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Announcing: The Contributors to “He Bears the Cape of Stars” and “She Wears the Midnight Crown”!

36 remarkable authors—18 for He Bears the Cape of Stars, 18 for She Wears the Midnight Crown—have come together for this project. These authors have been toiling away on their stories since February 1st, 2022, and we’re currently work with them on edits to get them publication-ready. We’re delighted to share their work with you!

Contributors to He Bears the Cape of Stars:

Contributors to She Wears the Midnight Crown:

You can read about them—in their own words!—see select author portraits, and more, by clicking this link:

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Coming Soon: May Trope Mayhem!

Get your mental engines in gear and your keyboards ready, because Duck Prints Press will be hosting our second annual May Trope Mayhem starting on May 1st, 2022!

May Trope Mayhem is a multi-fandom/original creation event open to writers, artists, and content creators of all kinds! We’ve put together a list of 31 of our favorite tropes, one per day through the month of May, and we encourage creators to join us for this month of fun tropey mayhem.

Our goal is to promote motivation and help with habit building, so we’re encouraging people to keep their ficlets under 1,000 words, or if you make art or a gif or some such, to stick to a sketch or a single image.

This event is primarily held on Tumblr, but you’re welcome to participate on anywhere Duck Prints Press has an account (you can see all our current platforms here) and we’ll keep our eyes on our tag everywhere!

How can you participate? It’s easy! There’s just a few simple rules:

  • to participate, write a ficlet, a poem, create art, make a gif, or create any other content that you want, aligned with the prompt for the day!
  • post your correctly tagged fills to Tumblr, and we’ll reblog them!
  • you must tag warnings such as gore, MCD, sexual content, etc., so that people can avoid triggering material!
  • please also tag fandom and ship, so people can find what interests them!
  • we ask that you put the tags at the top of your post, so they’re easy to find.
  • if you write more than 1k words, please use a read more,
  • if you write something with NSFW content or potentially triggering material, please put the entire story under a read more.

Ping us (@duckprintspress) or tag your creations “#may trope mayhem” and so we can find them! We’ll reblog all fills that follow the above rules and are posted between May 1st and June 8th, 2022.

If you post to AO3, you can also add them to our collection there!

You don’t have to sign up, just post your fills. You don’t have to be a member of the Press, or following us. You don’t have to be part of a specific fandom. We’re open to all ships, genres, formats, etc.! You don’t have to post fills on the corresponding day, though we ask that if you’re creating for a day that hasn’t happened yet, please wait for that day to post.

This is a low-pressure event, held all in good fun, and we look forward to seeing what you create! You can see last year’s list here, and read fills from 2021 by going to #may trope mayhem or by visiting our AO3 collection.

The official 2022 May Trope Mayhem List will be released on May 1st, 2022!

(though, Patreon and ko-fi backers get a sneak peek today…)

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Cover Reveal for “And Seek (Not) to Alter Me”

Duck Prints Press is thrilled to announce our second anthology, which will be launching on March 15th, 2022!

The incredible Gio Guimarães, @sketching-fox, did the artwork for our front cover – and will be doing a back cover, as well, if we can reach our first Kickstarter stretch goal.

In AndSeek(Not)toAlterMe, 16 authors and 17 artists have come together to create an exquisite, full-color collection of stories and artwork inspired by William Shakespeare’s play Much Ado About Nothing. We encouraged contributors to stretch their imaginations, think outside the box, and put their own unique—and queer—twist on Benedick, Beatrice, Hero, Claudio, Don Pedro, and the whole gang! In true Shakespearean fashion, our creators play with gender, sexuality, romanticism, and a host of costume changes to tell unique stories—some featuring original characters, some characters from the play—that show Shakespeare’s work in a whole new light.

Stories and artworks feature wlw, mlm, poly relationships, trans characters, gender swaps, canon divergent tales, AUs…there’s even a two page comic! This anthology doesn’t have it all, but it does have a wonderful range to help you fall in love with these characters all over again.

(brief note: yes we have concerns about KS and blockchain, but this project was too far along to crowdfund elsewhere, we apologize…)

Learn more about this project right now!

Our Crowdsourcing Campaign Launches on March 15th, 2022! Want to make sure you don’t miss it? Then follow our Project Page!

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Today’s the Day!

January 31st has come! We’ve gone through all the new submissions and returner pitches for She Wears the Midnight Crown and He Bears the Cape of Stars.

The authors who have previously worked with Duck Prints Press and who applied to be part of these anthologies have already been informed of our decisions. Because the pitches were relatively short, and there weren’t that many returner applications (28 applications for 16 slots – 8 slots per anthology), we tackled rating them first. All the returner pitches were phenomenal; choosing was really, really hard, but still far more quickly done than going through the new applications.

Going through the 76 applications we received from people who haven’t written with us previously was a much more involved, since all told the submissions amounted to approximately 150,000 words of fiction and story pitches to read. We’ve finished, and we can’t wait to contact everyone. However, before that, we wanted to put up a post explaining a little more about the process, to preemptively answer some of the questions we received last time after acceptances and rejection letters were sent out.

How were people rated?

Every story was read by three reviewers, who scored it using the rubric previously shared on our website (here). Each reviewer scored the authors on a scale from 0 (…no one was close to getting a 0) to 29 (…no one was close to a 29, either).

