards, as it includes all the activities we engage in daily, weekly, monthly, and annually to keep the business running smoothly. Other “management” related Cards on this list include two related to our weekly management meetings and monthly all-server meetings, and the General Task Card, which lists a whole slew of background activities that we’ve been working on and/or intend to do (divided into separate checklists for each category, cause there are just so many).

Then, below the the general Cards the cards for specific projects. Here’s the one for He Bears the Cape of Stars and She Wears the Midnight Crown.

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This, and the other specific project Cards, list all the tasks we currently know of/have thought of that need to be done for the given project. The checklists give a quick idea of what the task is, and indicates the current status of that task. A few also have dates attached to them, though not most cause we don’t tend to treat deadlines as that “hard” internally – we prefer to maintain flexibility considering how many people are involved in these projects and how complex all our lives are and how the world just, ya know, is right now.

As we complete tasks, we move them into the Comments section at the bottom of the Card. Because we only recently implemented this public system (previously, we worked from a private Trello that looked a lot like this but was just a bit messier and not designed to be viewed by outsiders, like, we used a lot of shorthand, that kind of thing) it doesn’t include tasks completed before we implemented this system, but we’ve been doing our best to keep on top of it since we opened the public Trello a couple weeks ago. For example, here’s the completed tasks for our upcoming anthology that we expect to open recruitment for on October 1st:

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So, I think that’s the basic?

Because we want to use the Calendar more, we may end up breaking out more of the individual tasks currently listed on checklists on Cards into their own Cards, since the Calendar mostly functions at the Card-level, not at the checklist-item level. If we do that, we’ll likely make additional Lists for our main active projects, with cards for each task that is currently a checklist item. However, that’s not going to happen immediately just cause there are higher priority things to be done.

If there’s something more specific that you’re finding confusing, I’m happy to put together a tutorial – I tend to figure that if one person has a question and actually tells me they have a question, there are at least a half-dozen other people who had the same question and decided for whatever reason not to ask, and as you likely know, anon and everyone else reading this, we’re committed to transparency, and the Trello is one of the biggest, newest facets of that, so ensuring it’s navigable for new comers is really important to us. It’s hard to create a public-facing system that maintains a certain degree of confidentiality and still serves our needs for managing the business, and also just – we’ve got a lot going on basically all the time (and more and more as we grow), so there’s a lot that has to go on there, which means by necessity it’s kinda complicated. I do worry that if it’s really complex, it’ll serve to create obscurity instead of transparency, but…well, we’re doing our best, and we’ll keep doing our best, and we hope that when questions/issues/concerns/delays/etc. do arise, people will continue to be as patient with us as they have been! <3

Hope that helps, and thanks for sending an ask!! We’re always here to help. <3

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Wondering What We’re Working On?

Well, wonder no more!

A week ago (Sunday, August 28th, 2022) we held our second-ever all-server meeting – a now-monthly event inaugurated in July, where everyone involved with Duck Prints Press (authors, artists, designers, ko-fi/Patreon monthly backers, etc.) is invited to jump into a channel on our Discord, listen to some updates on our current projects and upcoming plans, and ask questions, comment, make suggestions, and generally get more involved! At the meeting, many people indicated that they wanted a better idea of what the Press staff are actually doing, on a day-to-day basis, and @hermit-writes (WordPress) suggested it would be easy for us to set up a public-facing Trello board, especially because we already use Trello to do most of our behind-the-scenes task organization/management. We opened that up to a general vote and the response was overwhelming, YES WE WANT TO KNOW! So, with Hermit’s help, the thing is now done – and y’all can see too!

As part of Duck Prints Press’s ongoing commitment to transparency, we present you: a Trello board listing what we’re working on and project status, available for everyone to see!

This Trello board includes all of our current projects and short-term plans (roughly the next quarter-or-so), and the status of individual tasks associated with the project. You do not need a Trello account to view it. We expect to add a calendar component to it too (transferring our existing, rather bare-bones, Google Calendar into the Trello so that everything is in one place). We encourage you to take a peek and keep an eye on what we’re up to and how we’re progressing!

As always, we’re here to provide information to our contributors, staff, readership, curious public, really everyone involved in the Press in anyway – so always feel free to let us know if you have questions, comments, feedback, etc.

(and – want to support what we do? we heart our monthly supporters on ko-fi and Patreon, and we’d love to have you, yes YOU, on board too!)

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FAQ: Does Duck Prints Press use #OwnVoices?

Long time no post – I (Nina Waters, the Press owner) have been away for a couple of weeks, and despite my hopes to keep things active, I wasn’t able to do so. But, I’m back now, and ready to catch up on things I did before or during my trip, and/or things that crop up now!

For starters – right before my departure I received a question in my e-mail. The below is paraphrased from the original ask, and my answer is slightly edited for readability.

Question: What is Duck Prints Press’s stance on the #ownvoices tag?

We don’t use #ownvoices, ever, because what was created as a tag to help highlight creators speaking on their own experiences became a bludgeon to bully people and force them to out themselves. We say publicly that we primarily aim to work with LGBTQIA+ authors to publish LGBTQIA+ stories, but we don’t actually require that our creators be any form of queer, nor do their stories/artwork/creations have to feature LGBTQIA+ characters or themes. No one ever has to disclose more about their identity than they wish to, nor does anyone have to use a real name (outside of contracts, which are of course not shared), link any social media accounts, etc. – since we only share the info our creators explicitly want shared, they can publicize as much or as little as they’d like to about themselves – then can go “full public” and use their actual name to write, share all their social media, etc., or they can deny the public access to them beyond a pen name, or anything in between. We use this approach to protect creators and make sure no one will be forced to out themselves, and while the Press is primarily aimed at LGBTQIA+ themes, we’ll of course apply the same approach to other aspects of author identity – race, ethnicity, religion, etc. In all respects, the creators themselves choose how much to disclose, and we will never share anything beyond what they’ve authorized.