To ensure fairness, all scores were standardized with a simple statistical model. Basically: each reviewer used the rubric differently, and if we just compared “raw” scores, it would be unfair to people who got “harsher” reviewers (those who, on average, scored all their reviewed submissions lower) and over-weight people who got “more lenient” reviewers (those who, on average, scored all their reviewed submissions higher). To account for this, for each individual reviewer, we did the following:

1. Averaged all their rubric scores.

2. Calculated the standard deviation for all their rubric scores.

3. Ran the “standardize” function on each individual score.

What this does is take a raw score (say, 10, or 20) and re-calibrate it to a new standardized number where for any given reviewer, their “average” would have a score of 0. Their highest rated would have an adjusted positive rating based on their standard deviation (most of ours cap out around 2 – so the highest-rated fics have a standardized score around 2), and their lowest rated would have an adjusted negative rating also still based on their standard deviation (most of ours bottom out around -2).

Doing this enables us to compare apples to apples, because now ALL the rubric ratings are scored as if the reviewer’s average was a 0, instead of us dealing with the problem where Reviewer A’s average rating was a 15, Reviewer B’s a 19, Reviewer C’s a 10, etc.

Okay awesome but why are you inundating us with math?

We share the math on the back end because, whether we accepted or rejected you, you are invited and encouraged to request your rubrics from us (though note that not all of us used it the same way, and a lot of us were, uh, fairly casual? in how we wrote our comments). When you get the rubrics, if you compare them with friends who applied, it’s inevitable that someone is gonna notice that it looks like people with higher or lower scores didn’t end up distributed quite where they’d expect (e.g., someone with a lower raw score notices they were accepted while someone else with a higher raw score was not).

The statistical model above is why this happens. We have two readers who tend to rate fairly high on average (one is me, I’m unforth and if you request your rubrics, I’m Reader 1 for everyone, and I don’t mind sharing that information). We have two readers who tend to rate fairly low on average. We have one who rates fairly middle of the road. So imagine Applicant A got both the generous-with-points reviewers and the middle-of-the-road reviewers . Their rubrics are going to have pretty high point scores. Then, imagine Applicant B got the middle-of-the-road reviewer and the two stingy-with-points reviewers. Theirs is going to look like they did very poorly. But neither of those raw scores reflect reality – the person who got the highest point total on a “stingy reviewer” rubric might look like they did worse just based on the raw scores, but when statistically adjusted, the highest score from a “stingy” reviewer is worth the same amount as the highest score from a “generous” reviewer! So the highest score from a stingy reader might be a 15, and the highest score from a generous reader might be a 25; the standardization looks at the average these reviewers gave across all their rubrics, and enables us to “recognize” that that 15 and that 25 should be worth the same, and once the scores are standardized, both will be about the same.

Does that make sense?

I know it can be weird and confusing but trust me, it’s statistically sound. Or, don’t trust me – trust various statistical experts who say it’s the right way to handle this – for example, this one, or this one, or Wikipedia.

I’ll do my best to add standardized scores to the rubrics if you request them, so that any author can see both their raw score and the adjusted score we used for making our decisions. We are committed to transparency in our processes, so it’s important to us that people understand what we did, why we did it, why it was most fair, and how it impacted our selection.

How DID it impact your selection?

It’s pretty straight forward, really. Once scores were standardized, we averaged the three final scores, and then sorted the list from highest to lowest average. We accepted the people with the top ten average standardized scores for each anthology. Our final decision is entirely based on the numbers. We think this is most fair. Note, though, that “most fair” doesn’t equal “most objective.” There’s absolutely still subjective opinion involved – if you’ve looked at the linked rubric, subjective opinion is in fact hard-wired into our rubric, one of the ratings is “reader’s subjective reaction to the submission.” But, we use this method to help keep things fair and balanced and transparent, and we hope that it helps y’all to understand that you didn’t submit into a black box that takes in applications and spits out acceptance and rejection letters; we are always prepared to share the nuts-and-bolts of what’s inside the application “box.” It’s a transparent box, not a black one. 😀

Cool, got it. How will people be contacted?

As soon as this post is done and cross-posted, I’ll be sending out acceptance and rejection letters by e-mail from the duckprintspress at gmail dot com account.

1. Acceptance letters! We’ve selected 20 authors (ten per anthology) whose work really wowed us, and who received the highest average statistically standardized score on their rubrics.

2. Rejection letters! It’s a sad reality that we simply cannot accept everyone. We got almost 80 applications for 20 spots, so only 1 in 4 people can actually “make the cut.” Competition was fierce, and every single reviewer can point at a personal “fave” that didn’t end up making it. For both anthologies, the difference between 10th and 11th was only a few hundreths of a point. We saw a lot that really, really impressed us, and (as you’ll see in your letters) we strongly encourage everyone to continuing honing their skills and consider reapplying in the future.

Note that we’ve also decided to invite about a quarter of the people we rejected to our Discord server. These invites are issued based on a number of factors, and are entirely subjective – basically, once we’d gone through and knew who’d been accepted, we looked at who didn’t make it and used our editorial judgement to determine who we felt should be brought in. We’re sorry we can’t invite everyone, but…we can’t. We share that we’re inviting some, but not all, because, again – transparency.

I have a question that wasn’t addressed in this post, or I don’t understand something you said, or I want more information about point x, or…

Drop us an ask, DM us, leave a comment or e-mail us at duckprintspress at gmail dot com! We’ll do our best to explain.

*

Thank you all for applying. Reading your submissions was a delight. There was so much here that just blew our socks off, and we can’t wait to get to know folks better, whether they were accepted or not, invited to Discord or not.

Always remember that, at our core, Duck Prints Press is committed to the principal that we want to work with people who want to work with us. So, even if you didn’t make it this time – keep at it, apply again, and we would love to be able to invite you next time!!

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“Add Magic to Taste” Kickstarter Update

Things have been a little quiet around our social media as, over the past few weeks, we’ve kicked into high gear to finish fulfillment of the “Add Magic to Taste” Kickstarter. We’re pleased to report that we’re nearly done – all backers who’ve done their backer surveys have had their merchandise shipped, and most have received their things. There have of course been some issues – when aren’t there? – with damaged packaging and address errors, but the rate for such as been very low, and so far we’ve been able to replace everything that people have contacted us about.

With the campaign mostly done, we’re hoping to launch the e-book on our website within the next week or two, so that it’ll be available for sale to people who missed the campaign, and we’ll also have an extras sale featuring much of our merchandise. Make sure to keep an eye on our social media platforms if you’re interested in the extras sale – we’ll have extras of the following items to sell!

The book (seconds/lightly damaged ones only):

Keychains (all are seconds with various degrees of damage/problems, but we have a LOT of them):

Enamel Pins (mostly undamaged, with maybe a handful of seconds at a lower price point):

Bookmarks (all undamaged):

Stickers (small numbers of each, undamaged):

Magnets (both undamaged items and seconds):

Mugs (mostly undamaged, though there’s at least one second):

We may have a few sets of the art prints to sell, but we’re not sure yet.

We do not have any extra of the mini-books or the postcards.

As soon as we’ve set prices and the date the sale will begin, we’ll make another announcement. We expect it’ll be at least two more weeks; we want as many of our international purchasers to have received their backer rewards as possible, both because we feel that campaign backers should have their rewards before new people get a chance, and also because we need to be sure we have enough extras on hand to replace any damaged or missing orders placed by our backers. Sales will be handled through our website store portal. Feel free to let us know if you have any questions or thoughts on this!

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Do you – yes, YOU! – want a say in what the theme of our next anthology will be?

With the Kickstarter for “Add Magic to Taste” now finished, and the Kickstarter for our second anthology, “And Seek (Not) to Alter Me,” gearing up to launch in the mid to late fall, we at Duck Prints Press are starting to look forward to what our next big project will be!

Some decisions, we’ve already made:

  • We’ll be launching anthologies 3 and 4 simultaneously, with a projected Kickstarter campaign in May or June of 2022. The two anthologies will each have the same theme; the difference is – one will be ONLY wlw stories, the other ONLY mlm stories (both will include any genderqueer folk who would consider themselves as falling under the umbrella of wlw or mlm; both will include poly).
  • We’ll be opening applications likely in October or November (our first call for applicants since last winter!) We will, as always, be open to applicants who are fanfiction authors interested in publishing their original work.
  • Every story, regardless of our theme, must have a “happily ever after” or “happily for now” ending. (HEA/HFN guaranteed!)

Some decisions, we’ve not yet made:

  • How many authors will be in each anthology
  • How long each story will be
  • How we’ll handle returning authors/authors who’ve already worked with us and want to do so again
  • Probably plenty of other stuff we haven’t thought of.

But ONE BIG DECISION, YOU CAN HELP US MAKE!

Which decision is that, did I hear you ask?

What will the theme of our next anthologies be?

Our Management team has brainstormed for the last two weeks and settled on a list of seven potential themes!

Those themes are:

  • Solarpunk in modern, utopian, and science fiction settings
  • Hurt/comfort in science fiction settings
  • Robot uprisings in any setting
  • Masquerades in any setting
  • Love in the public eye (as in, celebrities, politicians, athletes, etc.) in any setting
  • Love across time (as in, time travel, dimension hopping, etc.) in any setting
  • Trapped together in science fiction settings

Do you want to help us pick between these seven themes, and have a say in what mlm and wlw stories are written in our next collections?

Well, you can! How?

Back our Patreon!

Kickstarter support enables us to publish books, but Patreon support enables us to continue operation long term. Money from our Patreon pays for monthly fees on software we use, hourly rates on consultants we hire, legal advice, and more. The more we’re able to raise through our Patreon, the more we’re able to pay to authors, artists, and other contributing creators when we do Kickstarters – because our overhead is getting covered by the Patreon support! We offer four backer levels – $3 per month, $5 per month, $10 per month, and $25 per month. All our Patrons get awesome extras – the higher your backing, the more you get:

  • exclusive stories!
  • bonus merchandise!
  • access to our Discord!
  • free books!
  • voting rights on surveys to determine our anthology themes!
  • and more!

So, if you want to help Duck Prints Press, and you want to get more involved, and you want to nudge us toward making the kinds of books you most want to read?