Our views on the #ownvoices tag were primarily formed based on this blog post from We Need Diverse Books.

All that said, since we’re so explicitly a queer-focused Press, there’s always a danger that people will assume our creators are some flavor of queer whether they are or not, but we really can’t help what other people assume, and we never explicitly say that creators MUST be queer (nor do we require it privately – we have worked with creators who aren’t queer). If you’re ever wondering about a specific creator, we encourage you to check out our various author biography pages for our anthologies and the Press as a whole, and see what the creators have, and have not, chosen to share!

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Merchandise Spotlight: Campaign Bookmarks and Pins!

The Seed&Spark campaign for He Bears the Cape of Stars and She Wears the Midnight Crown includes a lot of gorgeous merchandise options. Today, we’re taking a look at two of them!

Bookmarks

Our Bookmarks, one aligned with She Wears the Midnight Crown, the other with He Bears the Cape of Stars, feature the lovely artwork of Pippin Peacock.

Bookmark for She Wears the Midnight Crown.
Bookmark for He Bears the Cape of Stars.

With printing by UPrinting, who have also printed the campaign bookmarks for Add Magic to Taste and And Seek (Not) to Alter Me, our first two anthologies, we know that this merch will be gorgeous in high-gloss on quality, thick cardstock. The back of the She Wears the Midnight Crown bookmark will feature the signatures of the authors who contributed to that book; likewise, contributors to He Bears the Cape of Stars provided their signatures so we could share them on the back of that bookmark!

The bookmarks are each 2 in x 7.25 in (5 cm x 18.5 cm) and will have rounded corners, a 3/16 in hole at the top center, and gold tassels!

Enamel Pins

We’ve once again contracted Miss Aceriee to create artwork for our enamel pins, and the results are simply stunning. (In fact, Miss Aceriee produced so many lovely ideas that we had trouble picking – more on that later!). Miss Aceriee took our inspiration and ran with it, creating a design for two pins that are each lovely as stand-alone pieces, and even more amazing when paired!

Enamel pin designs aligned with She Wears the Midnight Crown (left) and He Bears the Cape of Stars (right).

For manufacturing purposes, we will be working with Alchemy for the third time – the pins they made for each of our previous campaigns have turned out fantastically. These pins will each be approximately 2 in x 1 in (5 cm x 2.5 cm), with two back-prongs to help ensure they attach securely. The metalwork is gold, with matching butterfly pin backers. The enamel work will be soft enamel with a clear epoxy coating, and one color (the dark green-blue) on each will have glitter to make it extra sparkly.

Bonus: Backer-Exclusive Reward!

We had so much trouble deciding which of Miss Aceriee’s designs to use as the campaign pins that we decided, first, to have a third/fourth pin offered as a stretch goal (if we hit $26,000 in funding, everyone who backed the campaign at level 5+ will receive one or both pins as extras!), and second, that we’d make the same design we chose for that into a die-cut sticker for some of our monthly backers. People who back Duck Prints Press monthly on Patreon or ko-fi at the $10 or $25 level, AND who back our crowdfunding campaigns, always get an exclusive extra. This time, it’ll be this design in one of these four colorways:

Want to know which of the four will become the sticker? So do we! Our backers can vote on their favorite for the next week, and their wish will be our command – and, if we reach the $26,000 stretch goal, the colors of their choice will also be made into two pins – the sun/crown mask and the star/beard mask, lovely as stand-alone, amazing as an interlocking pair!

So, if you’re a backer, go vote, and if you’re not a backer yet – no time like the present to become one!

You, yes YOU, can support us on Patreon or ko-fi!

And you can back the He Bears the Cape of Stars and She Wears the Midnight Crown Campaign HERE!

(Also, just sayin’ – it’s also the last 24 hours to have a say in the theme of our next Queer Fanworks Inspired By… anthology on Patreon or ko-fi – that poll is open to ALL our backers; the sticker poll is only open to backers at the $10 and $25 levels, since they’re the only folks who receive the exclusive campaign extra.)

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Today’s the Day!

January 31st has come! We’ve gone through all the new submissions and returner pitches for She Wears the Midnight Crown and He Bears the Cape of Stars.

The authors who have previously worked with Duck Prints Press and who applied to be part of these anthologies have already been informed of our decisions. Because the pitches were relatively short, and there weren’t that many returner applications (28 applications for 16 slots – 8 slots per anthology), we tackled rating them first. All the returner pitches were phenomenal; choosing was really, really hard, but still far more quickly done than going through the new applications.

Going through the 76 applications we received from people who haven’t written with us previously was a much more involved, since all told the submissions amounted to approximately 150,000 words of fiction and story pitches to read. We’ve finished, and we can’t wait to contact everyone. However, before that, we wanted to put up a post explaining a little more about the process, to preemptively answer some of the questions we received last time after acceptances and rejection letters were sent out.

How were people rated?

Every story was read by three reviewers, who scored it using the rubric previously shared on our website (here). Each reviewer scored the authors on a scale from 0 (…no one was close to getting a 0) to 29 (…no one was close to a 29, either).

To ensure fairness, all scores were standardized with a simple statistical model. Basically: each reviewer used the rubric differently, and if we just compared “raw” scores, it would be unfair to people who got “harsher” reviewers (those who, on average, scored all their reviewed submissions lower) and over-weight people who got “more lenient” reviewers (those who, on average, scored all their reviewed submissions higher). To account for this, for each individual reviewer, we did the following:

1. Averaged all their rubric scores.

2. Calculated the standard deviation for all their rubric scores.

3. Ran the “standardize” function on each individual score.

What this does is take a raw score (say, 10, or 20) and re-calibrate it to a new standardized number where for any given reviewer, their “average” would have a score of 0. Their highest rated would have an adjusted positive rating based on their standard deviation (most of ours cap out around 2 – so the highest-rated fics have a standardized score around 2), and their lowest rated would have an adjusted negative rating also still based on their standard deviation (most of ours bottom out around -2).

Doing this enables us to compare apples to apples, because now ALL the rubric ratings are scored as if the reviewer’s average was a 0, instead of us dealing with the problem where Reviewer A’s average rating was a 15, Reviewer B’s a 19, Reviewer C’s a 10, etc.

Okay awesome but why are you inundating us with math?

We share the math on the back end because, whether we accepted or rejected you, you are invited and encouraged to request your rubrics from us (though note that not all of us used it the same way, and a lot of us were, uh, fairly casual? in how we wrote our comments). When you get the rubrics, if you compare them with friends who applied, it’s inevitable that someone is gonna notice that it looks like people with higher or lower scores didn’t end up distributed quite where they’d expect (e.g., someone with a lower raw score notices they were accepted while someone else with a higher raw score was not).

The statistical model above is why this happens. We have two readers who tend to rate fairly high on average (one is me, I’m unforth and if you request your rubrics, I’m Reader 1 for everyone, and I don’t mind sharing that information). We have two readers who tend to rate fairly low on average. We have one who rates fairly middle of the road. So imagine Applicant A got both the generous-with-points reviewers and the middle-of-the-road reviewers . Their rubrics are going to have pretty high point scores. Then, imagine Applicant B got the middle-of-the-road reviewer and the two stingy-with-points reviewers. Theirs is going to look like they did very poorly. But neither of those raw scores reflect reality – the person who got the highest point total on a “stingy reviewer” rubric might look like they did worse just based on the raw scores, but when statistically adjusted, the highest score from a “stingy” reviewer is worth the same amount as the highest score from a “generous” reviewer! So the highest score from a stingy reader might be a 15, and the highest score from a generous reader might be a 25; the standardization looks at the average these reviewers gave across all their rubrics, and enables us to “recognize” that that 15 and that 25 should be worth the same, and once the scores are standardized, both will be about the same.

Does that make sense?

I know it can be weird and confusing but trust me, it’s statistically sound. Or, don’t trust me – trust various statistical experts who say it’s the right way to handle this – for example, this one, or this one, or Wikipedia.

I’ll do my best to add standardized scores to the rubrics if you request them, so that any author can see both their raw score and the adjusted score we used for making our decisions. We are committed to transparency in our processes, so it’s important to us that people understand what we did, why we did it, why it was most fair, and how it impacted our selection.

How DID it impact your selection?

It’s pretty straight forward, really. Once scores were standardized, we averaged the three final scores, and then sorted the list from highest to lowest average. We accepted the people with the top ten average standardized scores for each anthology. Our final decision is entirely based on the numbers. We think this is most fair. Note, though, that “most fair” doesn’t equal “most objective.” There’s absolutely still subjective opinion involved – if you’ve looked at the linked rubric, subjective opinion is in fact hard-wired into our rubric, one of the ratings is “reader’s subjective reaction to the submission.” But, we use this method to help keep things fair and balanced and transparent, and we hope that it helps y’all to understand that you didn’t submit into a black box that takes in applications and spits out acceptance and rejection letters; we are always prepared to share the nuts-and-bolts of what’s inside the application “box.” It’s a transparent box, not a black one. 😀

Cool, got it. How will people be contacted?

As soon as this post is done and cross-posted, I’ll be sending out acceptance and rejection letters by e-mail from the duckprintspress at gmail dot com account.

1. Acceptance letters! We’ve selected 20 authors (ten per anthology) whose work really wowed us, and who received the highest average statistically standardized score on their rubrics.

2. Rejection letters! It’s a sad reality that we simply cannot accept everyone. We got almost 80 applications for 20 spots, so only 1 in 4 people can actually “make the cut.” Competition was fierce, and every single reviewer can point at a personal “fave” that didn’t end up making it. For both anthologies, the difference between 10th and 11th was only a few hundreths of a point. We saw a lot that really, really impressed us, and (as you’ll see in your letters) we strongly encourage everyone to continuing honing their skills and consider reapplying in the future.

Note that we’ve also decided to invite about a quarter of the people we rejected to our Discord server. These invites are issued based on a number of factors, and are entirely subjective – basically, once we’d gone through and knew who’d been accepted, we looked at who didn’t make it and used our editorial judgement to determine who we felt should be brought in. We’re sorry we can’t invite everyone, but…we can’t. We share that we’re inviting some, but not all, because, again – transparency.

I have a question that wasn’t addressed in this post, or I don’t understand something you said, or I want more information about point x, or…

Drop us an ask, DM us, leave a comment or e-mail us at duckprintspress at gmail dot com! We’ll do our best to explain.

*

Thank you all for applying. Reading your submissions was a delight. There was so much here that just blew our socks off, and we can’t wait to get to know folks better, whether they were accepted or not, invited to Discord or not.

Always remember that, at our core, Duck Prints Press is committed to the principal that we want to work with people who want to work with us. So, even if you didn’t make it this time – keep at it, apply again, and we would love to be able to invite you next time!!