Become a Duck Prints Press Patron, and help us publish amazing (and amazingly queer!) books!

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The “Add Magic to Taste” Kickstarter is Done!

Wow – what a month we’ve had! Over the past 30 days, our 744 amazing backers contributed $25,808 to make this project a success, and we couldn’t be more grateful. All our authors will get paid 8 cents US per word, up to $400 per author, which is a.may.zing, and backers will get this excellent book, lots of fun merch and extras, and the privilege of saying “I was there when Duck Prints Press launched their first anthology!”

For people who backed, we posted about our “next steps” in this Kickstarter update.

For people who didn’t back – couldn’t afford to, were on the fence, missed the deadline, only just found out about it now, all that jazz – we’ll be having an extras sale, most likely in late fall or early winter, once the majority of the KS have received the packages.

The following items will definitely be available in the extras sale:

  • mugs
  • rubber duckies
  • both enamel pins
  • bookmarks
  • small glossy prints of the third piece of artwork

The following items might be available in the extras sale:

  • art prints
  • copies of the trade paperback book
  • postcards
  • stickers
  • mini-book extra
  • magnet

The following items will not be available in the extras sale:

  • keychains
  • tea

In addition, at or around the same time, the e-book will go up for sale on our website, and will remain available there for as long as the Press is in operation!

As we said in our advertising – the only guaranteed way to get the book was to back the Kickstarter, and that remains true. We may have a handful of extra books, but it’ll depend on how many get damaged in shipping and need to be replaced, how many we decide to keep for future campaigns, etc. Right now, we’re only expecting to print about 20 copies above the number purchased, so if we have any at all, it’ll be a very limited quantity.

Feel free to get in touch with us if you have any questions or comments! It’s been a very exciting time, and we can’t wait to start making everything and getting backers their rewards!

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Add Magic to Taste Merch Reveal 1: Key Chain!

We’ve got a lot of amazing merchandise planned for the Kickstarter of our first anthology, Add Magic to Taste, which is an anthology of 20 stories about fluffy queer relationships growing and developing in magical coffee shops, tea shops, bakeries, and the like!

We’ll be posting teasers of our stories and reveals of our planned merchandise over these last few days before the Kickstarter launches on July 15th, with more to come after the campaign goes live, so stay tuned.

First up?

Key Chain!

image

This absolutely adorable piece by @foxyjoy-art (Twitter, Instagram) will be featured on a 2″ x 2″/5 cm x 5 cm printed by Stickermule!

How can you get your very own key chain of this precious pixie and delicious donut?

  • Back our Kickstarter at the $35 level or higher (you can learn more about our backer levels in our FAQ, or wait until the campaign launches on July 15th)
  • Support our Patreon at the $25/month level (and while lower backer levels won’t get you the key chain, they WILL help support the Press, and some also include other Kickstarter-related extras!)

(you can also buy us a ko-fi or three if you want – it won’t yield key chain but we’ll appreciate it a lot. <3 )

Interested in Add Magic to Taste, Duck Prints Press, and our upcoming Kickstarter? We’d love to have you along for the ride – so give us a follow on social media and keep your eyes open, ‘cause there’s a lot more amazing things to come!

The Kickstarter for Add Magic to Taste launches on July 15th, 2021!

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Cover Reveal for “Add Magic to Taste”

Duck Prints Press will be launching our first Kickstarter on July 15th, 2021, and we cannot possibly be more excited for it! We’ve got a LOT more info to come related to – previews of the merchandise, teasers for the stories, and more – but we wanted to get things started by sharing our amazing cover, which features art by LizLee Illustration (@lizleeillustration, Instagram, Twitter, Personal Site) and graphic design work by @pallasperilous (Twitter, Personal Website), @hermitwrites (Pillowfort, WordPress), and @alessariel.

For Add Magic to Taste, 20 authors have come together to produce all-new, original short stories uniting four of our absolute favorite themes: queer relationships, fluff, magic, and coffee shops! Our diverse writers have created an even more diverse collection of stories guaranteed to sweeten your coffee and warm your tart.

Love wlw? So do we!

Love mlm? We’ve got you covered!

Love genderqueer characters? Raise those trans, enby, agender and other flags high!

Love aces? Same, and we don’t (only) mean playing cards!

Love poly relationships? Oh hey, we’re sharing a brain!

We won’t say this anthology has it all – there are too many identities in the world for us to fit all of them into one anthology of 20 stories – but if you want some queer fluff and happy feelings, you’ve come to the right place. Add Magic to Taste features characters of different races, ethnicities, sexualities, romanticisms, gender identities, religions, and home nations, united by the common theme of finding someone (or more than one someone) to enjoy a muffin and a cuppa with – for today, or for a lifetime, romantically or otherwise!

Learn more about this project:

So, mark your calendars! Follow our Tumblr! Read more about the project! Ask us any questions you have! And save your pennies so you, too, can buy this amazing collection of stories!

The Kickstarter for Add Magic to Taste launches on July 15th, 2021!

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Announcing: The Authors and Artists Contributing to “And Seek (Not) to Alter Me!”