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Business Update

It occurs to me that I haven’t spoken much on our business Tumblr about certain things going on in the background of running this Press. Usually, on Sundays, we try to post an informational post about writing, a prompt list, or some other significant content, but that’s been noticeably absent the last few weeks, and here’s why.

Hi, I’m unforth/Claire/Nina Waters, any pronouns (I don’t care if people default to she/her, which most do), and I own this Press. I’m 39, enby, aroace, mother of two, and queer platonic married to ramblingandpie. And I’ve had problems with my back on and off for almost 15 years. In the last 4 years that’s very much been more “on” than “off,” and in the last year it’s been continually “on.” Over the summer, it lingered at a constant 2-or-so on a ten scale where 9 is “giving birth without painkillers,” which I have done. Twice. Over the early fall, it was bad enough that I started getting help lifting and moving things. In November, it went into precipitous decline, and I started to get alarmed.

Early December, my doctor said “give it six weeks, see if it goes away on it’s own.” Spoilers, it didn’t. I saw a specialist, finally, on December 30th, and they immediately sent me for an MRI (I’d been trying to get my PCP to send me for an MRI for 4 goddamn years). A week and a half ago I saw the specialist again, and we reviewed the MRI results, and basically, one of my discs is bulging and pinching my spinal cord (less basically, the disc between my L4 and L5 vertebrae is herniated and causing spinal stenosis and radiating sciatic pain down my right leg). At this point, even on massive amounts of painkillers and anti-inflammatory meds, I can’t drive and can hardly walk right now – I get about 5 minutes on my feet before the pain is too excruciating and I have to sit and rest for 5 to 10 minutes before I can do more – and I also can’t sit at my desktop computer at all. And, the meds make me tired and dizzy. The specialist said I should see a surgeon, and while she hedged her bets and suggested there was a chance I wouldn’t surgery, she also considered the case urgent enough that she tried to flag the surgeon down in the hallway and have him see me immediately, and spent the rest of the appointment discussing surgery like it was a foregone conclusion. But I couldn’t make an appointment with the surgeon, because his secretary was out with Covid…and by the time she got back on Monday, the surgeon had also caught Covid, and is out for two weeks, as is another of the 4 total surgeons that the Spine Clinic at the local hospital employs.

I’m seeing one of the ones who DOESN’T have Covid on Wednesday, and again, while there’s a chance I don’t need major back surgery, it’s a very small chance. Based on our research and knowledge and what the pain specialist said (my wife has medical expertise too), we think the only real question on Wednesday will be how soon they’re able to schedule it, considering how bad Omicron is spreading here. The MRI indicates that right now I’m literally continually, potentially, a moment a way from catastrophic nerve damage. Like, if something twinges wrong, I could end up incontinent for the rest of my life, or with permanent leg weakness, or even theoretically paralysis, and I have a list of circumstances under which I’m supposed to go to the ER immediately and have the surgery with the on-call surgeon (who will be one of those same two who don’t have Covid, I feel bad for them they must be SO overworked right now, what a mess). It’d be a huge surprise if I don’t have surgery within the next week or two – we’ve been planning as if it’s a foregone conclusion, and I have a go-bag ready for the ER, because it really is that serious – and once I do, recovery is about 6 weeks of bed rest, followed by months of PT and the slower healing that just takes time.

All that said, post-op success rates on this surgery (I believe it’s a laminectomy?) are very high – if I follow all the medical instructions, I should heal back to 100%, unless I’ve already got nerve damage (which is unfortunately possible but. What can ya do?). Even then, surgery should heal the pain, and I’ll just have leg weakness.

All of which is to say…since early November I’ve been dealing with some pretty damn major health problems. Especially challenging has been my inability to sit at my computer, because that’s where I do most of my writing and all of my graphic work and editing.

I know I’m over-sharing personal things here, and I’m sorry about that – I’ve tried to hold off on sharing it at all, this has been going on for almost 10 weeks, but I think we’ve reached the point where the health issues are major enough, and the impact it has on the business is visible enough, that it’s better for me to simply disclose. I’m not looking for pity; I’m trying to make clear why the business is behind on certain things we’d said are imminent.

Our goal is to have this impact the business as little as possible, but since I’m our only full time employee, and our primary coordinator for major projects, there’s simply a lot we can’t do when my work time is greatly reduced by health issues. The good news is, once it became clear how serious this was, I used basically the business’s entire rainy day fund to buy a nice laptop, so I’m now able to work from the couch (which is about the only place I can sit comfortably). That’s how I’m typing this update – the laptop arrived on Wednesday and I’ve spent the days since getting it set up to do all the things I usually do from desktop, which means I can move forward on some of the things we had to delay.

Specific implications of all the above, as applied to our current projects:

1. The And Seek (Not) to Alter Me Kickstarter is temporarily delayed. We’ll make an announcement (and finally do the cover reveal!!) once we can plan a specific timeline for launch – hopefully, we’ll know that in about a week, after I’ve spoken to the surgeon. In terms of our actual preparedness for launch…I’m behind on my share of the editing, but all the stories have had at least one editing run, and about half are ready for immediate publication. The art is also all ready. We have all the merchandise art ready, and some are in the printing templates. The Kickstarter copy is complete written and edited and has been approved by KS (like, from that standpoint, we could literally launch right now), but only 4 out of the 6 graphics we need are completed; I’m hoping to finish the rest imminently, so that as soon as my health allows and I know I’ll be recovered enough to manage the KS fulfillment (which involves a LOT of box lifting, which is impossible for me right now) we can hit the “launch” button.

2. There are no delays in review of applications for He Bears the Cape of Stars and She Wears the Midnight Crown. We’ve already finished reviewing the applications from “returner” applicants (people who have written with us before on one of our two anthologies or have done a Patreon story with us) and have a preliminary list of accepted authors (no one will be notified until we’re done reviewing all applications). Our team doing the review (myself, A. L. Heard/jhoom, Alessa, P. J. Claremore/Foop, K. B. Vimes, and Lacey Hays/Owlish) are about halfway done with the mlm applications and a quarter through the wlw – I personally am a reader for every applications and I’m finished with the mlm and will be starting the wlw ones today. All of which is to say, we’re making good progress and do not anticipate a delay – we still expect to notify all applicants of their acceptances or rejections by January 31st.

3. The two novels I’m supposed to edit – one by A. L. Heard, the other by Tris Lawrence – I’ve been unable to make progress on, so these are currently delayed, and the authors are in the loop and know.

4. We’re a little behind on Patreon backer rewards, specifically the Patron-exclusive stories. However, we’re working on catching up, and we anticipate that (hopefully) by the end of February, we’ll have published all the backlog and caught up. Other Patreon rewards have not been impacted.

5. There’s a few other things that were in the works when this all started but that we hadn’t publicly announced yet…those are, as would expect, on hold. (As a teaser for anyone dedicated enough to have read this far…this includes our first erotica title and an erotica imprint to go with it, with it’s own logo and sub-website on our main page, and our plans for our fifth anthology, and a call for manuscript submissions, and more!)

As we see it…these are uncertain times for everyone even without “extra” things happen, and something like this health issue couldn’t have been predicted. However, nothing has changed in terms of our commitment to Duck Prints Press and all we set out to do. We truly appreciate your patience and understanding as we, and I especially, get through this. We’re striving to catch up and get back to “normal,” and we can’t wait to share with you all the amazing things that we’ve been working on. And Seek (Not) to Alter Me is a.may.zing, y’all, and the submissions pitches for the two new anthologies are blowing our socks off. Seriously, we’re so excited.

Stay tuned – there’s so, so, SO much more to come!

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What Do We Look For in a Story Pitch?

We received a question on our Discord, seeking guidance on writing a pitch for our newest anthologies, She Wears the Midnight Crown and He Bears the Cape of Midnight. Answering it led us to look through the pitches we received when we put out our first call for applicants earlier this year. At that time, we didn’t include story pitches in the ratings, and we were also more open to authors changing their pitches, since we weren’t rating them. However, we still read them because we were really curious and excited to see what people had in mind, and I (hi, it’s your friendly neighborhood @unforth, owner and usually-the-blogger) highlighted my favorites and shared many of them with our backers on Patreon to whet their appetites.In response to the question on Discord, I shared a few of my favorites, and multiple people expressed that it was helpful to them, so I thought – why not turn it into a blog post, and let everyone see?

A few notes on this:

1. We do not claim this list will be generalizable to other Presses or calls for story pitches. You may find these strategies effective elsewhere, but you may not!

2. The pitches for Add Magic to Taste were restricted to only 200 words; our new call allows up to 400, so if you’re writing a pitch for us you’ll be able to get a bit more in than the examples were provide.

3. If you’re coming to this in the future when we’ve pitched a new anthology that you’d like to apply to, it will still be applicable – just swap in the specifics that make sense to our new project, because the essentials won’t have changed even when the specifics do.

4. If you’ve read our Submission Review Rubric you’ll already know that the only rubric item we have specifically for the Story Pitch is inherently subjective. While yes, we will consider the content, grammar, and technical aspects of your story pitch, that won’t have a huge impact on the ratings for our less subjective categories, and the main place we’ll rate it will be on a 0 to 4 scale from “I’m just not feeling it” through “I NEED 10K OF THIS YESTERDAY.” As such, because it’s subjective, what each reviewer will look for will vary. However, I wouldn’t be writing this post unless I thought the advice in it didn’t have some general applicability – our personal preferences will alter how precisely we rate pitches but in a general sense, a pitch that considers the criteria to follow has a good chance of appealing to all of us, even if it doesn’t end up a personal favorite.

With all that in mind…what should you consider when you write us a pitch? 

Basically: we’re going to want to know who the most important characters are, where those characters are, and what those characters are going to do/how they’re going to interact with each other and/or the world around them

Less basically…how do you do that?

1. Have characters. Don’t pull a “I want to tell a story kinda like a romance, but it takes place in a spaceship, and the ball is for…” without telling us about the people. Be the worldbuilding ever so cool (and don’t get us wrong, we LOVE cool worldbuilding!) we’re looking for people to tell stories about queer romance. So, we need to know who the characters are, not just where they are. All the most successful story pitches we’ve read are character driven. For example, here are some lovely character introductions from our Add Magic to Taste calls:

Ex. 1: Layla was born a witch—specifically, a witch who can make anything she touches taste sweet and delicious, which is a pretty lame magic to be born with. 

Ex. 2: Xee is Asexual, graduated from school a decade back, and works the Tea Shop his parents have owned since they moved there from the Fae realm four or five decades back. 

Ex: 3: Teravilis, a dragon shifter escaped from the government lab where she’s lived her whole life, is already feeling overwhelmed before a towering, beautiful woman sits down on the next couch. 

2. Have a setting. However lovingly your OCs are assembled, if we learn nothing about the type of masquerade you’re portraying or the surroundings, then we won’t be interested. Look again at those three examples of characters: all three not only tell us about the character – they also integrate information about the world that character inhabits. A pitch like “Character A is an engineer who is tall and blonde and very good at what they do; Character B is a sec op who has perfect aim and a give-um-hell attitude” is interesting but…what does Character A actually engineers? Why Character B would need to be a sec op wherever they are? It doesn’t have to be in the exact same sentence, but it needs to be in the pitch somewhere

2a: The setting and the characters must inter-relate. We want these characters to inhabit living, breathing worlds, and we do mean inhabit. If they just seem plastered over the setting – like if we took the characters out and plonked them down somewhere else they’d be completely the same – then that’s a problem. 