Transparent Duck Print Divider

We are thrilled to announce the authors and who will be contributing to And Seek (Not) to Alter Me! (Though we may yet add an artist or three…)

Transparent Duck Print Divider

Artists

Miss Aceriee

Hi! I’m Aceriee and I draw sometimes. I’ve been drawing all my life, but after falling into the supernatural fandom in 2014 I’ve mostly focused on fanart.

Links: Instagram | Tumblr | Twitter

Transparent Duck Print: Orange

Cris Alborja

I’m an illustration and comic artist from Spain. I’ve got a nursing degree, but I decided to pursue my passion. I have studied Illustration at EASD Pablo Picasso in A Coruña and comics at O Garaxe Hermético in Pontevedra. I have done cover art for an anthology called Infiniteca by Retranca Editorial and comics for Altar Mutante, Nai dos Desterrados, and Abraxas en Cuarentena fanzines, as well as in Gaspariño 21 by Retranca Editorial.

Link: Instagram

Transparent Duck Print: Red

Joshua Beeking

I’m Joshua Beeking, an illustrator from Québec City that works in both traditional and digital medias. I have been working on sharpening my skills for over 10 years. I received formal education at Quebec’s O’Sullivan College, where I earned a diploma in 2D/3D Animation and Rendering in 2012. I won first place at the UQAM digital creation contest in 2011 for best character designs.

I’m currently a full time freelance artist with more than 200 commissions completed over the years, and aim to share my little touch of creativity with the world!

Links: Instagram | Patreon | Twitter

Transparent Duck Print: Purple

Liz Brooks

I’m a freelance artist currently living in Michigan with my boyfriend and my dog Ringus Mingus (aka Gus). I’ve been doing freelance work for a few years now and am currently working on making a webcomic series about gay Renaissance Faire knights. In my free time, I enjoy reading, playing video games poorly, and baking.

Links: Carrd | Instagram | Tumblr | Twitter

Transparent Duck Print: Blue

Amy Fincher

Amy Fincher (she/her) is a producer and artist with over a dozen years of experience in the video game and animation industries. She has contributed to various AAA and indie titles, including the Civilization, XCOM, and Skylanders series. Amy is currently working on Open Roads as Executive Producer. When the mood strikes and time allows, she teaches art classes and takes on art commissions on the side. Her hobbies include learning aerial silks, collecting aesthetically pleasing empty containers, looking at shiny rocks, and taking very long naps.

Transparent Duck Print: Green

Taylor C. Fischer

Taylor graduated from the Maryland Institute College of art in 2010. They believe that there are experiences and stories that can connect all of us with the aid of illustration and design. Their previous projects include: Dauntless, Elderscrolls Online, Sid Meier’s: Civilization, League of Legends, and Xcom

Taylor’s continues to create personal work in their free time, but also enjoys raising farm animals, horseback riding, training horses, beekeeping, and lives in their Tiny House on wheels.

Preferred pronouns are They/Them

Links: TaylorCFischer.com | Twitter

Transparent Duck Print: Yellow

Gio Guimarães

Giovanna, or simply Gio, she/her, is a Brazilian artist, working for a long time as illustrator, comic artist and animator. Some of her works are the comics Robocop and Green Hornet, cards for Avatar: The Last Airbender, short animations for advertising and TV shows, and art for games. Since 2016, lives in São Paulo and works for an American game company as Senior Illustrator. Besides the “official” work, she is always working in personal projects, such as independent comics, short animations, illustrations, and fandom works.

Links: Facebook (giovannabcg) | Facebook (giosdoodlesandartworks) | Instagram | Tumblr | Twitter

Transparent Duck Print: White

Alicia Matheson

Alicia Matheson (she/her), Bi-Demisexual and Elder Millenial circa 1982! Southern California native, currently living in the Pacific Northwest; has been writing and doing digital and traditional art for decades. She also works as an author under the pen name Licie Laine.

Links: Archive of Our Own | deviantArt | Patreon | Tumblr | Twitter

Transparent Duck Print: Brown

Lauren Mugford

I’ve been drawing since my mom first put a crayon in my hand as a way to help express my emotions. This resulted in bedroom walls getting covered in elaborate story-filled murals, and I haven’t really stopped since (though my choice of media has changed a bit). My pronouns are she/her, and I currently I reside in the Toronto area, trying to figure out how to make this comic-making, illustration-drawing thing work. With a strong love for narratives, my primary focus is on making fan art for whatever fandom has me most recently captivated, and trying to create my own queer, nerdy works of fiction to put out in the world.

Links: Instagram | Tumblr | Twitter

Transparent Duck Print: Orange

Pimmy Oldham

A quirky queer published artist and hobby writer, mainly working in digital media for the last five years, but often drifting back into traditional media out of nostalgia for my long deserted youth.

I hobby art predominantly in the Supernatural fandom. Heller to the end of my days.

My home is in the UK, my heart is in Europe and my head is usually orbiting Pluto (she’s still a planet to me).

I usually have three or four cats vying to lie on me, my keyboard, or my graphics tab in no set order and live with them and my daughter in generally harmonious chaos.

Links: Archive of Our Own | RedBubble | Tumblr

Transparent Duck Print: Red

Meredith Pancake

I am a 30 year old artist from Indiana. After playing Legend of Zelda: Breath of the Wild, I fell in love with the game and with digital art, and haven’t looked back since! I enjoy creating fanart for whatever show, movie, or book series has my attention at the time, ranging from LoZ to the Witcher. I’m always exploring to find new artists to emulate and learn from, and trying new techniques!

Links: Tumblr

Transparent Duck Print: Purple

Magnolia Porter

Magnolia Porter, 24; I’m an illustrator and painter who enjoys figure expression, both grand and sentimental, what it means to be a creature, and exploiting my exposure to the ideas of holy and unholiness for symbolism material, especially while exploring a mixture thereof (“I’ll tell you my sins so you can sharpen your knife,” anyone?). This will be my first published art, outside of a fandom zine or two. I also dabble in creative writing, though it is not quite my breath and blood like art is. I daydream of fantasy worldbuilding, but unfortunately my troubles with plot have kept those worlds from expanding. Currently, I am in my fourth year of Artfight (go team steampunk!), I cannot stop listening to The Oh Hellos and Will Wood and the Tapeworms, and I am quite looking forward to the new Good Omens series.

Links: Tumblr (mushrooms-and-blooms) | Tumblr (roseal-marrow)

Transparent Duck Print: Blue

Sunny Powell

I’m a they/them ace-spectrum trash panda with a love for political science and working hard to change the world one act of kindness at a time. I’m a graphic designer by day, a multimedia creator and writer by night, and I’ve been involved with various fandom communities for nearly twenty five years. I live in Portland, OR with my 7 year old son and two cats.

Link: SunnyPowellArt.com

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Xanthe P. Russell

I’m Xanthe, she/they, a 23 year old queer freelance artist based in the United Kingdom. I am primarily a portrait artist who specialises in using portraiture as a way of expressing my love for both the subject and art world in general. I mainly work digitally, although love to dabble in traditional art from time to time (such as pencils, paints, embroidery, etc), and am constantly looking to push the boundaries of what my art can be! I recently graduated with a BA in History of Art, and often will use artists of the past and present as inspirations for my work. My art has been featured in a few primarily online magazines, such as the Kraze and MouthingOff, along with some fan-zine and independent projects.

My work is a mix of fan art and original character designs. I have a wide range of fandoms that I’ve been involved in over the years, but one that has remained consistent (and was also what got me interested in digital art back in 2013) is the Kpop fandom. Fandoms in general have been places where I’ve met a lot of really talented and lovely people who have helped inspire and motivate me as a creative person! I also have a love for music and writing, and have written a lot of my own music and stories in my spare time. Being creative has always been a big and happy part of my life, and I love being able to share that creativity with the world!

Links: Behance | Facebook | deviantArt | Instagram | Tumblr | Twitter

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Casei Solus

Casei is a self-taught artist from Florida, USA. She is known for her impressionist fanart and her minimalist pride merch. For work, she designs and mocks up merch for clients. She doesn’t care about her pronouns.

Links: Linktree

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Rima Sweet

I am a Luxembourg/Europe-based Media Writer. My preferred pronouns are she/her. I’ve never had an art piece published before, but a small screenplay made it into my university’s 10th anniversary anthology.

Growing up, art and literature were my passion. As an absolute language nerd, I went on to study English Literature and Linguistics with a heavy focus on Shakespeare, with Sociology as a Minor. Later, I switched to a BTS (“Brevet de Technicien Supérieur”) in Media Writing, which focused more on content creation for various outlets of media, be that visual, audio, print, online, film, journalism…what have you.

Drawing and painting have always been my preferred ways of expressing myself. I was gifted my first set of coloured pencils when I was three years old. Since then, there’s practically always been some sort of drawing utensil in my hand. I love to play with lighting, and my favourite scenes to depict are heartfelt moments with much emotion. I started drawing fan art when I was a teenager, and I am still enjoying it tremendously to this day. Outside of fandom, I like to draw and paint horses, especially in movement, and landscapes. I specialise in digital art but I want to get back into watercolour and gouache.

At the moment, my main fandom is “The Untamed”, or “The Grandmaster of Demonic Cultivation”. Outside of that, I enjoy Marvel movies, fantasy/YA novels, and French poetry. When I’m not working or drawing, you can catch me crocheting or preparing some kind of food, which I love to share with my long-term partner.

Links: Archive of Our Own | Tumblr | Twitter

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A. A. Weston

I’m best described as a jack of all trades but I practice art more than anything else. I am a neurodivergent and queer momma of the best kid in the world.

Links: Archive of Our Own | Instagram | Tumblr | Twitter

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Authors

Len Amin

I’m a disaster pansexual woman, and a fresh graduate with my bachelors degree but absolutely no direction! Despite that, I don’t remember a breath in which I wasn’t creating stories in my mind. Weaving together worlds has always felt like just a different way for me to understand the human condition and to connect with others on a deeper, more spiritual level, and I never want to give it up. I crave quiet, relatable tales about the connection and love between people in whatever form that takes, and how people work through the tribulations that may come about from that intimacy. I am currently residing in the Midwest of the United States with my Palestinian family, our puppy Charles, and our lovely chickens, with a particular affinity of poetry, spending time with friends, and typing away on my laptop in our local cafe.