Some examples of settings that enhanced people’s pitches for Add Magic to Taste:

Ex. 1: Airmid, an undercover health inspector with a love for busting the dirtiest cooks in the business, stops by her gleaming city’s newest restaurant: The Drakery Bakery. She can’t believe what she sees. The miniature dragons who work as everything from oven flames to waiters can’t be up to code, and no matter how delicious the pastries are she’s certain that a dragon shouldn’t be breathing on crème brûlées to crisp their tops. 

Ex. 2: 35+ hedge witch who runs a bookstore (or similar) keeps magically bambozzling postal workers to deliver to the wrong address so she can talk to the cute owner of the bakery three doors down.

Ex. 3: Kyle hates that he has to put on his human skin every day and work at the coffee shop, but ocean jobs are reserved for those that can’t work on land. 

(and again, note how all three of these could have been easily swapped in as examples for item 1. The setting exists to serve the narrative about the characters, not the other way around, so a strong pitch is likely to integrate the worldbuilding aspects by describing where and how the character(s) fit into the world.)

3. Be specific. It’s okay if you don’t know the character names or haven’t decided on the name of the spaceship where your ball takes place – that level of specificity isn’t necessary – but a pitch that says, “Character A is a spaceship pilot who has snuck into the ball after making a mask out of discarded reactor core parts” is much more appealing than a pitch that says, “Character A works on the spaceship and sneaks into the ball.” We want to see that you’ve thought about who these characters are, and where they are, and what they’re going to do. 

Ex. 1: Then one morning, right in the middle of the dullest lull there ever was, the girl that works at the yarn shop across the street – the girl Merrily has been quietly pining over from afar since the first time she saw her three months ago – makes a dramatic entrance, slaps her hands down on the counter and says, very sternly, “It’s you, isn’t it?”

Ex. 2: Then he meets Nigh, a customer who hates the ocean but smells of kelp and salt and rides a skateboard like he’s underwater. He’s everything Kyle might want if he had time to do something foolish like fall in love.

Ex. 3: This story begins when Shiloh heads to La Vie Café to meet with the Reincarnation Support Group (for women who believe they have been reincarnated) in Philadelphia. She claims that she is the reincarnated version of a man who died 25 years ago. 

4. Introduce the plot…but don’t feel you have to tell us everything. If you really want to summarize your entire story in 400 words, go for it, but it’s not necessary. It’s absolutely okay to leave us wanting more – you can treat this like a back-of-the-book blurb rather than like your cover letter summary. “The problems they face seem insurmountable…what will they do?” is a perfectly okay way to end your pitch, especially if you’ve adhered to our first three points and made it clear through your characters, setting description, and specificity that you do have a plan. Most of the pitches we’ve liked in the past treated the pitch as a teaser rather than as a synopsis or a book report. (Read the full pitches below for an idea what we mean).

5. How you write your pitch is almost as important as the actual story you propose. We want a compelling story, yes, but we also want to see – how do you approach character building? How do you work within a word limit? How do you approach building tension? Your story pitch is about the story you want to tell, but it’s also literally about how you pitch it. The classic AO3 “sorry I suck at summaries” isn’t going to cut it here: you have to take the dive and act like you know your story pitch is the coolest concept ever, and you are out to convince us it’s the coolest also. You love your characters? Tell us enough that we also love your characters and get invested in their fates. You built a lush world for them? Paint that world concisely and accurately with your words. You know that a reader who reads the first 1,000 words of your 6,000 word story will be so intrigued they won’t be able to put it down? Show us that by making the 400-word introduction to the concept so fascinating that we don’t want to put it down either. (Again, instead of excerpts, see the full pitches below.)

6. Don’t neglect your spelling and grammar. Good technical aspects won’t necessarily save a pitch that is flat in other regards, and poor technical aspects won’t necessarily sink a pitch that’s otherwise intriguing, but your attention to detail speaks to your genuine interest in working with us, and if the editing is poor, even if we loved your story submission and your pitch, we’ll worry ‘how much editing will this person really need to bring their story up to professional editing standards?” It’s definitely worth sweating the small stuff and getting your SPAG clean for your pitch as well as for your writing sample submission!

To boil these six points down to a tl:dr – we are looking for story pitches that are character-driven, keep in mind our main theme components (happy ending queer romance at masquerades or in masquerade-esque societies/settings), show that thought has been put into the details, and leave us wanting more!

Here are all the full pitches that we used for the above examples, and some we didn’t pull examples from. All are used with author permission and credited according to author request. If the story ended up in Add Magic to Taste, we make a note of that, but remember that we did not rate these pitches as part of our applicant review for that anthology. Not all of these authors were accepted to our first project, even though we love their pitches, but all of these authors are currently involved in the Press. (Many are in our upcoming anthology And Seek (Not) to Alter Me.)

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Pitch by anonymous:

Sugar and Spice: Layla was born a witch—specifically, a witch who can make anything she touches taste sweet and delicious, which is a pretty lame magic to be born with. Her quest to trade it in for something cooler, or at least to learn some flashier spells, brings her to Sweetheart’s Cakery, a sweet and sugary establishment run by the most powerful necromancer alive. Stephanie Drybones, professionally known as ‘Sweetheart,’ has spent centuries honing her baking skills the hard way and isn’t impressed by Layla’s woes… but she is intrigued by Layla’s determination and acerbic wit. 