Links: Archive of Our Own | Discord: LenScribbles#2644 | Tumblr | Twitter

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Juno Caster

Juno is a queer woman in her thirties living in France; she teaches ESL and English literature. She’s been involved in fandom, mostly through writing fanfiction, for twenty years — first on forums and privately hosted websites, then on LiveJournal and FanFiction.Net, and now on Tumblr and AO3. She’s mostly into Asian dramas these days; other interests include foreign languages, true crime, and coffee.

Links: Twitter

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Era J.M. Couts

I’ve been a writer for over 20 years.

Well, if I actually think about it carefully, it has probably been longer than that. I do remember writing a story on MS Paint when my age was still single digits. I could have used Word but Paint was funnier, it let me draw my scenes there too.

So maybe I should rephrase it: I have been a fanfic writer for over 20 years. There, that looks a bit better. I wrote a few originals too, but those never saw the light of day. They will, eventually.

I like to write about characters and their development. I like to write about feelings and struggles and how complicated life can be even when it looks so simple. I like to write epic love stories that don’t always have a happy ending. But most often they do.

I will, one day, write a dystopian series that I’ve been plotting for over a decade. One day, certainly one day.
Aside from being a writer, I’m a reader, an opinionated mind, an Aries, an immigrant, a coffee lover, and a night owl that has been forced to conform to the social norm of waking up early only to become a “Morgenmuffel.”

I am passionate, energetic, lazy, and sarcastic. I’m a CrazyCatLady in the making, a food lover that cannot cook, the Man™ my grandma wanted me to marry, and a happy soul in my own shoes.

And, above all, I am weird. I am queer. And so damn proud of it.

Links: Archive of Our Own | Tumblr

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Aria L. Deair

Aria L. Deair is an author who has been writing, and (while cursing her excessive comma usage) publishing fanfiction online for more than sixteen years. Freelance writer by day, and author every other hour that she isn’t sleeping, she spends her days courting carpal tunnel and “forgetting” to wear her wrist brace.

As a proud member of more fandoms than she can count, Aria can be found blogging about some of the writing that she is avoiding doing at arialerendeair.tumblr.com.

Like a dragon with her hoard, she can be found in her New Hampshire apartment, surrounded by notebooks (most of which are empty), half-filled mugs of tea, and some of the comfiest blankets that have ever existed. Disturb her at your own risk, especially during NaNo Season.

Links: Discord: ✨Dragon✨#5555 | Tumblr | Twitter

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Adrian Harley

Adrian Harley is an almost-lifelong North Carolinian and a fantasy fiction aficionado who didn’t start delving deep into fandom until adulthood. In an effort to reduce the number of unread books in their hoard, they have recently started reviewing books they possess at booksinmyhouse.dreamwidth.org. They are an editor of research by day and an aspiring novelist, also by day. They go to bed early. They live in Raleigh, NC, with their husband and a perfectly reasonable number of cats.

Link: Twitter

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R.L. Houck

R. L. Houck is a 40 yr old woman who uses she/her pronouns. She resides in Virginia with her wife, two dogs, and six cats. She has been writing creatively for as long as she can remember, but this anthology will be her first original publication.

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Hayley Hyde

Hayley Hyde is a chaotic neutral writer and visual artist. Having recently graduated with a bachelor’s degree in English Writings, she currently works as a freelance copywriter, while also fumbling about in her pursuit of a TV writing career. As a former writing center tutor, Hayley knows no bliss quite like tutees coming in with fiction assignments. She’s currently busy being a big ol’ lesbian in Philadelphia.

Links: Archive of Our Own | Discord: destihecker#2695 | Instagram

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Lucy K.R.

Lucy K.R. (she/her) is technically in existence. Every time she is free, she writes. Sometimes, when she is not free, she writes anyway. Therefore, she has taken it upon herself to pursue an authorial career rather than shirking responsibilities in search of the writing time she needs. She is fortunate to be joined by her enthusiastic fiancée Tomo, a loving OG family, and a lively found family as well.

Though a new name in original fiction, she boasts a couple publications in local newspaper Flagpole, and has done some writing for board and video games. Most notably, her work will be featured in the upcoming board game Mageling: Rise of the Ancient Ones. She maintains an eager following for her Final Fantasy VII fanfictions, and in the past year began writing in the Heaven Official’s Blessing universe as well to warm responses.

She comes to writing with a background in upright bass performance, a general interest in most things, and little relevant experience. She is the kind of person who enjoys learning one piece of information about everything without ever acquiring a specialty. In her written works Lucy K. enjoys exploring the fragility and endurance inherent in humanity, the effects of trauma on relationships, and the paradoxical brotherhood of confinement and freedom in society.

She would like to acknowledge that she has never written a biographical statement that did not turn out weird, beg your indulgence, and express her hope that you enjoy her work in this anthology. The people at Duck Prints Press have been a delight, and she is deeply grateful to be included.

Links: Archive of Our Own | Twitter

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Nickel J. Keep

Nickel (they/them) was born in a galaxy far, far away. No. Wait. That’s not their origin story. They currently live in Pennsylvania with two of their three partners, their two children, and a fat, lazy, chonk of a cat named Sphinx. When not writing, Nickel can be found drawing, playing video games, or running Magic: The Gathering tournaments as an L1 judge. They can frequently be found lurking in the Haven, Leverage, and Witcher fandoms.

Links: Archive of Our Own | Twitter

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M.K. Mads

M.K. Mads has been writing stories since she was seven years old. While she is most prolific in fanfiction and has works scattered among more than a dozen fandoms, she has been making strides into original fiction. Her favorite genre to read is romance. When she isn’t reading, writing, or falling headfirst into a new fandom, she can be found baking, walking, doting on her niblings, or playing Pokemon Go.

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Nova Mason

Nova Mason spent a significant portion of her childhood fantasizing about dragons, spaceships, and other worlds. She is now, allegedly, a grown-up, with two kids, and more varied interests. Dragons, spaceships, and other worlds are still pretty high in the list, though.

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Theo Neidlinger

Writer with a focus on lgbtq+ themes. They/them.

Link: Twitter

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A. Reilly

A. Reilly is an avid reader, and has been writing stories as long as they can remember. Around eight years old, they saved up their allowance one nickel and dime at a time to buy a typewriter — which they still have, although they mostly use a Mac now. Adaille joined the fanfic and fanart scene in 2018 after years in the Supernatural fandom, and has been hooked on the community ever since.

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Notte Silhouette

Hi! I’m Notte (she/they). I’ve been a writer since I was 12 years old, which is when I started reading fanfiction and almost immediately felt compelled to write some, too. I started in the Percy Jackson fandom, then moved through various medias until my stories started becoming so AU they were practically my own. While I’ve never published original fiction before, I’ve been publishing fanfiction steadily over the last decade across various usernames and have published articles under my given name for multiple genres: interview, research, and more. I’ve also begun songwriting, and recently had one of my songs incorporated into a video game!

My fiction writing tends towards introspective, character-driven short stories, often laden with metaphor and double meanings. I love flowery imagery and poetic prose, and making characters suffer in the name of growth. More than that, I love using fiction as a way to connect with others: both through the text and through the process of writing. I’ve been running a fandom server for the past two years to build community and support other fanfic writers. I’ve also run two to three prompt months per year, and I’m excited to take on the beta and co-head mod role for a current zine!

When I’m not writing, I’m studying (for grad school, for a future medical school, for research work). Any time after that goes into reading as much as possible, or recently, graphic design, as I start creating graphics to enhance the quality of my events. I love talking to people who want to talk to me, and I will sleep anytime I’m presented with a soft surface to lay on (and sometimes even without). I can’t wait to share my work with you, thank you for taking the time to read it!

Links: Archive of Our Own | Tumblr (fandomsilhouette) | Tumblr (nottesilhouette)

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Veronica Sloane

Veronica Sloane has authored a novel, several short stories, some poetry, and twenty-two years worth of fanfic. She lives with one lovely spouse, one rambunctious clever child, and one sleepy cat.

Links: Archive of Our Own | Tumblr

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Theresa Tanner

Theresa Tanner (she/her): My father’s family was in newspaper journalism, and he taught me how to get to the heart of a story and how to proofread. My mom was an Army doctor, and her family included a long history of educators. I grew up to teach high school science and write stories, so I’d like to think both sides would be proud of me. When I retire from teaching, I plan to pursue writing as my second full-time career. When not teaching or writing, I enjoy playing with my cat, video games, knitting, listening to music, streaming TV, and, of course, reading. I live in West Texas now, but have lived in Maryland and Germany and traveled through much of the United States and Western Europe.

I’ve written several novels with the help of NaNoWriMo, although none are yet published. I have several hundred works on Archive of Our Own, primarily in the Supernatural and Yuri!!! on Ice fandoms. I currently also enjoy Miraculous Ladybug, Marvel Cinematic Universe, Boku no Hero Academia, Star Wars, Star Trek, Mass Effect, and The Lord of the Rings.

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K.B. Vimes

K.B. Vimes lives in West Virginia with his fiance and their six cats, four frogs, three lizards, one frog, and a number of fish. In his spare time he makes paper craft, takes long walks with his fiance, and visits state parks. He’s been writing since he was old enough to hold a pencil, and for years has told stories to anyone willing to hold still long enough to listen.

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Lyn Weaver

Lyn Weaver has been writing fanfiction for over a decade and original fiction for even longer. Her preferred genres are fantasy and horror and her preferred tropes are ‘enemies to lovers’ and anything to do with identity issues. She won’t read a story if something bad happens to the cat.

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Nicole Wilkinson

Nicole has been publishing her writing for the public since she first stumbled into fanfiction back in 2007, when a college friend introduced her to the concept through the world of Final Fantasy VIII slash fiction. Since then, it’s been a roller coaster ride straight through dozens of fandoms, eventually leading to original content published through a variety of means. She’s in her mid-thirties, uses she/her pronouns, and more recently has discovered an intense affection for playing Dungeons and Dragons.

Links: Archive of Our Own | Tumblr | WordPress

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Cat Z.Y.

Cat currently lives in California with her succulent Teddy. She published her first novel by the name of “Guardian” with the pseudonym Ann O. Nemos (after reading too much Agatha Christie) at the age of 14. Besides writer, she enjoys fiber crafts and swimming.

Link: Archive of Our Own

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