The two women make a deal: if Layla can produce a better sweet than Stephanie within a week, Stephanie will teach her some awesome spells to revive the dead in a sanitary manner, leech the warmth from her surroundings, and generally annoy the neighbors. If Layla can’t, however, she must come work at the bakery until she understands the importance of cake as a concept—which, considering how pretty and disarmingly nice Stephanie is, shouldn’t be a chore. Let the bake-off commence.

*

Pitch by Lucy K. R. (@/lucywritesbooks on twitter):

Airmid, an undercover health inspector with a love for busting the dirtiest cooks in the business, stops by her gleaming city’s newest restaurant: The Drakery Bakery. She can’t believe what she sees. The miniature dragons who work as everything from oven flames to waiters can’t be up to code, and no matter how delicious the pastries are she’s certain that a dragon shouldn’t be breathing on crème brûlées to crisp their tops. 

But Calida, the dragon mage who owns the place, gives her pause. She doesn’t know what brings her over to Airmid’s table, but she has to confess that she finds her charming. And pretty. And confident, and talented, and… One more visit couldn’t hurt before she calls in the health department, right? 

Airmid finds reason after reason to give one more inspection rather than shutting down The Drakey Bakery, always hoping for one more chance to chat with its enigmatic owner. And as she does so, she finds a new appreciation for dragons, the deliciousness of imperfection, and most importantly for Calida— a woman as irresistible as she is lawless.

*

Pitch by Willa Blythe (@/willaablythe on twitter):

Merrily Berkshire finds her quaint, old fashioned town boring and dull, and her shifts at the local coffee shop are the most boring of all. She knows she probably shouldn’t do it, but to keep her busy she has begun practicing her spellwork on unsuspecting patrons: a bit of a brightening charm here, a wakefulness spell there, an enchantment to be more open, an enchantment to be more closed, an intention to draw in funds, a quick-but-unfortunate curse to cause unrelenting hiccups that she feels immediately guilty for… It passes the time, and she’s getting better at it every day. 

Then one morning, right in the middle of the dullest lull there ever was, the girl that works at the yarn shop across the street – the girl Merrily has been quietly pining over from afar since the first time she saw her three months ago – makes a dramatic entrance, slaps her hands down on the counter and says, very sternly, “It’s you, isn’t it?” 

Can Merrily right her wrongs and woo the yarn girl? Get your most beloved mug ready: it’s time for a tale of magic, mistakes, and making your own meaning when nothing feels like it means anything.

(A version of this story pitch is in Add Magic to Taste)

*

Pitch by @/theleakypen:

A Chinese fox spirit, a Russian river spirit, and a love story measured in coffee dates. 

Lara Yan spent one hundred years cultivating to human form and she’s not going to waste this opportunity just to tear out men’s hearts to steal more qi. She frequents the Chashka Kofe on Morskoy Prospekt, working on her papers for her Master’s in Philology — language, she thinks, is the best thing about having a human mouth. 

Alisa Rusakova just wants a cup of coffee before another long day diving for a sunken barge in the River Ob. She spends her days in the water, hiding her rusalka nature in plain sight. Gone are the days when she and her sisters drowned or tickled men to death and haunted mortal women for their combs. 

When they run into each other — literally — on the way to the coffee counter, they have no idea that they’ve finally met someone who understands what it is to straddle the world of the human and the monstrous, someone they don’t have to hide from.

(A version of this story pitch is in Add Magic to Taste)

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Pitch by @/arialerendeair:

In a world where the Fae, the Magical, and the slightly-more than normal live side-by-side with humans as a part of their daily lives, I would love to tell the story of Xilmys (he goes by ‘Xee’) and Areon. Xee is Asexual, graduated from school a decade back, and works the Tea Shop his parents have owned since they moved there from the Fae realm four or five decades back. Areon, he, well, they, but that’s rather new, has lived in the city since they were a kid, and they have been getting tea (both literal and metaphorical) from the Tea Shop for years, always from Xee. 

The only thing larger than their tea addiction is their crush on Xee. Now, if only Areon’s hair didn’t turn bright pink every time they talked to Xee, giving away how embarrassed they were, that would be great! 

One day, though, Aeron walks into the Tea Shop, determined. Their hair is purple, and they manage to do what had been impossible. Ask Xee on a date. Or coffee. But not tea. Definitely not tea. 

Xee agrees, of course, and says that while he loves all of Areon’s colors – purple is his new favorite.

*

Pitch by Shea Sullivan:

Kyle hates that he has to put on his human skin every day and work at the coffee shop, but ocean jobs are reserved for those that can’t work on land. The bipeds assume he’s one of them. His friends at home don’t have the recessive gene that would give them skins. 

He really is a fish—octopus—out of water. 

Then he meets Nigh, a customer who hates the ocean but smells of kelp and salt and rides a skateboard like he’s underwater. He’s everything Kyle might want if he had time to do something foolish like fall in love.

(A version of this story pitch is in Add Magic to Taste)

*

Pitch by A. A. Weston:

35+ hedge witch who runs a bookstore (or similar) keeps magically bambozzling postal workers to deliver to the wrong address so she can talk to the cute owner of the bakery three doors down. Tooth rottingly sweet (pun intended) disaster gay/bi shenanigans.

(note on this one and the next that detailed, appealing, and plotty doesn’t have to mean long – it’s possible to get the entire idea across very succinctly and still have it be appealing!)

*

Pitch by G. Hendrickson:

A wlw bakery run by a witch and her familiar. A new customer has become a regular and the witch is besotted. Her familiar tries to get them together, even though she also loves her witch. Love triangle shenanigans are ended when the witch reveals she didn’t want to pursue her familiar because of the power imbalance. The new regular reveals they don’t want to choose between the two because they thought the familiar was just the messenger for both. The solution is a happy, bubbling bakery run by that cute poly-triad.

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Pitch by Adrian Harley:

Maria Birch, former child star, ducks into Genre Blends Tea Shop on a summer afternoon to escape the prying eyes of paparazzi and be left alone for a few precious moments. She strategically picks one of the couches closest to the back exit and hopes her new seatmate won’t recognize her behind her sunglasses and floppy hat. But when her new seatmate burns her mouth on her tea and tears up staring at a crossword, Maria breaks her own isolation to see if she can help. 

Teravilis, a dragon shifter escaped from the government lab where she’s lived her whole life, is already feeling overwhelmed before a towering, beautiful woman sits down on the next couch. The wider world has too many people, too many pastry options, and too many crossword clues that make no sense. When Maria reaches out, though, Teravilis learns that some things outside a lab-controlled environment can still be simple. 

Will disgruntled paparazzi and furtive government agents interrupt this blissful afternoon? Not if a mild-mannered, glasses-wearing barista has anything to say about it.

*

Pitch by T. S. Knight:

This story begins when Shiloh heads to La Vie Café to meet with the Reincarnation Support Group (for women who believe they have been reincarnated) in Philadelphia. She claims that she is the reincarnated version of a man who died 25 years ago. Convinced that she is (or was) this person, Shiloh has discovered that her widowed wife is still alive and working nearby. Shiloh hopes that the support group will help her decide if and how she might talk to beautiful Aline. While the group of fabulous and predominately queer women are glad to chat, Shiloh quickly realizes that none of them actually believe in reincarnation and instead see the group as an opportunity to spend time together. Though these are kind and lovely women, socializing isn’t going to solve her frighteningly real reincarnation problem, but at least there are pastries and coffee and new friends.

(A version of this story pitch is in Add Magic to Taste; note that T. S. Knight requested and was granted permission to slightly edit this pitch from the original submitted one, as there were things in it that didn’t end up in the published version that they hope to use in a future story)

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“Add Magic to Taste” Kickstarter Update

Things have been a little quiet around our social media as, over the past few weeks, we’ve kicked into high gear to finish fulfillment of the “Add Magic to Taste” Kickstarter. We’re pleased to report that we’re nearly done – all backers who’ve done their backer surveys have had their merchandise shipped, and most have received their things. There have of course been some issues – when aren’t there? – with damaged packaging and address errors, but the rate for such as been very low, and so far we’ve been able to replace everything that people have contacted us about.

With the campaign mostly done, we’re hoping to launch the e-book on our website within the next week or two, so that it’ll be available for sale to people who missed the campaign, and we’ll also have an extras sale featuring much of our merchandise. Make sure to keep an eye on our social media platforms if you’re interested in the extras sale – we’ll have extras of the following items to sell!

The book (seconds/lightly damaged ones only):

Keychains (all are seconds with various degrees of damage/problems, but we have a LOT of them):

Enamel Pins (mostly undamaged, with maybe a handful of seconds at a lower price point):

Bookmarks (all undamaged):

Stickers (small numbers of each, undamaged):

Magnets (both undamaged items and seconds):

Mugs (mostly undamaged, though there’s at least one second):

We may have a few sets of the art prints to sell, but we’re not sure yet.

We do not have any extra of the mini-books or the postcards.

As soon as we’ve set prices and the date the sale will begin, we’ll make another announcement. We expect it’ll be at least two more weeks; we want as many of our international purchasers to have received their backer rewards as possible, both because we feel that campaign backers should have their rewards before new people get a chance, and also because we need to be sure we have enough extras on hand to replace any damaged or missing orders placed by our backers. Sales will be handled through our website store portal. Feel free to let us know if you have any questions or thoughts on this!

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“Add Magic to Taste” Kickstarter: 48 hours Left!

We’re in the home-stretch of the campaign for Add Magic to Taste! There are just over 48 hours until we’re done. If you’ve been on the fence about getting it – this is essentially your only chance to get this wonderful anthology in print! The e-book will be on our website, but we won’t be ordering many print copies above demand – we may have a few extra for an extras sale or that we can offer as add-ons for future campaigns, but once those are sold? There’ll never be more copies in print. So, if you want a copy? Back it now!

For those who have backed and want to know what our latest news is – and for those who haven’t yet backed and want to know what they can get – here’s some updates on our progress toward our stretch goals!

First – our Backers unlocked an option for a third piece of art, and we’ve commissioned @joshua-beeking to do it! He sent a preliminary sketch yesterday and, well – it’s pretty darn amazing.

This image will be included as an inset in all e-books and print books, and backers at levels 3, 4, and 5 will get it as an art print!

Second – our most recent addition to the campaign? A magnet of our mage Dux! We asked our Patreon supporters on Discord which of our Dux they’d like, and this was their choice…

All backers at Levels 2, 3, 4, and 5, will get this adorable dux as a sticker AND as a magnet!

Third – thanks to the level of support the campaign has had, we’ll be able to pay all our authors 6 cents US per word they wrote – up to $300 per author. If we can raise another $1,250 over where we’re at as I write this, authors will get another raise, to 7 cents US per word, and if we can reach $25,000 by the time the campaign ends on Saturday (11 AM Eastern!), all our authors will get paid 8 cents US per word. This has always been our ultimate goal, and we can’t reach it without your help – so, please, please, signal boost this post and help us spread the word about this project – and help us get this amazing book into the hands of as many readers as possible, cause we’re sure ya’ll are gonna love it!

Learn more on Kickstarter right now!